Education Commons^™

Fostering Creativity: Ontario Teachers’ Perceptions, Strategies, And Experiences, Catharine M. Dishke Hondzel

Catharine Dishke Hondzel

This study provides a broad overview of perceptions elementary school teachers hold regarding creativity, the strategies those teachers use to foster creative thinking and behaviour in their students, and the environmental challenges and opportunities they navigate when striving to develop 21st century skills in students. Earlier research examining teachers’ perceptions and creativity-fostering behaviours have typically asked teachers to describe their classroom practices, or self-report their perceptions regarding creative children or children’s creative actions. Using a mixed-methods approach, in this study 22 Grade 5-7 teachers working in Ontario completed an online questionnaire which measured their creativity-fostering behaviours. Following the survey, 12 …

Introduction To Creativity: A Lecture And Curriculum Framework For Students Who Identify Themselves As Creative, Miriam Kelley

Creativity and Change Leadership Graduate Student Master's Projects

This project focuses on the creative person, process, product and press- the 4Ps of creativity as articulated by Rhodes (1961). A curricular framework was developed with an emphasis on enhancing the abilities of those who already identify themselves as creative, specifically undergraduate Freshmen and Sophomores looking to study various fields of Design at the university level. The objective of the framework is to not only identify the innate processes that may have led these students to identify themselves as creative- thereby choosing their major- but also to allow them to recognize, improve and be deliberate in those processes, to enhance …

Creative Classrooms To Teach And Learn Grammar Lessons For Middle School Students With The Design Of Tim, Christina M. Belesovski (Demarco)

Master's Projects

Project Abstract

Creative Classrooms to Teach and Learn Grammar Lessons for Middle School Students with the Design of TIM

This project focuses on creating a classroom as a learning environment to help to teach Middle school students at the level of 8^th grade lessons on grammar. Also incorporated in this project will be the emphasis on the Torrance Incubation Model of Teaching and Learning (TIM).

E. Paul Torrance, better known as “the father of creativity” was quoted once saying, “tomorrow’s world will be vastly different for today’s children. They will do kinds of work that do not exist now. …

The Mediating Effect Of Contextual Characteristics On Collectivist Dynamics And Entity Based Creativity Among Faculty In Higher Education, Anthony Olalere

All Dissertations

This study examines the mediating effect of the entity based creativity on the interaction between complexity theory and creativity among faculty members in higher education organizations. The purpose of study was to investigate how mechanisms for intellectual productivity and creativity foster intellectual and disciplinary interactions among faculty members in higher education. The theoretical framework of complexity theory and KEYS model constructs were employed in order to examine how complexity dynamics, motivation, stimulants and inhibitors foster faculty creativity in higher education.

The Partial Least Square of Structural Equation Model (PLS-SEM) was used to analyze data using the PLS algorithm, bootstrapping and …

Creativity To The Core: How The Ky Core Academic Standards Can Enhance Creativity--Research, Dorie Combs

Kentucky Journal of Excellence in College Teaching and Learning

The Common Core State Standards (CCSS) were developed by the Council of Chief State School Officers (CCSSO) and the National Governor’s Association in response to concerns about the poor performance of US students in comparison to students in other industrialized nations. A lack of understanding of the standards has led some to assume that any standards-based curriculum is going to focus on lower-level thinking skills and therefore impede critical and creative thinking. While Kentucky’s English language arts and mathematics standards are derived from the CCSS, Kentucky’s learning targets and standards are not limited to the CCSS standards. That is, there …

Let’S Get Creative About Creativity In Dance Literacy: Why, Why Not, And How?, Linda Ashley

Journal of Movement Arts Literacy Archive (2013-2019)

This article is written in the interests of opening up dialogue and generating debate about the relationship between dance literacy and the role of creativity in dance education. It aims to provoke discussion amongst dance educators who may, or may not, currently value or be aware of, the benefits that graphic movement notation can play in learning and teaching in, through and about dance. This article, however, is not an exhaustive examination of the educational value of graphic movement notation, as that information is readily available from many different sources including dance educators, anthropologists of dance, dance historians and so …

Improving Problem-Based Learning In Creative Communities Through Effective Group Evaluation, Richard E. West, Greg S. Williams, David D. Williams

Interdisciplinary Journal of Problem-Based Learning

In this case study, we researched one cohort from the Center for Animation, a higher education teaching environment that has successfully fostered group creativity and learning outcomes through problem-based learning. Through live and videotaped observations of the interactions of this community over 18 months, in addition to focused interviews with nine key community leaders, we considered the evaluative culture and actions of this community, and how these evaluative practices improved their creative problem solving. We describe their evaluation practices in the context of principles derived from the Joint Committees’ Evaluation Standards (Yarbrough, Shulha, Hopson, & Caruthers, 2011), which are well-respected …

Merging Creative Design And Cad Learning Activities In A Product Design Programme, Pearl O'Rourke, Colm O'Kane, Leslie Smith, Michael Ring

