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Full-Text Articles in Education
Mr. Chipping And Mr. Hundert: Manliness, Media, And The Classical Education, Emily A. Mcdermott
Mr. Chipping And Mr. Hundert: Manliness, Media, And The Classical Education, Emily A. Mcdermott
Emily A. McDermott
James Hilton’s genial portrayal of a Latin master in a turn-of-the-century British public school, Goodbye, Mr. Chips, was published as a magazine story in England in 1933, in book form in America a year later; it has inspired two film versions, one in 1939, one in 1969, and a full-length Masterpiece Theatre production for television in 2002. In 1994, Ethan Canin published his short story, “The Palace Thief,” presenting the unique tribulations of an ancient history teacher at an elite Virginia prep school; it was made into the 2002 film, The Emperor’s Club. Both stories are predicated on teachers’ attempts …
Playing For His Side: Kipling’S ‘Regulus,’ Corporal Punishment, And Classical Education, Emily A. Mcdermott
Playing For His Side: Kipling’S ‘Regulus,’ Corporal Punishment, And Classical Education, Emily A. Mcdermott
Emily A. McDermott
Rudyard Kipling’s short story, “Regulus,” revolves around the flogging of a student who has let loose a mouse in the drawing classroom of a turn-of-the-century British public school. The first part of the story is devoted to a fifth-form Latin class’s line-by-line explication of Horace’s fifth Roman ode, in which the story’s title character is presented as a paradigm of manly virtue; the remainder is given over to narration of the mouse-miscreant’s progress toward punishment, in thematic counterpoint to the Regulus exemplum. Within that idiosyncratic framework, the story tackles as ambitious a topic as the purposes of education, with particular …
‘The Despair Of His Tutor’: Latin As Socioeducational Marker In Les Trois Mousquetaires, Emily A. Mcdermott
‘The Despair Of His Tutor’: Latin As Socioeducational Marker In Les Trois Mousquetaires, Emily A. Mcdermott
Emily A. McDermott
A significant motif in Les Trois Mousquetaires is to communicate the four heroes’ differing natures through their differing relationships with the Latin language. The separate academic pedigrees thus suggested for the three actual musketeers, Porthos, Athos and Aramis, each represent one of the major education models of early 17th century France: the courtly academy, private tuition, and the Jesuit collège. In the case of the up-and-coming d’Artagnan, by contrast, Dumas proffers less a type of 17th century education than an updating of the social values of that period to coincide with those of his own time. The successes of this …