Education Commons^™

“It’S Just Lines”: A Qualitative Analysis Of Emergent Structures And Experiences Within Steam Education Initiatives For Secondary-Level Students, John O'Meara

LASER Journal

This qualitative analysis is oriented around the experiences and discourse of high school students participating in LASER (Linking Art and Science through Education and Research), an initiative at Montclair State University in Montclair, NJ that seeks mathematics and physics education reform through an immersive and innovative approach to STEAM (Science, Technology, Engineering, Art, and Mathematics) experiences. This work focuses on the concluding task of a one-day workshop wherein students are led on a campus walk to observe the local campus architecture, and then must recreate one of the observed structures within the Desmos graphing utility. Student approaches and narratives reveal …

Seven Steps Of Poesis, Neil Baldwin

LASER Journal

This text responds to a request from Ashwin Vaidya, co-editor of LASER, in the spirit of his journal’s mission, “to explore links between science and art.” I have published ten volumes of nonfiction -- biography, history, essays and cultural studies – and two collections of poetry and translation over the past five decades. And I was founding director of The (virtual, interdisciplinary) Creative Research Center at Montclair State University from 2010-2020. This is my first attempt to write systematically and analytically about the phases, stages and challenges of generating and structuring a full-length monograph, peering downward from a thirty-thousand foot …

Fostering Mathematical Creativity Among Middle School Mathematics Teachers, Ceire H. Monahan

Theses, Dissertations and Culminating Projects

The purpose of this research was to understand in-service teachers’ experiences with and ideas about mathematical creativity after participating in a targeted professional development program. The professional development program encouraged participants to think creatively and foster students’ creativity. In this study I present the results from the main unit of analysis, 12 participants in a professional development program, along with a deep analysis of three exemplar teachers from each of the identified groups, adherence to traditional teaching practices (traditional), appreciation for teaching for creativity (creative but hesitant), and teaching for creativity (creative). The findings of this study highlight the combination …

Working 'Failure' Into Your Learning Design, Nilanjana Saxena Ms.

The Emerging Learning Design Journal

The world is grappling with education failing to meet industry demands for skills. We’re constantly striving to design for learning that is able to meet with the emerging societal and Industrial needs. Against this background what should the learning design strategy be?

Of particular relevance is Productive Failure (PF) a deeper learning design strategy, which runs counter to a traditional Direct Instruction methodology and demonstrates the affordances of experiencing and learning from failure. This brief elaborates on PF, select use cases and applications as well as key design features in operationalising PF.

Lxd: Ten Critical Differences Between Lx And Ux, Jeffrey Bergin

The Emerging Learning Design Journal

The term “Learner Experience Design” is beginning to gain currency. Yet, there is little agreement over what that term means. Is it just user experience design for learners? In my opinion, LX design differs from UX design in ten important ways. Taken together, these differences make the job of learning experience designers quite distinct from the job of user experience designers.

Spotlighting Innovative Use Cases Of Mobile Learning, Alex Rockey, Samantha Eastman, Mindy Colin, Margaret Merrill

The Emerging Learning Design Journal

Students bring 2-3 devices to class, 100% of 18-29 year olds own a cellphone and 94% own a smartphone (PEW Research Center, 2018), reflecting ubiquitous mobile device ownership among university-aged students across the U.S. Due to the surge of personal devices, campus infrastructure is increasing capacity to rapidly meet demands for wireless access, and instructors are using mobile learning to push classroom boundaries within and beyond the campus environment. This brief showcases innovative uses of mobile learning uncovered through a cross-campus study at four campuses. Our findings have implications for administrative, funding, information technology, and curricular decisions on individual campuses, …

Do You See What I See? An Investigation Of The Aesthetic Experience In The Laboratory And Museum, Eva Specker, Pablo Tinio, Michiel Van Elk

Department of Educational Foundations Scholarship and Creative Works

Two studies examined people's aesthetic experiences of art in the laboratory and the museum. The theoretical framework guiding the research was based on the Mirror Model of Art (Tinio, 2013), which proposes that the process of artistic creation and artistic reception mirror each other. Study 1 used a think-aloud protocol to assess people's natural and spontaneous reactions while looking at art. Study 2 examined whether presenting information about an artwork in a certain order (lower-order to higherorder information or higher-order to lower-order information) enhances aspects of the aesthetic experience and retention of information about art. Studies 1 and 2 were …

From Artistic Creation To Aesthetic Reception: The Mirror Model Of Art, Pablo Tinio

Department of Educational Foundations Scholarship and Creative Works

The fields of creativity and aesthetics remain relatively separate in spite of the great advances made in the psychology of the arts over the past century. This divide has limited our understanding of the experience of art. Here I present a model that describes the interface between the two sides: art-making and art-viewing. According to the model, aesthetic experiences mirror the art-making process in the sense that the early stages of aesthetic processing correspond to the final stages of art-making; conversely, the late stages of aesthetic processing correspond to the initial stages of art-making. Considering the aesthetic processing of an …