Education Commons^™

No One Flunks Museum: An Overview Of Learning Theory And Its Implementation In Formal And Informal History Education, Nichole D. Smith

Seton Hall University Dissertations and Theses (ETDs)

The transition of museums from institutions for the knowledgeable to places for those seeking knowledge has brought about a need for those educating in museums to better understand the ways in which people learn. This paper introduces and explains theories, psychological and educational, that are applicable to learning such as Constructivism, Multiple Intelligences, and the Contextual Model of Learning. Observations of informal and formal history and social studies lessons or programs presented to students ages 3-16 provide the framework for understanding how well these theories of learning are being implemented in the museum. Comparison of history museum programs (informal education) …

The Study Of Music: A Valuable Part Of School Education, Melanye Crayton

Senior Honors Theses

Music has been a part of human experience since the existence of man. It has been studied throughout the ages by philosophers and students, laymen and courtesans. When America was settled, it became a part of a student's education, eventually becoming part of the curriculum of public schools. In the twentieth century, the study of music experienced a decline in the public educational systems.

The study of music is beneficial for all students. It provides students with an opportunity to excel in school work, the benefit of learning in a constructive and positive atmosphere, and the opportunity to learn about …

A Choice-Based Art Curriculum For Eighth Graders At A Public Charter School, Elisa Hirvonen

Graduate Student Independent Studies

In a choice-based art curriculum students select units of study, explore ideas, and choose specific elements of their projects to develop, e.g., media. The goal is to provide a more authentic artistic experience. Surveys conducted at the beginning and end of the year-long program indicate that students are enthusiastic about choice, and that attitudes towards art improved.

The Power Of Visuals: Picture Books As Invitations To Literacy, Mary Jo Skillings

Journal of Critical Issues in Educational Practice

When young children are exposed to picture books, they are building important bridges to literacy. Picture books are sometimes defined as a storybook with a dual narrative. That is, the illustrations and text work interdependently, the integration of the visual and the verbal tell the story. The illustrations add a new dimension that extends beyond the words on the page; together, the text and pictures make the story stronger. A well crafted picture book is a feast for the eyes of a young child. The illustrations awaken and develop the child’s visual, mental, and verbal imagination.

Aesthetic Knowing: Essential To The Development Of Heart And Mind., Laura Howzell-Young, Susan Daniels

Journal of Critical Issues in Educational Practice

Children are biologically wired to experience their world through rich sensory, affective, aesthetic, and imaginal experiences. Children thirst for art, music and movement, and these modes are utilized widely to learn the varied languages of literacy: the alphabet, numbers, vocabulary, body-sense and more. Yet, in response to meeting higher and more prescribed standards at the elementary and secondary levels, there is a tendency to narrow the curriculum, to consider art and music expendable, to view social-emotional development as external to the schoolhouse. This narrowing is happening just as our global culture is moving again toward multiple kinds of communication: toward …

Taking In: Aib Photography 2006, Aib Students

Taking In

This book is our fourth edition of Taking In:...a collection, a celebration really, of the best photography created by the students of The Art Institute of Boston at Lesley University. Students came together in the class, taught by Gretjen Hargesheimer, and dedicated themselves to all facets of this yearly publishing event...including design, fund raising, jury selection, editing, layout, and print production. Taking In: is truly a collaboration of the images, ideas, and talents from all departments at AIB. The concept has always been a simple one...to showcase the artistic diversity and vision of students who incorporate photography in heir …

A New Vision Of Art Education, Sharon Naomi Wherland

WWU Honors College Senior Projects

In this project I address two societal assumption concerning the discipline of art and their implication for art education. These assumptions are that i) art is primarily a "creative" endeavor with little educational value; and, ii) that the ability to make art requires some sort of rare, innate talent. In my view these are the primary reasons that art is increasingly marginalized in public school programs and our society at large.

Voices Of Women: Telling The Truth Through Art Making, Alice Pennisi

Journal of Social Theory in Art Education

On Wednesdays, when the last period of the school day is finished, the students trickle out of room 412 of Burnham High School and the young women enter who have been waiting outside. They immediately push all the desks to the side or back walls, leaving a large open space. Then each carries a chair toward the front of the room, creating a circle. Someone closes the door, and they begin to talk with one another. Thus begins a weekly meeting of Voices of Women (VOW), a group comprised mainly of high school girls who create collaborative artwork based on …

Multicultural Reservations, Hybrid Avenues: Reflecting On Culture In Art Education, David Gall

