Education Commons^™

Introducing Hānai Pedagogy: A Call For Equity In Education Through An Aanapi Lens, Robin Brandehoff

Pedagogy and Theatre of the Oppressed Journal

This paper introduces a novel pedagogical framework titled Hānai Pedagogy which embraces cultural identity, language, and familial relationships to counter dominant narratives around historical and colonial educational systems. Derived from a larger study on informal mentorships (Brandehoff, 2020) and Indigenous concepts of familial connectedness and community, Hānai Pedagogy is Hands-on; builds Alliances with students, families, and community members; Navigates racial, cultural, and economic oppressions; centers Authenticity among educators and learning practices; and encourages explorative teaching through Interrelations of cultural tradition and modern modes of learning. Using an Asian American, Native American, and Pacific Islander (AANAPI) lens, this new pedagogical framework …

More Than Text: Examining Embodied Practice In The Classroom, Susan Nash

Honors Projects

This Honors project aims to answer the questions surrounding best practices of engaging with theatrical texts in K-12 English Language Arts (ELA) classrooms in the United States. This project uses the texts of Shakespeare as a case study to analyze the benefits of embodied practice as a methodology in the classroom, paying specific attention to the ways in which embodied practice encourages student agency.

This thesis specifically argues for the incorporation of embodied practice in ELA curricula engage with playtexts and finds that embodied practice can help students better relate to a playtext, assists in humanizing its history, themes, and …

A Mixed Method Comparison: Instruction In Undergraduate Beginning, Intermediate, And Advanced Contemporary Dance Classes, Aditi Bheda

All Graduate Theses, Dissertations, and Other Capstone Projects

This study aimed to identify the nature of instructional differences between beginning, intermediate and advanced contemporary dance classes. The study involved interviewing two dance instructors and observing their classes, as well as conducting focus group discussions to gain insight from students. Despite difficulties in comparing across three levels given that no single instructor was observed teaching all three levels, the mixed method comparison yielded some common themes at each dance level. Given that students at higher levels were more aware of and comfortable with their bodies, instructors moved through the class at a quicker pace. Students at each level were …

Adapting Higher Education: Revamping Curricula For The Inclusion Of Theatre Students With Disabilities, Kevin Kemler

Theses and Dissertations

Equity, Diversity, and Inclusion initiatives in higher education have been largely driven by administrators who have little to no contact with the students for whom they are working for. This top-down approach negatively impacts marginalized students and disproportionately affects the quality of experience for students with Disabilities, an often-overlooked demographic. For Disabled students enrolled in performance programs, barriers to access and inclusion don’t just exist at the institutional level, they also exist in the traditional classroom or studio as well. Through a dismantling of ableist structures inherent within higher education (i.e., American grading practices, the Western and Theatrical Canons), I …