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Full-Text Articles in Education
Mending Art Classrooms: An Exploration Of The Benefits Of Collaborative Artmaking For Underinvested Black Youth In Richmond, Virginia, Jazmine M. Beatty
Mending Art Classrooms: An Exploration Of The Benefits Of Collaborative Artmaking For Underinvested Black Youth In Richmond, Virginia, Jazmine M. Beatty
Theses and Dissertations
This arts-informed research study explored the experiences of local community artists and educators working to radically transform and heal the experiences of underinvested Black students in Richmond through collaborative arts engagement. Through a series of seven one-on-one interviews with Black teaching artists in the Richmond community, I was able to uncover how collaboration has and can continue to improve the well-being and livelihoods of Black students in Richmond. Also, by tapping into the local Mending Walls mural project, I was able to make a tangible connection between the Richmond community, art, and collaboration. An analysis of the interviews led to …
Intergenerational Collaboration: A Professional Journey Begins, Camilla Mccomb, Bonnie Capling, Kristyn Demint, Courtney Miller, Jane Montero
Intergenerational Collaboration: A Professional Journey Begins, Camilla Mccomb, Bonnie Capling, Kristyn Demint, Courtney Miller, Jane Montero
International Journal of Lifelong Learning in Art Education
No abstract provided.
Public Space Interventions: Collaborating With New Craft Artists In Action- Finger Knitted Basketball Nets, Jody Boyer
Public Space Interventions: Collaborating With New Craft Artists In Action- Finger Knitted Basketball Nets, Jody Boyer
Middle School Resources
A variety of artists make artwork that intervenes in public spaces. There are many reasons why artists engage communities in their work. This lesson explores a variety of artists who make artwork that intervenes in public spaces and engage communities with their work and teaches students to finger knit a 4 foot piece of yarn with excellent technique and craftsmanship. This lesson explores how the NCAA New Craft Artists in Action Net Works project and their public space interventions with handmade basketball nets. This lesson explores how artists collaborate to make artwork and empowers students to collaborate with their peers …
Art In The Age Of Networks - Networks As A Way Of Thinking, Rabeya Jalil
Art In The Age Of Networks - Networks As A Way Of Thinking, Rabeya Jalil
Higher Education Resources
The theme-based and material-based units (with lessons and lesson sequences) propose a curriculum for one academic semester in an undergraduate visual arts school (for sophomore, 2nd year, or junior, 3rd year students). However the lessons could be modified and tailored to any age group developmentally. This curricular framework aims to foster collaboration (within individuals, materials and disciplines), explore networked pedagogy and networks in pedagogy as a collaborating force through and with the visual arts and explore the materiality of the code and the digital media. The course also engages with new media theory and literature, investigates the materiality of the …
Through And Beyond The Barbie: 3 Themed Lesson Sequences, Rabeya Jalil
Through And Beyond The Barbie: 3 Themed Lesson Sequences, Rabeya Jalil
Middle School Resources
This lesson sequence will facilitate students to collaborate, explore and experience themes that they can personally relate to on a deeper and meaningful level. The purpose of this unit is to foster a safe and creative environment for early adolescents of 11 – 14 years (7-8th grades) to explore their personal identities, their gender, their socio-cultural beliefs, their values, through critical thinking, self-reflecting, and art making. Through engaging in a conversation and exploratory dialogue to deconstruct the layers that form identity and culture, using both in the traditional and digital media (collage, printmaking, drawing, digital photography, video, Scratch programming software, …
Plazabilities For Art Education: Community As Participant, Collaborator & Curator, Kathleen Keys
Plazabilities For Art Education: Community As Participant, Collaborator & Curator, Kathleen Keys
Journal of Social Theory in Art Education
In the following article, a plaza metaphor and theories of plazability are applied to the recent work of three "Other" art educators to acknowledge, examine and articulate a refreshed vision for an art education based in community pedagogy which expands possibilities, builds community, and uses art to work for social change. Examples suggesting such achievements in creating plazability include work from a community artist backed by a visionary community arts foundation, a progressive cultural museum director and staff, and a contemporary artist each actively engaging the community in diverse ways. The innovative and community grounded practice and philosophies of these …
Art Teaching For Peace And Justice, Kristin G. Congdon
Art Teaching For Peace And Justice, Kristin G. Congdon
Journal of Social Theory in Art Education
The social goals of peace and justice are not removed from art processes and products, and especially not from curricula in art classrooms. In this article, six topic areas are suggested for the art educator which further the causes of peace and justice: 1) Appreciating diversity; 2) Understanding that art creates individual and group identity; 3) Encouraging collaboration in art processes; 4) Working respectfully with the earth's ecosystems; 5) Analyzing art which deals specifically with war and violence; and 6) Promoting peace and justice through art.
Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle
Community Projects And The University Curriculum: Re-Searching For A Civil Rights History Through Community Photographs, Jan Peterson Roddy, Benita R. Vanwinkle
Journal of Social Theory in Art Education
The following articles represent a collaborative process, as does the project that we will discuss. It is not within the scope of these articles to engage in an in depth examination of community photography. This practice and its relationship to high art, cultural production and representation has been the topic of other very interesting investigations. We will instead focus on a possible relationship between community photography and the higher education curriculum, wherein each project facilitates the other. The first article represents my view of the pedagogical foundations of this relationship as the instructor and a participant in this process. The …