Conference Papers

Traditional learning and teaching methods for creativity differ from those used in a scientific context. Although the creative process can benefit from a certain level of prescription and structural constraint - with time allocated to research, problem definition, conceptualisation and idea development - flexibility and fluidity are necessary for creative innovation. In contrast, the more linear and rigid pedagogies associated with science and engineering education facilitate efficient learning of subjects such as those based on software packages, manufacturing and materials theory or mechanics. This paper describes the development of a project which aims to establish constructive links between the learning …

From Artistic Creation To Aesthetic Reception: The Mirror Model Of Art, Pablo Tinio

Department of Educational Foundations Scholarship and Creative Works

The fields of creativity and aesthetics remain relatively separate in spite of the great advances made in the psychology of the arts over the past century. This divide has limited our understanding of the experience of art. Here I present a model that describes the interface between the two sides: art-making and art-viewing. According to the model, aesthetic experiences mirror the art-making process in the sense that the early stages of aesthetic processing correspond to the final stages of art-making; conversely, the late stages of aesthetic processing correspond to the initial stages of art-making. Considering the aesthetic processing of an …

The Weaving Of A Tapestry: A Metaphor For Teacher Education Curriculum Development, Susan E. Simon

Australian Journal of Teacher Education

Teacher educators rightfully dream of delivering inspiring programs to benefit future teachers and the students they will in turn inspire. However, in the current teacher education environment in Australia, the artisan’s craft of weaving rich texture and producing a masterpiece is potentially over-shadowed by the educational administrator’s continual focus on the mapping of professional standards to produce an accreditation-worthy product. Responding to increased accountability, teacher educators at the University of the Sunshine Coast in Queensland, Australia, embarked on re-developing programs utilising a process akin to tapestry weaving. This metaphor enriched contributors’ understanding of the complex process of teacher education program …

Chaos Of Textures Or ‘Tapisserie’? A Model For Creative Teacher Education Curriculum Design, Sue E. Simon

Australian Journal of Teacher Education

A tapestry or ‘tapisserie’ methodology, inspired by Denzin and Lincoln’s ‘bricolage’ methodology (2000), emerged during the complex task of re-developing teacher education programs at the University of the Sunshine Coast, Queensland, Australia. ‘Tapisserie’ methodology highlights the pivotal task of determining stable ‘warp threads’ prior to the subsequent interweaving of myriad ‘weft threads’. In our context, the core values of the education team were deemed to be the crucial ‘warp threads’ which would provide structure and navigation through numerous ‘weft threads’. The resultant model assisted teacher educators’ understanding of this complex process within a rigorous accreditation environment. It aims to preserve …

Applied Creativity: Tools Toward Transformation: An Undergraduate Curriculum, Teryl Cartwright

Critical and Creative Thinking Capstones Collection

The greatest barrier to creative thinking may be the current definition. If creativity is believed to be an unconscious, undefinable process, a competitive and comparative hierarchy or even limited to specific domains, then the pursuit of creativity may be seen as an overwhelming endeavor. I believe everyone is creative, not just a few “out of the box” individuals. We are not limited to sleeping on a problem or getting into a relaxed, happy state in order to enhance creative thinking. I also believe that creative and critical thinking can be applied to teach creativity so I am offering an innovative …

Developing A Creative Thinking Course For Community College Students, Noreen Mcginness Olson

Critical and Creative Thinking Capstones Collection

This project describes the development of an online Creative Thinking course designed specifically for community college students. This interdisciplinary college course will be one component of an entrepreneurial certificate program aimed at business students, but will be open to all students seeking to improve their creative thinking abilities. While developing the course the author engaged in the process described in Cameron’s The Artists Way as a structured reflective practice.

In this writing, selected theories of creativity are described in their connection to course content and approach. The course was informed by traditional western ideas on creativity as well as an …

Creative Environments, Jamie M. Sanchez

Creativity and Change Leadership Graduate Student Master's Projects

This project is the result of the teaching and learning that occurred in a high school elective class called Creative Environments at Khartoum American School in Sudan. The students of this class were introduced to creative studies, creative problem solving, and design. Through an array of thoughtful lesson planning, the students gained essential skills that prepared them in redesigning a purposeless area on their school campus into a place that sparks creativity and builds community.

Communicating Creativity: A Workshop And Communication Tools For Teaching And Consulting In Creativity, Stephen J. Hammond

Creativity and Change Leadership Graduate Student Master's Projects

This project developed tools to support a consulting practice integrating the author’s interests in creative process, design and organizational strategy. The focus is on educating students and clients about creativity, creative thinking, design and innovation. Design thinking concepts of user feedback and rapid prototyping were used during the project. The resulting products are materials for a multi-day graduate level workshop for design students, a creativity website including blogging capability and a four minute educational video aimed at helping establish an Aerospace Technology Center in Northern Illinois.

Improv(Ing) Students: Teaching Improvisation To High School Students To Increase Creative And Critical Thinking, Beth D. Slazak

Creativity and Change Leadership Graduate Student Master's Projects

This project focuses on teaching High School students improvisational techniques to increase their creative and critical thinking skills. This covers tools of Creative Problem Solving, rules and concepts of improvisational theater, and affective thinking skills. The finished project includes lesson plans, a workbook, and a video that will assist students and educators in teaching these skills.

