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Full-Text Articles in Education
Theater & Identity At Gettysburg College, Spring 1971, Jamie A. Riches
Theater & Identity At Gettysburg College, Spring 1971, Jamie A. Riches
CAFE Symposium 2023
In 1971, the country was still in the process of extreme social upheaval and transformation brought on by the 1960s, and that included small, secluded communities like Gettysburg College. In the Owl & Nightingale Society, the school's theater program, many students found ways to express and explore themselves creatively and personally. Both historically and currently, theater tends to draw in queer people, and can be a comfortable and interesting way to embrace your identity and learn to build and work with communities. These are things queer people often didn't--and still don't--have access to in their everyday lives, making theater a …
Academic And Intellectual Life For Gettysburg College Women, 1960-1980, Theodore J. Szpakowski
Academic And Intellectual Life For Gettysburg College Women, 1960-1980, Theodore J. Szpakowski
Student Publications
The women of Gettysburg College, students and faculty, faced unique barriers in their academic life from 1960 to 1980. The college was making curricular and calendar changes to benefit all students, women, but was slower to fix the inequities facing women. First, women had a harder time getting into Gettysburg College, due to a 2:1 sex ratio in admissions that required women to have higher qualifications than their male counterpoints. Some women also struggled to convince family members that college mattered to them rather than just being an expensive way to acquire a marriage match. Once there, women were expected …
Jesusmania!: The Bootleg Superstar Of Gettysburg College, Devin Mckinney
Jesusmania!: The Bootleg Superstar Of Gettysburg College, Devin Mckinney
Gettysburg College Faculty Books
In 1971, an illegal performance of the rock opera Jesus Christ Superstar was staged at Gettysburg College. It was the spontaneous project of students, professors and a renegade seminarian. Performance rights were being negotiated, when suddenly legal action was threatened against any group staging the work before its Broadway premiere. The cast and crew put the show on anyway, and many hundreds attended. But the outlaw production drew the college administration and the Lutheran church into controversy. Drawing from original documents, recordings, and interviews with the cast, this book tells the behind-the-scenes story of the production.