Education Commons^™

Street Children In Film, Irving Epstein

Irving Epstein

In examining the depiction of street children in three classic films: Kids, Pixote, and Salaam Bombay, I argue that the respective directors play upon our protean concepts of “the street” and “the child” in order to offer social criticism of three types of states: the consumerist state, the authoritarian state, and the neocolonialist state. In each film, street life is used as a metaphor for the way in which the state expresses its authority. In spite of their differences, the directors’ share gendered views of children and childhood innocence, and see the street as offering its inhabitants the opportunities for …