Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Edith Cowan University (7)
- University of Nebraska - Lincoln (5)
- Dominican University of California (1)
- Georgia College (1)
- Gettysburg College (1)
-
- Illinois State University (1)
- James Madison University (1)
- Louisiana State University (1)
- National Louis University (1)
- Sacred Heart University (1)
- Selected Works (1)
- University of Connecticut (1)
- University of Mississippi (1)
- University of South Florida (1)
- University of Tennessee, Knoxville (1)
- Western University (1)
- Western Washington University (1)
- Publication Year
- Publication
-
- Australian Journal of Teacher Education (5)
- UNL Faculty Course Portfolios (4)
- Chancellor’s Honors Program Projects (1)
- Dissertations, 2020-current (1)
- EDL Sixth Year Theses (1)
-
- Electronic Theses and Dissertations (1)
- Electronic Thesis and Dissertation Repository (1)
- Faculty Publications (1)
- Faculty Publications - Music (1)
- Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance (1)
- Graduate Research Showcase (1)
- Honors Scholar Theses (1)
- John Heyworth (1)
- LSU Doctoral Dissertations (1)
- Research outputs 2022 to 2026 (1)
- Scholarship and Engagement in Education (1)
- Sunderman Conservatory of Music Faculty Publications (1)
- Theses: Doctorates and Masters (1)
- USF Tampa Graduate Theses and Dissertations (1)
- WWU Honors College Senior Projects (1)
- Publication Type
Articles 1 - 27 of 27
Full-Text Articles in Education
Reevaluating Student Engagement: Exploring And Applying Alternative Assignments In Higher Education Undergraduate Applied Saxophone, Anthony S. Cincotta Ii
Reevaluating Student Engagement: Exploring And Applying Alternative Assignments In Higher Education Undergraduate Applied Saxophone, Anthony S. Cincotta Ii
Dissertations, 2020-current
Undergraduate applied saxophone study revolves around the conservatory model. This inflexible model, often referred to as a master-apprentice relationship, can create an instructor-centric power dynamic which does not address the needs of the modern student. A classroom where the power lies so heavily with the instructor can stifle student engagement and can create a sense of disenfranchisement. In this setting, students have limited input on their assignment selections. While curricula have evolved with regards to being more culturally diverse, relevant, and inclusive, the approach that educators use to deliver the material has remained largely unchanged. There is limited research on …
A Multiple Case Study Of Adolescent Piano Students: Examining Motivation Through The Lens Of Interest Development, Carla Lucia Salas Ruiz
A Multiple Case Study Of Adolescent Piano Students: Examining Motivation Through The Lens Of Interest Development, Carla Lucia Salas Ruiz
LSU Doctoral Dissertations
One way of understanding motivation is through the factors that influence it. These factors analyzed as psychological constructs give rise to the notion of motivation variables such as interest. Interest is a powerful variable that affects student motivation to learn (Hidi & Renninger, 2006; Hulleman et al., 2017; O’Keefe et al. 2017; Renninger & Hidi, 2016; Tin, 2013). In 2006, Hidi and Renninger proposed the “Four-Phase Interest Development Model” for the characterization of interest in learning. According to this model, learners can move from a situational level of interest development to a well-developed individual interest, in a sequential manner. This …
Early-Career Music Teachers’ Perspectives Of Their Initial Teacher Education Program In China, Han Meng, Jason Goopy
Early-Career Music Teachers’ Perspectives Of Their Initial Teacher Education Program In China, Han Meng, Jason Goopy
Research outputs 2022 to 2026
Initial teacher education plays an important role in preparing music teachers for schools. There is a growing interest in Chinese music teacher education, though limited research currently exists. This study investigated early-career teachers’ perspectives concerning the efficacy of the initial music teacher education program at Yu Cai Normal University (pseudonym), China. This mixed-methods study used a sequential explanatory design where qualitative interview data were used to provide further explanation and detail regarding survey results. The perceptions of early-career music teachers were sought on the importance, effectiveness, and usefulness of their initial teacher education and the most rewarding and challenging aspects …
Using Song To Teach Sight Words, Taylor Hagood Guin
Using Song To Teach Sight Words, Taylor Hagood Guin
