Education Commons^™

The Boston Opportunity Agenda: A Historic Case Study Of Public-Private Partnership In Education (2007-2019), Timothy M. Lavin

Graduate Doctoral Dissertations

This historic case study studied the development of the Boston Opportunity Agenda (BOA), a public-private educational partnership, from 2007-2019. Despite significant prominence, influence, and investment from the partners involved, public-private educational partnerships in Boston have been understudied. The intention of this dissertation was to bring an understanding of how this urban educational public-private partnership developed; the motivations of the partners to participate; the partner perceptions of the successes and challenges of the partnership; and the extent of the partnership's influence on the Boston Public Schools.

This case study utilized qualitative methods of document analysis and semi-structured interviews of partnership leaders …

Don’T Ignore My Voice: A Call To Action By And For Gender-Expansive Youth, Sam Hoyo

Graduate Doctoral Dissertations

Gender-expansive youth are regularly discriminated against because they do not fit into the socially constructed gender binaries of the schools they attend. Nor, typically, do they have a general sense of personal safety, often feeling socially and academically excluded from their dominant heteronormative school culture. This youth participatory action research mixed method study advocates for the academic success of gender-expansive youth by documenting how gender expansive young people embody damaging educational experiences and to what extent these experiences can also lead to solidarity, resilience, and perseverance. The research findings include that gender expansive youth feel tolerated but not supported by …

Daring To See: White Supremacy And Gatekeeping In Music Education, Brian A. Gellerstein

Graduate Doctoral Dissertations

Music education in the U.S. maintains a legacy of cultural hegemony that has historically and systemically benefited the White students it was designed to serve, at the expense of Black and Brown students and teachers. As a subdiscipline concerned with cultural production and reproduction, the persistence of White supremacy within music education contributes to its indefatigability within the broader society.

This study is cast within a theoretical framework that connects critical race theory and critical pedagogy in order to address the ways in which music teachers make meaning of gatekeeping practices mediated within hidden structures of White supremacy. This inquiry …