Journal of Social Theory in Art Education

This paper examines the role of hybridity in culture as it relates to art education. Curriculum strategies in art education are based essentially on pluralist premises. Such strategies recognize diversity, honor differences, and try to redress the inequitable Eurocentric models of the past. Nevertheless, even in their most critical forms they reproduce a scheme of culture that subtly confirms the established order of Modern hierarchies, and fail to capture the fluid, hybrid, and uneven character of culture. Margaret Archer's theories of culture, society, and change are among the most insightful to date. Taking them on board will ensure that our …

Performance Art As A Site For Learning: Queer Theory And Performance Studies In The Art Classroom, G. E. Washington

Journal of Social Theory in Art Education

Today, performance art is one of the most useful mediums for helping individuals see themselves differently. In this of "Out of sight" article, I explore the experience of participating in a student's performance art project. This work was a performance of crossing the road. Here, I discuss the inclusion of overtly queer articulations of personal experience within the art classroom. How can performance art construct learning experiences that engage a dynamic process of self-critique? How are classrooms organized differently when students become actively involved in the development of the art curriculum? And, how might a performative investigation of the sociality …

Out Of Cite, Out Of Mind: Social Justice And Art Education, Therese Quinn

Journal of Social Theory in Art Education

What's a little "Lifestyle Statement," between friends? When the friendships are contingent, based on our common status as colleagues in education, and we are charged with reviewing the teacher education programs of a Christian college that lies a few hundred miles to the west of my home city (all quotes about the school, which I will leave unnamed, are drawn from its website), it turns out to be the dealbreaker. The "Lifestyle Statement" is really an agreement or contract that staff, students, faculty members, and administrators are required to sign; it is posted on the college's website, linked to the …

Grasping The Site/Sight/Cite Of The Image: A Lacanian Explication, Jan Jagodzinski

Journal of Social Theory in Art Education

Reading images psychoanalytically from a Lacanian perspective has its challenges. The first task of this essay is to provide a way through what is often taken to be difficult and impenetrable theory, to explicate how the homology site/ sight/ cite can be understood in any act of critical perception. Its second task is to make distinctions between a psychoanalytic understanding of the subject as being 'split' or divided (as represented by the matheme '$,' Lacan's symbol for this form of subjectivity) when applied to art, as opposed to a naive realist subject of representation or a savvy poststructuralist (decentered) subject …

Reframing Artopia, One Girls Journey Through The Ins And Outs Of A Large Art Organization, Megan Rains

Graduate Student Independent Studies

It was my goal to make the most of my Independent Study personally, professionally and academically. I wanted to further my skills as a teacher and supervisor while at the same time express my artistic side and get my name out into my community. I volunteered and became a committee member of a large art organization called Artopia. It comprised of local artists, arts administrators, and community activists who work together to help develop a forum to build institutional connections; linking public and private schools, universities and other organizations to create a stronger art community in the City X Metropolitan …

Front Cover

Journal of Social Theory in Art Education

Front cover for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Contributors

Journal of Social Theory in Art Education

Contributors for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Editorial 1: Unpacking The Complexity Of The Homonym Site/Sight/Cite, Jan Jagodzinski

Journal of Social Theory in Art Education

We invite essays that explore visual regimes that have become established in our public schools or art departments. "Out of sight" might interrogate current ideals, territories, and debates concerning visual cultural education, since this was a distant horizon first discussed in JSTAE in 1980 and is now looming closer in mainstream art education. "Out of sight" might provide us with concerns over our televised, cinematic images that come at us through popular culture. For Lacan, sight was always a form of misrecognition, a form of "ignorance" as brilliantly explored by Magritte. We are all framed by images. So, we invite …

God, The Taboo Topic In Art Education, Terry Barrett, Valora Blackson, Vicki Daiello, Megan Goffos

Journal of Social Theory in Art Education

A serendipitous match of this journal's call for imagery "that lies outside art educators' accepted sphere"-"out of site/ sight/ cite" - and a (too) rare discussion among art educators talking about God within a secular classroom prompts this article. Concepts of God are generally withheld from the site of public school art classrooms in the United States; many teachers express wariness and fear of bringing artists' sights of God into their public school art rooms, although God and Gods are a frequent subject for artists through time and across place. Further, the topic of God is rarely cited in art …

Rear Cover

Journal of Social Theory in Art Education

Rear cover for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

The Permeable Classroom Or The Tilted Arc Revisited, Karen E. Frostig

Journal of Social Theory in Art Education

"The Permeable Classroom or the Tilted Arc Revisited" reviews the author's various roles as artist, community activist, art educator and art therapist, in the design and implementation of a large, sequential community-based ''Tree Memorial" project. Using the Tree Memorial Project as a compelling example of the "permeable classroom," the paper delivers an overview of the project that takes place in and around the public school setting, featuring collaboration between teachers, students, parents, administrators, community residents, and city officials.