Graduate Research Showcase
This research is about how a group of seven kindergarten classes used a short and straightforward song to recognize the following six common kindergarten sight words: on, off, up, us, no, & go. As a current music educator and former middle grades English teacher, I wanted to create an opportunity to establish cross-curricular connections in my music classroom. For this specific experiment, seven different classes, including General Education, Self-Contained Special Education, and English Language Learning classes, were selected. They were taught these six sight word songs through the “Sight Word Song.” I selected the sight words specifically because the students …
Music, Our Human Superpower, Kristin Lems
Music, Our Human Superpower, Kristin Lems
Faculty Publications
Research about music pervades every discipline because music touches every area of life. Studies revealing the salutary effects of music can be found not only in music educator research, but in research in psychology, speech and hearing, child development, neuroscience, and increasingly, health and wellness, aging, rehabilitation and recovery. Since my focus is especially in the areas of language and literacy, I research the positive effects of music on reading, writing, and learning languages - and of this, there is no shortage. In this brief Academia article, I share what I’d like to call an “homage-with-references” to our great Superpower, …
Teaching Practices, Institutional Cultures, And Access To Music Learning, Jonah Garcia
Teaching Practices, Institutional Cultures, And Access To Music Learning, Jonah Garcia
Honors Scholar Theses
The mission of the National Association for Music Education is “to advance music education by promoting the understanding and making of music by all” (NAfME, n.d.-b). Despite these aspirations of equality, research suggests that both demographics and geography have a role in determining who is able to participate and who will choose to participate in school music (Elpus & Abril, 2019; Salvador and Allegood, 2014). This study examined the factors that influence school music participation and the representation of student populations in the music programs of two Connecticut secondary schools. Names of schools and participants have been changed to preserve …
Music Education In A Liquid Social World: The Nuances Of Teaching With Students Of Immigrant And Refugee Backgrounds, Gabriela Ocádiz Velázquez
Music Education In A Liquid Social World: The Nuances Of Teaching With Students Of Immigrant And Refugee Backgrounds, Gabriela Ocádiz Velázquez
Electronic Thesis and Dissertation Repository
This integrated-article dissertation explores the multiple ways in which music teachers, community facilitators, and students engage in music teaching and learning in social contexts prone to change due to human mobility. Drawing upon Bauman’s sociological understanding of modern societies as liquid and the larger implications of processes of human mobility in schools and communities, this research focuses on exploring music education as it happens within an increasingly diversifying Canadian society.
In the first article, a philosophical research study, I conceptualize the notion of coping with discomfort as a form of response possibly experienced by music teachers. Here, I draw from …
Problem-Seeking In Teacher Education: Empowering Students To Grapple With The Complexities Of The Profession, Julie Ballantyne, Libby Flynn, Tammie Olm-Madden
Problem-Seeking In Teacher Education: Empowering Students To Grapple With The Complexities Of The Profession, Julie Ballantyne, Libby Flynn, Tammie Olm-Madden
Australian Journal of Teacher Education
Preparing teachers for the realities of the profession is an ongoing concern for teacher education providers. In a climate where the future of teaching is largely unknown and the issues to be faced by teachers throughout their career largely imagined, the ability to identify and solve problems becomes increasingly important. This paper documents an evaluation of a pilot approach to preparing pre-service teachers for the realities of their profession. This approach, which centred on students utilising mobile technologies to problem-seek, was evaluated in terms of students’ perceived preparedness for the profession and their development of problem-solving skills and strategies. Results …
Measures Of Music Teacher Effectiveness In Three Early Career Levels, Alicia L. Canterbury
Measures Of Music Teacher Effectiveness In Three Early Career Levels, Alicia L. Canterbury
