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African American Studies Commons™

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2019

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Full-Text Articles in African American Studies

Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse Dec 2019

Affect And Manhattan’S West Side Piers, Ricardo J. Millhouse

disClosure: A Journal of Social Theory

Derek P. McCormack (2010) argues, "Affect, is like an atmosphere: it might not be visible, but at any given point it might be sensed ... Emotion, in turn, can be understood as the sociocultural expression of this felt intensity" (643). This paper puts McCormack (2010) and Ben Anderson (2009) into conversation to think through the ways in which atmosphere in relation to affective and emotive life has been conceptualized. I center the affective atmospheres that happen with queer bodies that make New York's west side piers queerly affective. I use "queer bodies" to signal the dis-identification with heteronormativity or binaristic …

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"Liberty Further Extended”: The Federalist Identity Of Lemuel Haynes, America's First Biracial Minister, David F. Guidone Nov 2019

"Liberty Further Extended”: The Federalist Identity Of Lemuel Haynes, America's First Biracial Minister, David F. Guidone

Channels: Where Disciplines Meet

An introduction to the life and work of Lemuel Haynes (1753-1833), a neglected figure in American History as the first biracial pastor to lead an all-white Congregation in North America. The topic of this paper addresses an understudied and essential aspect of early America, political discourse from minority voices in the colonies. I hope to demonstrate in this paper how a particular early American minority worked as a change-agent despite the presence and practice of racism and slavery. Born in West Hartford, Connecticut and raised in Granville, Massachusetts, Haynes used the Bible, his voice, his agile mind, and a relentless …

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Racial Ambiguity In The Borderlands: New Mexico’S African American Soldiers, 1860-1922, Jacqulyne Anton Nov 2019

Racial Ambiguity In The Borderlands: New Mexico’S African American Soldiers, 1860-1922, Jacqulyne Anton

History in the Making

In the nineteenth century United States, African Americans faced severe forms of racism that manifested through institutions of slavery, segregation and discrimination. Antebellum and Civil War historians focus on African American resistance to white supremacy and oppression through various forms of resistance, some of which include violent revolts and the search for freedom in the North. With that being said, however, many historians seem to ignore the role of the US-Mexico borderlands in African Americans’ contestation of the racist laws of the American North and South. This article examines African Americans' experiences in the US-Mexico borderlands of New Mexico during …

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”I Speak Hip Hop”: An Informative Interview About Generation Hip Hop And The Universal Hip Hop Museum, Tasha Iglesias, Travis T. Harris Nov 2019

”I Speak Hip Hop”: An Informative Interview About Generation Hip Hop And The Universal Hip Hop Museum, Tasha Iglesias, Travis T. Harris

Journal of Hip Hop Studies

”I Speak Hip Hop” is an interview of members of Generation Hip Hop and the Universal Hip Hop Museum. This primary source highlights two Hip Hop organizations with chapters around the world. Tasha Iglesias and Travis Harris posits that Hip Hop scholars have not fully uncovered Hip Hop's history around the world. As such, in addition to being a primary source, "I Speak Hip Hop" reveals the need for more scholarly attention on the dynamic expansion of Hip Hop cultures.

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Dedication To Ikeogu Oke, Travis T. Harris Nov 2019

Dedication To Ikeogu Oke, Travis T. Harris

Journal of Hip Hop Studies

This short article describes why this special issue is dedicated to Ikeogu Oke. He transitioned while we were completing the special issue.

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Whither World?, Ikeogu Oke Nov 2019

Whither World?, Ikeogu Oke

Journal of Hip Hop Studies

Second of ten poems written by the late and great Nigerian poet Ikeogu Oke.

