Education Commons^™

Capturing Aesthetic Experiences With Installation Art: An Empirical Assessment Of Emotion, Evaluations, And Mobile Eye Tracking In Olafur Eliasson’S “Baroque, Baroque!”, Matthew Pelowski, Helmut Leder, Vanessa Mitschke, Eva Specker, Gernot Gerger, Pablo Tinio, Elena Vaporova, Till Bieg, Agnes Husslein-Arco

Department of Educational Foundations Scholarship and Creative Works

Installation art is one of the most important and provocative developments in the visual arts during the last half century and has become a key focus of artists and of contemporary museums. It is also seen as particularly challenging or even disliked by many viewers, and-due to its unique in situ, immersive setting-is equally regarded as difficult or even beyond the grasp of present methods in empirical aesthetic psychology. In this paper, we introduce an exploratory study with installation art, utilizing a collection of techniques to capture the eclectic, the embodied, and often the emotionally-charged viewing experience. We present results …