Electronic Theses and Dissertations
Corroborative findings across instructional targets rehearsal frames and the summative evaluations indicated a general lack of specificity across all levels which improved somewhat during student teaching and peer teaching. Unidentified targets and nonspecific positive feedback were observed less frequently in student teaching and novice teaching. No growth was found across levels in specific positive and negative feedback. Directives were the most frequently observed teacher verbal category in selected rehearsal frames and information and demonstrations were consistently the highest ranked items across all levels in the summative evaluation. However instructional directive scores were inconsistent. Results indicate that new teachers of all …
Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King
Music Activities Delivered By Primary School Generalist Teachers In Victoria: Informing Teaching Practice, Fiona King
Australian Journal of Teacher Education
The purpose of this paper is to share teacher practice in the inclusion and delivery of music education experiences for children, to inform teacher education and to guide professional learning. It draws on a larger investigation into the music activities delivered by three primary school classroom (generalist) teachers in Victoria, Australia. There is a gap in the literature regarding the music activities and experiences facilitated by teachers in day-to-day classroom learning. The case study investigation inquired into the content, pedagogy, planning and the place of music activities provided to children aged six to eleven. Teacher education is addressed in this …
Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas
Creating Multicultural Music Opportunities In Teacher Education: Sharing Diversity Through Songs, Dawn Joseph, Rohan Nethsinghe, Alberto Cabedo Mas
Australian Journal of Teacher Education
This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project “See, Listen and Share: Exploring intercultural music education in a transnational experience” across three Higher Education sites (Australia and Spain). Drawing on our narrative, and PSTs’ questionnaire data, using Interpretative Phenomenological Analysis to analyze and code the PST data, we report on our initial experience and findings across the three sites and cultural contexts. Generalisations to other institutions cannot be made. We discuss what was taught and how it was taught in our three settings, …
A Study On The Impact Of A Music Looping Technology Intervention Upon Pre-Service Generalist Teachers’ Self-Efficacy To Teach Music In Primary Schools, John Nathan Heyworth
A Study On The Impact Of A Music Looping Technology Intervention Upon Pre-Service Generalist Teachers’ Self-Efficacy To Teach Music In Primary Schools, John Nathan Heyworth
Theses: Doctorates and Masters
In Australia, in the current climate of economic rationalism in which there has been an increasing emphasis on literacy and numeracy, funding for specialised subjects like music has been reducing. As a result, generalist classroom teachers are being given more responsibility for delivering effective music education in primary schools. However, the time dedicated to training pre-service teachers in music education in tertiary institutions has diminished. Further, time constraints involved in building pre-service knowledge and skills in teaching music may impact many pre-service teachers’ beliefs about their ability to teach music.
Within these constraints, digital technology may provide a key to …
Music Education And Its Impact On Students With Special Needs, Sarah V. Foley
Music Education And Its Impact On Students With Special Needs, Sarah V. Foley
Scholarship and Engagement in Education
Using music in a setting that includes students with special needs can have an effect on student communication and socialization. A review of the literature indicates that little is known about the effect of music on student's academic performance and behavior. Overall the research indicates that using music in a classroom, particularly with children with special needs has a positive effect on communication and socialization. Additional studies are needed to document the effect of music on student learning.
A Comprehensive Study Of Attributes Found Within Accomplished Middle School Band Programs, Jacqueline H. Messinetti Jacqueline
A Comprehensive Study Of Attributes Found Within Accomplished Middle School Band Programs, Jacqueline H. Messinetti Jacqueline
Chancellor’s Honors Program Projects
No abstract provided.
