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Full-Text Articles in Education
Faculty Share Views On Importance Of Creative Thinking In The Workplace, June-Ann Greeley
Faculty Share Views On Importance Of Creative Thinking In The Workplace, June-Ann Greeley
June-Ann Greeley
University Commons was filled with students eager to gain insights from “Creativity In The Workplace: Creative & Innovative Thinking from the Classroom to the Boardroom.” The program was presented by SHU faculty who emphasized the importance of creative and innovative thinking abilities that are developed through the university’s liberal arts programs and are key to workplace success.
Faculty Share Views On Importance Of Creative Thinking In The Workplace, James Castonguay
Faculty Share Views On Importance Of Creative Thinking In The Workplace, James Castonguay
James Castonguay
University Commons was filled with students eager to gain insights from “Creativity In The Workplace: Creative & Innovative Thinking from the Classroom to the Boardroom.” The program was presented by SHU faculty who emphasized the importance of creative and innovative thinking abilities that are developed through the university’s liberal arts programs and are key to workplace success.
Faculty Share Views On Importance Of Creative Thinking In The Workplace, Anca C. Micu
Faculty Share Views On Importance Of Creative Thinking In The Workplace, Anca C. Micu
Anca C. Micu
University Commons was filled with students eager to gain insights from “Creativity In The Workplace: Creative & Innovative Thinking from the Classroom to the Boardroom.” The program was presented by SHU faculty who emphasized the importance of creative and innovative thinking abilities that are developed through the university’s liberal arts programs and are key to workplace success.
Using Creativity As A Form Of Intervention For At-Risk-Youth: The Development Of Creativity2day, Tamika T. Lewis
Using Creativity As A Form Of Intervention For At-Risk-Youth: The Development Of Creativity2day, Tamika T. Lewis
Creativity and Change Leadership Graduate Student Master's Projects
This project is a detailed description of the development of Creativity2Day, the organization and its workshops, its sole purpose is to positively impact the lives of at-risk-youth and the communities they live in. This project provides a synthetized definition of creativity and a detailed outline on how the deliberate use of the Creative Change Leadership Model, Creative Problems Solving, and the Torrance Incubation Model of Teaching and Learning can be used together as a form of micro-level intervention methods, geared towards the positive development of at-risk-youth who attend Title I schools and reside in low-income communities.
Future-Focused Leadership: Three Mega-Trends Influencing Distance Learning, Connie I. Reimers-Hild
Future-Focused Leadership: Three Mega-Trends Influencing Distance Learning, Connie I. Reimers-Hild
Kimmel Education and Research Center: Faculty and Staff Publications
While many continue to question the skyrocketing costs and value of a college education, future-focused leaders are recreating learning experiences by blending technology with the human experience. What does the future of distance learning look like, taste like and feel like? It can be difficult to predict the future of education as the world continues to evolve at an increasingly rapid pace; however, distance learning administrators can use a future-focused leadership approach, which includes examining megatrends, to plan for the future. Megatrends are global shifts that influence society, the economy and the environment. The purpose of this paper is to …
Outback Elvis: Musical Creativity In Rural Australia, John Connell, Christopher Gibson
Outback Elvis: Musical Creativity In Rural Australia, John Connell, Christopher Gibson
Faculty of Social Sciences - Papers (Archive)
However cartographies of music are constructed, they invariably suggest some authentic relationship between particular sites of vernacular musical creativity and a social and economic context that has contributed to a certain distinctiveness. Thus, the literature is replete with accounts of supposedly distinctive Mersey and Otago sounds, New Orleans jazz or Nashville country, and the 'mutually generative relations of music and space' (Leyshon et al., 1995, p. 424). In the conventional narrative, styles are generally deemed to have originated from particular individual and collective scenes associated with key musicians and bands, and talked up as a means of promoting these styles …