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John Keats And The Perceiving Subject In The Fall Of Hyperion: Poetics, Symbol, And Play, Clara Delene Busby

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For my thesis, I claim that John Keats's poem, The Fall of Hyperion: A Dream, exemplifies the aesthetic theory of German philosopher/poet/playwright Friedrich Schiller as explicated in On the Aesthetic Education of Man in a Series of Letters. I am analyzing Keats's poem through Samuel Taylor Coleridge's theory of the symbol as asserted in The Statesman's Manual . . . in conjunction with Schiller's aesthetic letters, and my claim is that Keats's poem illustrates Schiller's theory of the play-drive. What Schiller terms as the play-drive is what happens cognitively when we make and/or encounter the beautiful in art. He claims …