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Bridging The Gap: Self-Efficacy And The Desire To Continue In Music Education, Janet Levine Oct 2019

Bridging The Gap: Self-Efficacy And The Desire To Continue In Music Education, Janet Levine

CUP Ed.D. Dissertations

This study sought to explore the problem of student retention in music, specifically between eighth and ninth grade. The purpose of this study was to investigate whether there is a relationship between eighth-grade band students’ self-efficacy beliefs and their desire to participate in band. Bandura’s (1977) four sources of self-efficacy (mastery experiences, vicarious experiences, verbal/ social persuasions, and students’ physiological state) were the theoretical framework that guided this study. The participants in this study consisted of 68 eighth grade band students who had at least one year of band experience. This quantitative study used the Music Performance Self-Efficacy Scale, specially …


The Use Of Kagan Cooperative Learning Structures In Music Education To Promote Rhythm Skills And Knowledge, Emily Labes Oct 2019

The Use Of Kagan Cooperative Learning Structures In Music Education To Promote Rhythm Skills And Knowledge, Emily Labes

Master's Theses & Capstone Projects

The purpose of this action research was to determine if Kagan Cooperative Learning Structures produced greater achievement in music education than those who did not have the opportunity to engage in Kagan structures. The participants included 114 fourth grade students attending a public school in southern Minnesota. The scores of pre and post-tests determined student growth and achievement for both the control and treatment groups. The specific music skill assessed was rhythm. Results indicated that there was a statistically significant difference on rhythm when assessed by a paper and pencil exam when Kagan Structures were used. Analysis of a performance …


For The Culture: The Importance Of A Critical Social Theory Within The Music Education Classroom, Brianna Thomas Apr 2019

For The Culture: The Importance Of A Critical Social Theory Within The Music Education Classroom, Brianna Thomas

Senior Honors Theses

This paper will analyze the history of music education in the United States and discuss how the music classroom can contribute to and dismantle social inequalities including social class, gender, and race. Class effects music education by creating barriers to necessary resources and opportunities as a result of economic positions.[1] Gender is the second focus because music has historically been a male-dominated profession. As a result, many textbooks and curriculum highlight the achievements of men while erasing the contributions of women which has taught women to devalue their own work.[2] The last focus is race. While the arts …


The Equal Right To Sing: The American Zeitgeist And Its Implications For Music Education, Youngeun Kim Feb 2019

The Equal Right To Sing: The American Zeitgeist And Its Implications For Music Education, Youngeun Kim

Dissertations, Theses, and Capstone Projects

According to music educators and proponents of arts education, music education in U.S. public schools seems to be in jeopardy. This thesis brings attention to several issues in current music education. It is a case study of music education in New York City public elementary schools. First, it shows that music education is not equally distributed to all students in the public-school system and is especially unequal among elementary schools. Next, it investigates possible causes for this inequality, from the current system’s limitations to more fundamental causes including the cultural perception of music among the U.S. public. The consequences of …


Measures Of Music Teacher Effectiveness In Three Early Career Levels, Alicia L. Canterbury Jan 2019

Measures Of Music Teacher Effectiveness In Three Early Career Levels, Alicia L. Canterbury

Electronic Theses and Dissertations

Corroborative findings across instructional targets rehearsal frames and the summative evaluations indicated a general lack of specificity across all levels which improved somewhat during student teaching and peer teaching. Unidentified targets and nonspecific positive feedback were observed less frequently in student teaching and novice teaching. No growth was found across levels in specific positive and negative feedback. Directives were the most frequently observed teacher verbal category in selected rehearsal frames and information and demonstrations were consistently the highest ranked items across all levels in the summative evaluation. However instructional directive scores were inconsistent. Results indicate that new teachers of all …