Bursting The Grad School Bubble, Melanie L. Buffington

The Melanie Buffington Papers

Buffington writes about how she is trying to align the theories and ideas that she encountered and learned as a graduate student (at a renowned doctoral 1 university) with the reality of actually teaching pre-service teachers.

Portfolio, 2006, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

The Journal Of Social Theory In Art Education

Journal of Social Theory in Art Education

No abstract provided.

Editorial 2: Voice, Sight, Marginalization And Psychoanalytic Frames, Bill Wightman, Wanda Knight

Journal of Social Theory in Art Education

All of the essays that make up the 26th edition of The Journal of Social Theory in Art Education reflect varied critical stances and approaches based on the homology site/ sight/ cite. In the spirit of the call for papers, a select number of authors chose to resolve their topics by addressing imagery, ideas, and practices that have been (or remain) out of site, sight, or cite. Others presented their topics more indirectly, thus leading the reader to shape or reshape the possibilities of context. And it's true; as we read these essays we are in a position to continually …

From Out Of Sight To 'Outta Sight!' Collaborative Art Projects That Empower Children With At-Risk Tendencies, Debrah Sickler-Voight

Journal of Social Theory in Art Education

Children with at-risk tendencies are often left out of sight/ site/ cite because of their potential for academic and social failure. Like all children, children with at-risk tendencies have something of value to contribute to society and yearn for opportunities to show of their talents. This article discusses how three different groups of children with at-risk tendencies in Florida and Tennessee participated in site specific community art projects that targeted their needs. Although each student population worked a different theme, the children expressed similar learning outcomes when describing their involvement with the project. This study demonstrates how collaborative community art …

How To Draw A Heart: Teaching Art To Incarcerated Youth, Dennis Earl Fehr

Journal of Social Theory in Art Education

This article traces the progress of a social theory-based university art education program in which undergraduate majors teach art to incarcerated youth. It addresses and goes beyond the editor's question, "What imagery lies 'outside' art educators' accepted sphere?" Not only is the imagery of these populations out of sight, but so are the sites of incarceration themselves, they exist not only outside the purview of the art education field, but of nearly every sector of society except the police. Even their families are often "out of sight." The readable, conversational format is a political choice. I offer an alternative to …

Precinct, Gayle Gorman

Journal of Social Theory in Art Education

"Precinct" was a site-specific art project/ performance/ exhibit put on by SITE: Buffalo Artist Collective, an organization devoted to a nontraditional approach to art emphasizing the experiential and the value of spectered memories contained in found objects and images. With the aid of the Buffalo Arts Commission, the abandoned police precinct (now destroyed) on Niagara Street on Buffalo's West side was open to the public, occupied and interacted with for a one-day event. This venue was specifically selected in order to bypass the gallerycentric mode of display which tends to dominate the world of art. By doing so, SITE made …

Table Of Contents

Journal of Social Theory in Art Education

Table of contents for The Journal of Social Theory in Art Education, 2006, Number Twenty-Six.

Deconstructing The Frame: Siting Absence, Jason Wallin

Journal of Social Theory in Art Education

Our contemporary social landscape is increasingly inscribed and articulated through images. With the proliferation of televisual mediums, the image has become the primary vehicle mediating social relationships, impinging on our experience of both self and other (Debord, 1978). As Virilio (2002) avers, the drive of capitalism seeks to appropriate the imagistic code as a bid for mastery over the symbolic order. In this manner, the media/ted images that flood the social terrain are often cites of ideological del sign. In other words, signs are often ideologically 'stabilized' as connotations of other signs, forming an abstract, positive calculus of signification. In …

Making The Forest Together: Young Children Represent A Shared Experience In Clay, Anna Mary Golden

Theses and Dissertations

This thesis examines the strategies young children use to develop a common set of goals when collaborating on a group art work. Teachers at Sabot School spend a great deal of time in discussion of children's group work. By concentrating on one project in my preschool classroom, I reached a greater understanding of the way children work together on a group project. This understanding enriched my practice of teaching so that I could become a better facilitator of similar projects in the future. The information is valuable to me and the other Sabot School teachers when planning future group projects, …

Preliminary Research On Taiwanese Art Curriculum Design Based On Visual Culture, Jui-Jung Chang

Theses and Dissertations

In recent years, art education has started an on-going discussion on the issue of visual culture. In the past few years this issue also becomes topical due to the necessity to improve art education in Taiwan. Currently, art education based on visual culture has become a very important concern in Taiwan. However, the concept of visual culture has its origin in foreign theories. In order for our art professional to remain independent, it is essential that Taiwanese art teachers begin to address the issue of how to properly incorporate the concept of visual culture into the design of our art …