Music Teachers’ Perceptions Of Efficacy: Student Learning Objectives And Data Driven Indicators, Geno Heiter
Music Teachers’ Perceptions Of Efficacy: Student Learning Objectives And Data Driven Indicators, Geno Heiter
EDL Sixth Year Theses
Previous research explains that twenty-first century education has moved passed pedagogical ideologies that focus solely on student tasks that require the recall of facts or rote application of simple procedures. Unfortunately, the literature on music education has ignored the importance of measuring intrinsic attributes of music learning and fundamental musicianship. Measuring ‘valid’ higher-order and critical thinking skills as they relate to music learning is significant because states are now measuring student learning and teacher effectiveness by evaluating multiple data driven indicators. Determining ‘what’ valid higher-order learning ‘looks like,’ and the data that can be generated by this learning in a …
Music For Life; A Self-Reflective Study On Childhood Experiences Formulating Music Education Perspectives And Philosophies., John Heyworth
Music For Life; A Self-Reflective Study On Childhood Experiences Formulating Music Education Perspectives And Philosophies., John Heyworth
John Heyworth
Outside Ourselves: Becoming Better Teachers Through Ethnographic Fieldwork, Brent C. Talbot
Outside Ourselves: Becoming Better Teachers Through Ethnographic Fieldwork, Brent C. Talbot
Sunderman Conservatory of Music Faculty Publications
"Two questions students often ask me are: “why do you travel so much?” and “why do you engage in so much research?” My answer to both is relatively simple, “to become a more informed person and teacher.” [excerpt]
Mued 397b/D: Practicum (Music Teaching Field Experience)—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan
Mued 397b/D: Practicum (Music Teaching Field Experience)—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan
UNL Faculty Course Portfolios
This course is taken during the spring semester of the junior year in the Bachelor of Music Education degree. The field experience places students inside schools weekday mornings over 5 weeks following Spring Break, and following core music education methods courses in instrumental and choral teaching (i.e., Instrumental Methods MUED 345 and Choral Methods MUED 346). The UNL undergraduate bulletin describes this course as simply, “Supervised teaching experiences in school.” Students are placed in school settings in the discipline opposite their applied instrument. Specifically, vocal applied students are placed in instrumental settings, and instrumental applied students are placed in vocal …
A Study Of Children’S Musical Preference: A Data Mining Approach, Hoi Yin Bonnie Yim, Yee Ling Boo, Marjory Ebbeck
A Study Of Children’S Musical Preference: A Data Mining Approach, Hoi Yin Bonnie Yim, Yee Ling Boo, Marjory Ebbeck
Australian Journal of Teacher Education
Musical preference has long been a research interest in the field of music education, and studies consistently confirm the importance of musical preference in one’s musical learning experiences. However, only a limited number of studies have been focussed on the field of early childhood education (e.g., Hargreaves, North, & Tarrant, 2006; Roulston, 2006). Further, among these limited early childhood studies, few of them discuss children’s musical preference in both the East and the West. There is very limited literature (e.g., Faulkner et al., 2010; Szymanska, 2012) which explores the data by using a data mining approach. This study aims to …
Mued 403: Student Teaching Seminar—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan
Mued 403: Student Teaching Seminar—A Peer Review Of Teaching Project Inquiry Portfolio, Dale Bazan
UNL Faculty Course Portfolios
This course is taken during music education undergraduate students' student teaching semester, which occurs after completion of all coursework in the Bachelor of Music Education degree. While students work full-time in elementary and secondary schools, they participate in on-campus seminars and workshops. These meetings include presentations and discussion sessions led by the instructor, area school district administrators, and UNL Career Services counselors. Sessions explore online and print resources for professional advancement in the field of music teaching. There are several assumptions made about college students, and more specifically undergraduate music education students. It is assumed, in general, that adolescents and …
Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Inquiry Portfolio, Jamie M. Reimer
Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Inquiry Portfolio, Jamie M. Reimer
UNL Faculty Course Portfolios
Intermediate/Advanced Opera Techniques is a two credit elective course offered each spring at the University of Nebraska-Lincoln. At its genesis, the course was primarily an opera scenes workshop, focused solely on the preparation and performance of an opera scene in a final concert. It is a cross-listed course meaning that students from the first year through advanced graduate study may enroll. Students may or may not have any experience on the music theater stage, nor have they had training in how to prepare a new role from casting to completed performance.
