Education Commons^™

Ouachita To Present One Act Play Festival For On-Campus Audiences Nov. 19-20, Meagan A. Woodard, Ouachita News Bureau

Press Releases

Ouachita Baptist University’s Department of Theatre Arts will present its biannual, student directed One Act Play Festival on Thursday, Nov. 19, and Friday, Nov. 20, at 7:30 p.m. in Verser Theatre. Due to health guidelines, limited seating is available only to Ouachita students, faculty and staff. Tickets are free and available at www.obu.edu/boxoffice.

The One Act Play Festival features a variety of plays entirely produced by students for their end-of-semester project in Ouachita’s senior directing class. The performances highlight what students have learned in the course and in their years at Ouachita.

Joker Exchange Online - Meeting The Risks And Opportunities Of The Covid-19 Crisis, Uri Yitzchak Noy Meir, Anne Larcher

Pedagogy and Theatre of the Oppressed Journal

In this article, we narrate and analyse patterns of engagement and harvest key learning from the Joker Exchange Online (JEO) events on 11th April and May 2nd. We map the impact of these online events to inform future events as an effective collective response/strategy to global challenges. At the same time, we are Theatre of the Oppressed practitioners who attended/presented in the JEO, and this informs our research and engaged interest in theatre and community work on the margins of theatre, activism, and social change. The article has three parts: the first part look at the “triggers” for the Joker …

Theatre Of The Beat’S Restorative Justice Theatre Program: Highlights From The Baseline Evaluation, Karen Nelson, Keely Kavcic, Courtney Primeau, Kimberlee Walker

Pedagogy and Theatre of the Oppressed Journal

This report highlights the findings from the evaluation of Theatre of the Beat’s (TOTB) Restorative Justice Theatre Program, which works with incarcerated persons at the Grand Valley Institution for Women (GVIW), a federal prison in Kitchener, Ontario. The project was conducted by the Research Shop, part of the Community Engaged Scholarship Institute (CESI) at the University of Guelph, in partnership with Theatre of the Beat (TOTB), a not-for-profit theatre company with a process rooted in restorative justice principles and a passion for promoting conversations around social justice.

Ouachita's Fall Concerts And Theatre Productions Available Online, Jessica Daniell, Ouachita News Bureau

Press Releases

Ouachita Baptist University’s School of Fine Arts has made adjustments to its fall concert and theatre season to both allow students to continue their performance education and allow viewers to experience their art safely amid the COVID-19 pandemic.

With reduced seating available to allow for physical distancing, in-person attendance for many events will be limited to Ouachita students, faculty and staff only. However, streaming options will be available for most events for off-campus patrons or those who prefer the virtual option. Some events will be streamed live for free via Ouachita’s typical Livestream channel: www.livestream.com/obu. Others will require paid …

Prosthetic Ontology Into Pedagogy: Applying Garoian’S Theory To The Performing Arts, Elise Lael Kieffer

International Journal of Lifelong Learning in Art Education

Prosthetic pedagogy, as developed by Charles Garoian, provides a framework for using artificial-real worlds created by the arts to influence and impact teaching practice. The prosthetic space is artificial, separate, from the artist and audience, yet it is felt authentically, as if it were part of their being. Garoian explored prosthetic pedagogy through visual arts and museum experiences. This research further examines prosthetic pedagogy by applying it the Theatre. The art of theatre builds worlds onstage and through performance that allow performers to be and exist apart from their physical selves in the realm of prosthetic reality. The artist and …

Capturing Quarantine: Student Pandemic Experience Journal, Taylor Koski

Public History Journals

Journal submitted from the first Public History 2020 summer session class at Columbia College Chicago reflecting on aspects of the global pandemic from the student perspective.

Capturing Quarantine: Student Pandemic Experience Journal, Peyton Cooper

Public History Journals

Journal submitted from the first Public History 2020 summer session class at Columbia College Chicago reflecting on aspects of the global pandemic from the student perspective.

Exploring A Qualitative Approach To Arts Advocacy And Evaluation, Lycette C. Belisle

Undergraduate Theses

The quantitative impact of the arts has become an increasingly important factor in determining the overall value of a project, and is often used to determine acceptance of submissions, public recognition and funding disbursement. This project evaluates current understandings of how the arts function within society, popular methods for determining the value of the arts and explores how qualitative reasoning can be utilized to communicate the value of supporting artistic endeavors. While placing a numerical value on the arts based on data collection can be important, this project will aim to evaluate the implications of relying so heavily on facts …

Speak The Speech: Lessons In Projection, Clarity And Performance, James Hagerman

Masters Theses/Capstone Projects

This study compared two classes and their responses to a controlled curriculum versus an experimental curriculum based on teaching high school students in acting classes to project and speak with clarity during onstage performances. The experimental group had fifteen days of instruction, extensive feedback and an additional two lessons, while the control group participated in two out of the four lessons and had eight days of instruction with limited feedback. The driving question of this study was, “How do you get teenagers to project and speak with clarity on stage, so the audience is not left asking, ‘What did they …

Toward A Culturally Sensitive Approach To Student Centered Accent And Dialect Coursework - Thea 403: Advanced Voice - Accents & Dialects – A Peer Review Of Teaching Project Benchmark Portfolio, Ann Marie Pollard

UNL Faculty Course Portfolios

A benchmark portfolio for Theatre 403: Advanced Voice (Accents and Dialects). This portfolio describes considerations taken in developing a new course design, optimizing course assignments, implementing a perspective which moves toward the decolonization of the acting classroom, and integrating heightened awareness of cultural sensitivity with practical, skills-based learning. The author provides context around the course, its objectives, and its structure. Samples of student perspectives are provided within an in-depth look at an in-class conversation about diversity, inclusion, and practicing advocacy for appropriate casting choices. The reflection includes a conclusion that, while moving toward a destandardization of content has its challenges, …