Education Commons^™

Toward An Integrated Theory Of Musical Worth And Pedagogical Value: An Analysis Of Commissioned Choral Works And Personal Perspectives Of Emma Lou Diemer And Alice Parker, Elise Eskew Sparks

Middle-Secondary Education and Instructional Technology Dissertations

Repertoire comprises the curriculum of school music ensembles, yet its selection by music educators is unsystematic, commonly influenced by publishers, and lacking in thoughtful critique (Budiansky, 2005; Forbes, 2001). Research reports that musical worth and pedagogical value are foremost criteria in repertoire selection (Devore, 1989; Ostling, 1978). This ethnographic research explored relationships between musical worth and pedagogical value in works and perspectives of Emma Lou Diemer and Alice Parker, two prominent female composers whose extensive catalogs include music written for educational settings. Data were collected via methods consistent with qualitative inquiry. Smith’s (2003) Interpretative Phenomenological Analysis was employed to facilitate …

The Promiscuity Of Aesthetics, Paul Duncum

Journal of Social Theory in Art Education

I contend that the concept of aesthetics lies at the very heart of the art educational enterprise, albeit significantly reconfigured. I begin by offering a highly potted, historical overview of aesthetics that while it supports Tavin’s view of aesthetics as a confused and confusing concept, demonstrates how important it remains. My intention is not to support aesthetics as part of a progressive socio-political agenda, as many art educators do, but because the word aesthetics is today used extensively beyond our specialized area of art education to conceptualize the sensuousness of contemporary cultural forms. A brief investigation of books and articles …

Who Is Telling This Story? : A Study Of An Aesthetic Education Collaboration Between A Classroom Teacher And A Cultural Institution, Katherine Fox

Graduate Student Independent Studies

This study explores the classroom teacher's role in a collaboration between a New York City classroom teacher and Lincoln Center Institute. Aesthetic education, imaginative learning, and collaboration between classroom teachers and teaching artists, the core practices of Lincoln Center Institute's inquiry units, are defined through a review of other established approaches to these concepts. The perspective of a third-grade teacher who participated in an inquiry unit focused on MytholoJazz, a storytelling performance illustrates the purpose, planning, and action that characterize Lincoln Center Institute's programs. Qualitative analysis of the teacher's work, in addition to her own reflection on the process, reveal …

Teaching About Genocide: A Cross-Curricular Approach In Art And History, Mark Thorsen

Electronic Theses and Dissertations

This study describes the experiences of suburban area high school 10th, 11th, and 12th grade art students immersed in a cross-curricular study of the Holocaust and genocide. Three participant-educators, art teachers, and I, a history teacher, designed a two week curricular unit which was implemented in January, 2010, to increase student-participant awareness and action to address the global problem of genocide. This cross-curricular unit used non-discursive sources of testimony in a variety of forms of representation to inspire student-participant artwork.

Four research questions guided this study: How do educators use a variety of forms of representation to teach the complexities …