Education Commons^™

Trauma-Informed Teaching Perspectives Of Arts And Non-Arts Educators: A Mixed Methods Study For Transformational Change, Annie C. Shrawder

Education Doctorate Dissertations

The purpose of this study was to understand and answer the overarching research question: To what extent are PA educators prepared to recognize and respond to students impacted by trauma and Adverse Childhood Experiences (ACEs)? This question is investigated using a mixed methods action research design on the preparedness of k-12 arts and non-arts educators within one school district. This study unpacks the level of preparedness of educators teaching students with trauma and adverse childhood experiences. The data analysis provided perspectives of non-arts teachers and arts teachers in one school district. Additionally, academic research revealed that the arts positively counteract …

Letter To The President: Longitudinal Critical Discourse Analysis Of Academic And Hip Hop Genres In A Rap Narrative Program, Debangshu Roygardner

Dissertations, Theses, and Capstone Projects

The objective of this study was to examine an in-school rap narrative workshop through critical discourse theory (Bamberg, 2012; Daiute, 2014). Twelve youth from a public school serving youth in urban Houston, TX were recruited from an in-school and after-school Hip hop/Rap narrative program to participate in a two-year cohort research study. The primary research question guiding the study was “How do young people participating in a school-based Hip hop/Rap program use a wide range of narrative genres for literacy and psycho-social development over two years in the program?”

The data-intensive study involved assessments of literacy and psycho-social development via …

On Craft, William Lentjes

KSU Journey Honors College Capstones and Theses

Craft is a relationship - a dialogue - between craftsman, tool, and material. Craft begins with the intent of all of these loci, and all of these loci are rooted in Being.

Being is known through the consciousness, awareness, and perception of a subject. Being is the inherent existence and totality of "what is."

Being crafts us; Craft imbues Being.

This thesis re-examines the pedagogical approach of an architectural education. The focus is placed on craft through presuppositionless phenomenology.

In an age of endless mechanized production and spiritless materialism, the practice of craft can teach us to return to the …

The [E]Motionless Body No Longer: Tracing The Historical Intersections Of Mental Illness And Movement In The American Asylum, Holly Adele Herzfeld

Senior Projects Spring 2017

Senior Project submitted to The Division of Multidisciplinary Studies of Bard College.

Investigating The Use Of Creative Mask-Making As A Means To Explore Professional Identity Of Doctoral Psychology Students, Laura Louise Bentley

Antioch University Full-Text Dissertations & Theses

The goal of this qualitative study is two-fold: to explore doctoral psychology students' current sense of self-identity as clinicians (nearing graduation) and their future sense of who they hope to become as practicing clinical psychologists using a creative arts methodology and to illustrate how the use of creative arts processes have clinical relevance for not only mental health clinicians and psychologists but also educators. Seven doctoral psychology students nearing graduation participated (individually) in a guided imagery and mask-making experience and in a phenomenological, semi-structured, in-depth interview following the art making. Through the use of Interpretative Phenomenological Analysis (IPA), an integrative, …

Text And Texture: An Arts-Based Exploration Of Transformation In Adult Learning: A Dissertation, Enid E. Larsen

Educational Studies Dissertations

This research explored the transformational and co-transformational potential of collage, assemblage and mixed media in an accelerated undergraduate adult course on imagination and creativity. The methods were qualitative and arts-based artist-teacher inquiry within a constructivist art class for ten, female adult learners. Informed by the researcher's living inquiry through visual auto-ethnography, a collagist methodology shaped the research, including syllabus construction, course delivery and data gathering. Process was an emergent and interpretative analytic tool, drawn from multiple perspectives of artwork and reflections by the students, and the multiple identities inherent to the artist-teacher researcher.

A Choice-Based Art Curriculum For Eighth Graders At A Public Charter School, Elisa Hirvonen

Graduate Student Independent Studies

In a choice-based art curriculum students select units of study, explore ideas, and choose specific elements of their projects to develop, e.g., media. The goal is to provide a more authentic artistic experience. Surveys conducted at the beginning and end of the year-long program indicate that students are enthusiastic about choice, and that attitudes towards art improved.

