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The Weaving Of A Tapestry: A Metaphor For Teacher Education Curriculum Development, Susan E. Simon
The Weaving Of A Tapestry: A Metaphor For Teacher Education Curriculum Development, Susan E. Simon
Australian Journal of Teacher Education
Teacher educators rightfully dream of delivering inspiring programs to benefit future teachers and the students they will in turn inspire. However, in the current teacher education environment in Australia, the artisan’s craft of weaving rich texture and producing a masterpiece is potentially over-shadowed by the educational administrator’s continual focus on the mapping of professional standards to produce an accreditation-worthy product. Responding to increased accountability, teacher educators at the University of the Sunshine Coast in Queensland, Australia, embarked on re-developing programs utilising a process akin to tapestry weaving. This metaphor enriched contributors’ understanding of the complex process of teacher education program …
Chaos Of Textures Or ‘Tapisserie’? A Model For Creative Teacher Education Curriculum Design, Sue E. Simon
Chaos Of Textures Or ‘Tapisserie’? A Model For Creative Teacher Education Curriculum Design, Sue E. Simon
Australian Journal of Teacher Education
A tapestry or ‘tapisserie’ methodology, inspired by Denzin and Lincoln’s ‘bricolage’ methodology (2000), emerged during the complex task of re-developing teacher education programs at the University of the Sunshine Coast, Queensland, Australia. ‘Tapisserie’ methodology highlights the pivotal task of determining stable ‘warp threads’ prior to the subsequent interweaving of myriad ‘weft threads’. In our context, the core values of the education team were deemed to be the crucial ‘warp threads’ which would provide structure and navigation through numerous ‘weft threads’. The resultant model assisted teacher educators’ understanding of this complex process within a rigorous accreditation environment. It aims to preserve …
Chinese Students' Perceptions Of Their Creativity And Their Perceptions Of Western Students' Creativity, Bingxin Wang, Kenneth M. Greenwood
Chinese Students' Perceptions Of Their Creativity And Their Perceptions Of Western Students' Creativity, Bingxin Wang, Kenneth M. Greenwood
Research outputs 2013
This paper applies the Four C Model of Creativity ('Big-C, little-c, mini-c and Pro-c') to determine Chinese students' perceptions of their own creativity and their perceptions of Western students' creativity. By surveying 100 Chinese students and interviewing 10 of them, this paper discovered that Chinese students generally perceived their creativity to be less than that of Western students. Differences on mini-c and Pro-c were larger in the direction of Western students being superior, and the items that differed in the opposite direction and those which did not differ were part of the subset of little-c items. The perceived superiority of …