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Creative Concentrations: A Secondary Design Curriculum, Linnea Roberta Gustafson
Creative Concentrations: A Secondary Design Curriculum, Linnea Roberta Gustafson
Masters Theses
Design education, as distinct from art education, has been overlooked as an area of student learning, creative expression, and career potential. This thesis explores the benefits of design education for students at the secondary level, when identities are being formed and areas of future study and work are considered. Guided by the newly published National Core Arts Standards, this paper provides a model design curriculum that introduces secondary students to a design-oriented view of the world, explores design principles through real-world applications, and calls attention to professional career options.
All lessons in the curriculum encourage creative approaches to solving design …
Choice--‐Based Art: Students Who Create, Not Replicate, Hillary K. Moczerad
Choice--‐Based Art: Students Who Create, Not Replicate, Hillary K. Moczerad
Masters Theses
The problem that I researched in today’s art education world is how to teach our art students to be problem solving, confident, independent thinkers. It seems that in a classroom that is supposed to be full of innovation and creativity, it is currently falling flat. Through research, I discovered a teaching methodology called Choice-‐Based Art that claims to eliminate these problems in the art room through student-‐directed learning and choice while still delivering art curriculum. In order to test these theories, I aligned my classroom with the demands of the methodology and planned a field test with two groups of …
Engaging Young Children In The Art Museum: An Educational Criticism Of An Art Museum Summer Class, Kristina N. Mahoney
Engaging Young Children In The Art Museum: An Educational Criticism Of An Art Museum Summer Class, Kristina N. Mahoney
Electronic Theses and Dissertations
This research project serves to identify a set of conditions leading to engagement for four- and five-year-old students in an art museum summer class. Utilizing Eisner’s theory on qualitative research, educational criticism and connoisseurship (1998), the researcher interviewed, observed, and received responses to a questionnaire in order to describe, interpret, and analyze the educational event of the summer class. By identifying the intentions of the class, the report describes a set of three objectives acting as a foundation for the classes’ implementation - comfort, empowerment, and connection to collection. Based on analysis of the implementation of these aims, as seen …