Introduction(S) To Men In Feminism, Kristin G. Congdon, Doug Blandy

Journal of Social Theory in Art Education

In the Spring of 1988 I received a note from Doug Blandy asking if I wanted to co-ordinate a panel on "Men in Feminism" with him. The idea of men working with feminist ideas was not new to our discussions. When we worked together at Bowling Green State University, we often wondered (and indeed frequently laughed) at how gender related the reactions of our faculty and students probably were to our successes and failures. Shortly after I agreed to coordinate this panel with Doug, I attended a conference in the Pennsylvanian mountains in "Women, Art and Society." This was my …

Acting Out Caring: An Andogynous Trait, Clayton Funk

Journal of Social Theory in Art Education

A problem in gender studies concerns frequent critique of sex-role stereotypes. But how often do we analyze characteristics that men and women have in common? The notion is doubtful that women must be essentially nurturant and empathic, and that men must be analytical and assertive. The strongest educators possess the best of both, no matter the gender, and are usually capable of modeling a sensibility of caring about learning.

Examining Environmental Advertising Imagery Through Art Education, Tom Anderson

Journal of Social Theory in Art Education

This is an examination of advertising imagery in the United States, with particular emphasis on outdoor advertising, and a proposal for an art curriculum focused on advertising awareness. The method is socially-oriented art criticism funded by some history of advertising and the psychology and philosophy of persuasive, manipulative, and pecuniary symbolism. The intent is first to decode the aesthetic environment (Barbosa, 1988) and then present a structure that helps art students to do the same. The examination begins with the object and returns to the object for validation (Ecker and Kaelin, 1970), but "ends with an understanding of personal experience, …

Subjective Undercurrents: Humour And The Naea, Harold Pearse

Journal of Social Theory in Art Education

The psychological climate of an NAEA conference is a highly variable one. Given the temporal and spatial restrictions, emotions tend to be intense and feelings concentrated. A good deal of what is felt is predictable – after all, conferences are call conventions. But beneath the surface veneer of officiousness, formality, and collegiality, there are subjective undercurrents. The novices experience loneliness, insecurity and feelings of inadequacy being surrounded by “experts” – people whose publications they have read or with whose names they are familiar. The experts may experience anxiety and insecurity as their egos, careers and reputations are exposed to public …

Democracy And Education At The Barnes Foundation, Margaret Hess Johnson

Journal of Social Theory in Art Education

Through the foundation that bears his name, Albert C. Barnes put into practice John Dewey's notions of education, democracy, and scientific method. A description of the egalitarian and empirical aspects of the institution known as The Barnes Foundation confirms the instrumental function of art for education. The Barnes Foundation served as a learning laboratory rather than as a museum of art; in this manner works of art served an instrumental function through indicating Deweyan theory about democracy and education.

Carl Jung: A Formalist Critique, Harold J. Mcwhinnie

Journal of Social Theory in Art Education

I will present a review of the basic thoughts of Carl Jung and outline his research in areas such as psychological types and the uses of symbols in art. Special attention will be placed on his discussions of Schiller's work on aesthetic play. His work on the psychological types will be related to research in art education with the Myers-Briggs tests. His work on symbols in art will be related to the new and growing interest of art education in the whole field of Creative Arts Therapy. Jung's influence on art education will be discussed within the historical and philosophical …

Towards A Model For Considering The Social Functions Of Art, Ronald W. Neperud

Journal of Social Theory in Art Education

The purpose of this paper is to suggest development of a model for examining the social functions of art with the goal that art educators might better understand and value that dimension of human activity. In recent decades individuality, self-expression, and creativity have reigned supreme to the neglect of other dimensions of art important to human welfare--functions important to maintaining the group. The more recent valuing of art of the culturally diverse and the importance of art to groups such as Blacks, Chicanos, and the elderly, and others has suggested that art educators need to understand how art functions in …