This course is an elective in the School of …
Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Benchmark Portfolio, Jamie M. Reimer
Muop 356/856: Intermediate/Advanced Opera Techniques—A Peer Review Of Teaching Project Benchmark Portfolio, Jamie M. Reimer
UNL Faculty Course Portfolios
I began the investigation of this course and subsequent course portfolio with the following objectives in mind:
- To solidify and articulate the skills I intend students enrolled in this course to achieve by the end of the semester;
- To think creatively about the presentation of course material to most effectively engage and empower students' success; and
- To assess the effectiveness of the course activities in achieving course goals stated in the syllabus.
I am also excited to explore the options available for different methods of content delivery in this course, particularly the application of recorded performance for assessment. In the …
The Silenced Discourse: Students With Intellectual Disabilities At The Academy Of Music In Sweden, Marie-Helene Zimmerman Nilsson, Claes Ericsson
The Silenced Discourse: Students With Intellectual Disabilities At The Academy Of Music In Sweden, Marie-Helene Zimmerman Nilsson, Claes Ericsson
Australian Journal of Teacher Education
In this article, based on a larger research project, the ambition is to critically discuss the first collaboration between students with intellectual disabilities and the Academy of Music in Sweden. The article presents an analysis of video observations of lessons in rhythmics, related to an encounter between the students with intellectual disabilities and a group of student teachers. The theoretical and methodological framework emanates from post-structuralist and social constructionist theories. The results show that the silenced discourse, the unspoken, is constructed from the fact that the students with disabilities both are insufficiently skilled for the task as leaders in rhythmics, …
The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii
The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …
Transitioning From Student To Teacher In The Master-Apprentice Model Of Piano Pedagogy: An Exploratory Study Of Challenges, Solutions, Resources, Reflections, And Suggestions For The Future, Melissa Maccarelli Slawsky
Transitioning From Student To Teacher In The Master-Apprentice Model Of Piano Pedagogy: An Exploratory Study Of Challenges, Solutions, Resources, Reflections, And Suggestions For The Future, Melissa Maccarelli Slawsky
USF Tampa Graduate Theses and Dissertations
While many music educators learn how to teach through teacher training programs, the standard mode of transmission in which piano teachers learn to teach applied piano is through proficiency of the instrument under the guidance of a master teacher. This tacit development of pedagogical knowledge occurs through the master-apprentice model of pedagogy. The purposes of this study were (a) to explore how piano teachers learn how to teach from, and independent of, piano pedagogy coursework, overcome challenges, and continue to add to their pedagogy knowledge, and (b) to explore topics that would be most useful in a piano pedagogy course …
Reflections Of Pre-Service Teachers On Their Own Teaching Practices, David W. Snyder
Reflections Of Pre-Service Teachers On Their Own Teaching Practices, David W. Snyder
Faculty Publications - Music
The focus of this paper is self-reflection on teaching using video. The excerpts that are used in this paper are taken from the emails of pre-service music teachers at Illinois State University completing their required clinical hours with instrumental students at both the middle school and high school level. Though these teaching episodes were eventually evaluated by the instructor in the areas of teacher presence, classroom management, lesson planning, teaching method, pacing, error detection, pedagogy and assessment, the pre-service teachers received no specific guidelines on how to focus their first reflective comments. The intent was to get a glimpse into …
Symphonic Band Conducting Practicum, Allison Schmidtke
Symphonic Band Conducting Practicum, Allison Schmidtke
WWU Honors College Senior Projects
Most music education majors take a year-long sequence of conducting classes in their junior year, about two years before we student teach. Unfortunately, of necessity, these conducting classes are rather contrived. Over the period of each quarter, we conducted our ensemble of cooperative, musically mature peers through about five eight- measure exercises focusing on a specific skill. Of course, since actual technique is only one (small) aspect of work on a podium, we were also introduced to the process of score study with its multitude of layers such as consideration of harmonic structure, stylistic elements, orchestration, context (historical influences, information …