S.M.I.L.E. (Success Means Initiating Life Everyday), Charisma C. Dupree

Creativity and Change Leadership Graduate Student Master's Projects

Abstract:

Motivation exists as an important aspect of our lives. Motivation comes in two main forms, intrinsic and extrinsic motivation. No matter the type motivation employed, at some point we all experience motivation to help achieve our goals and in order to reach success in any capacity. The use of Creative Problem Solving (CPS) can also help in the process of motivation and succeeding. When the going gets tough, it is imperative to SMILE – Success Means Initiating Life Everyday.

Fostering Creativity: Ontario Teachers’ Perceptions, Strategies, And Experiences, Catharine M. Dishke Hondzel

Electronic Thesis and Dissertation Repository

This study provides a broad overview of perceptions elementary school teachers hold regarding creativity, the strategies those teachers use to foster creative thinking and behaviour in their students, and the environmental challenges and opportunities they navigate when striving to develop 21^st century skills in students. Earlier research examining teachers’ perceptions and creativity-fostering behaviours have typically asked teachers to describe their classroom practices, or self-report their perceptions regarding creative children or children’s creative actions. Using a mixed-methods approach, in this study 22 Grade 5-7 teachers working in Ontario completed an online questionnaire which measured their creativity-fostering behaviours. Following the survey, …

Fostering Creativity Within The Classroom, Donna C. Crossman

Creativity and Change Leadership Graduate Student Master's Projects

ABSTRACT

This project focuses deliberately bringing humor, magic, and Creative Problem Solving (CPS) tools into the classroom. The author aims to encourage creative talent by providing children with a refuge from the conventional limitations of the world and accepting their divergence while embracing their creative talents. The underlying techniques and skills for stimulating creativity within the classroom are examined and best ways to foster creativity within the educational systems are identified. The author focused on the following questions: (a) How might humor create a classroom community? (b) How might magic engage and create a positive learning environment for second grade …

Steam With A Capital A: Learning Frenzy, David Rufo

The STEAM Journal

A student dipped a brush into a bowl of viscous tempera paint and in a few quick strokes formed thick magenta letters on a large display board. Nearby a handful of students were working together to attach string to paper cups and balloons. Across the room a small group of girls were lying on the floor carefully adding multi-colored text to a poster. Two others created characters out of Popsicle sticks for a puppet show...This is how the integration of Science, Technology, Engineering, Arts, & Math (S.T.E.A.M.) happened with the fourth and fifth graders during the first few weeks of …

Pimp My Ride: Mapping Vernacular Creativity In An Industrial City, Andrew T. Warren

Faculty of Social Sciences - Papers (Archive)

This case study reveals how a researcher mapped a creative industry sector - custom car designing in Wollongong - and made it 'visible'. It outlines a process of responsive engagement with youth that revealed a skilled and economic scene that challenges standard conceptions of artistic expression. 'Cruising' with youth and plotting their sites of activity using Google Maps identified an extensive, largely overlooked market and encouraged a renewed discussion about what constituted the city's creative strengths and assets.

Chinese Students' Perceptions Of Their Creativity And Their Perceptions Of Western Students' Creativity, Bingxin Wang, Kenneth M. Greenwood

Research outputs 2013

This paper applies the Four C Model of Creativity ('Big-C, little-c, mini-c and Pro-c') to determine Chinese students' perceptions of their own creativity and their perceptions of Western students' creativity. By surveying 100 Chinese students and interviewing 10 of them, this paper discovered that Chinese students generally perceived their creativity to be less than that of Western students. Differences on mini-c and Pro-c were larger in the direction of Western students being superior, and the items that differed in the opposite direction and those which did not differ were part of the subset of little-c items. The perceived superiority of …

Community Arts In The Lives Of Disadvantaged African American Youth: Educating For Wellness And Cultural Praxis, Mabel Sabogal

USF Tampa Graduate Theses and Dissertations

The main purpose of this study was to analyze the role and potential of community arts programs and organizations in improving the lives of disadvantaged African American youth, through the creation of a participatory video project and the internal evaluation of the same; using applied anthropological methods, and cultural praxis (an innovative educational design), and following the recommendations of expert community arts programs evaluators. The study responds to the need identified in the community arts literature to offer robust program evaluations that explain the benefits of such programs. The lack of evidence seems to derive not only from the difficulties …

Aesthetics In The Classroom For Social Justice : How Do The Theories Of John Dewey, Maxine Greene, And Jane Piirto Inform Us?, Valerie Meiners Comeaux

LSU Doctoral Dissertations

This study asks 1) What is the relationship between art, creativity, and social justice? 2) How do the theories of John Dewey, Maxine Greene, and Jane Piirto inform our understanding of this relationship? 3) What is the role of the arts in contemporary curriculum? To answer these questions, the study chronicled the various roles of art in Western society, from Classical Greece through the present day, before exploring the aesthetic theories of Dewey, Greene, and Piirto. The findings suggest that the absence of an arts-integrated curriculum in most American public schools does not imply the absence of art programs in …