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I Beg Of You, Honey, Ikeogu Oke Nov 2019

I Beg Of You, Honey, Ikeogu Oke

Journal of Hip Hop Studies

First of 10 poems written by the late and great Nigerian poet Ikeogu Oke

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Dear Mama, Ikeogu Oke Nov 2019

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Watching The World, Ikeogu Oke Nov 2019

Watching The World, Ikeogu Oke

Journal of Hip Hop Studies

Fourth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Better Days, Ikeogu Oke Nov 2019

Better Days, Ikeogu Oke

Journal of Hip Hop Studies

Fifth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Good Thing Going, Ikeogu Oke Nov 2019

Good Thing Going, Ikeogu Oke

Journal of Hip Hop Studies

Sixth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies To Hip Hop, Travis T. Harris Nov 2019

Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies To Hip Hop, Travis T. Harris

Journal of Hip Hop Studies

Global Hip Hop Studies has grown tremendously since it started in 1984. Scholars from a number of disciplines have published numerous journal articles, books, dissertations and theses. They have also presented at multiple academic conferences and taught classes on global Hip Hop. “Can It Be Bigger Than Hip Hop?: From Global Hip Hop Studies to Hip Hop Studies” traces this history and examines the key authors, intellectual interventions, methods, and theories of this field. I used an interdisciplinary methodology entailing participant observations of local Hip Hoppas and the examination of more than five hundred scholarly texts that I assembled into …

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(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris Nov 2019

(Global) Hip Hop Studies Bibliography, Travis T. Harris, Travis Terrell Harris

Journal of Hip Hop Studies

This bibliography documents Hip Hop scholarship outside of America, including scholarly works that may be US centric, yet expands its analysis to other parts of the world. Hip Hop Studies outside the boundaries of the United States stretches as far and wide as Hip Hop itself. This scholarship started in 1984, and the amount of scholarship beyond American boundaries has continued to grow up through present day. The first wave, before Mitchell's Global Noise (2001), includes a wider range of scholarly works such as conference presentations and books written by journalists, in addition to traditional academic sources such as books …

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Negotiating French Muslim Identities Through Hip Hop, Mich Yonah Nyawalo Nov 2019

Negotiating French Muslim Identities Through Hip Hop, Mich Yonah Nyawalo

Journal of Hip Hop Studies

In The French Melting Pot: Immigration, Citizenship, and National Identity, Gérard Noiriel contends that in France, the modern idea of the nation emerged as a means to subvert the dominant influence of the nobility, whose rule was underwritten by the aristocratic idea that “the nation was founded on ‘blood lineage.’”1 Noiriel posits that “the revolutionary upheaval discredited not only the old order but everything that harked back to origins, so much so that the first decrees abolishing nobility were also directed against names that evoked people’s origins: an elegant name is still a form of privilege; its credit must be …

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Native Son, Ikeogu Oke Nov 2019

Native Son, Ikeogu Oke

Journal of Hip Hop Studies

Ninth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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The Dame Of Liberty, Ikeogu Oke Nov 2019

The Dame Of Liberty, Ikeogu Oke

Journal of Hip Hop Studies

Eighth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Why The Cookie Crumbles, Ikeogu Oke Nov 2019

Why The Cookie Crumbles, Ikeogu Oke

Journal of Hip Hop Studies

Seventh of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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“I Got The Mics On, My People Speak”: On The Rise Of Aboriginal Australian Hip Hop, Rhyan Clapham, Benjamin Kelly Nov 2019

“I Got The Mics On, My People Speak”: On The Rise Of Aboriginal Australian Hip Hop, Rhyan Clapham, Benjamin Kelly

Journal of Hip Hop Studies

In this paper, an Aboriginal rapper and settler-Australian Indigenous Studies lecturer collaborate to provide an overview of the Aboriginal Australian Hip Hop scene. We contextualize the development of Aboriginal Hip Hop as part of a long postcolonial tradition of Aboriginal engagement with Black transnationalism. By analysing rap lyrics, Hip Hop videos, and related commentary, we demonstrate the ways in which Aboriginal hip hoppers have adapted elements of Hip Hop culture to suit their own cultures, histories, and structural position as a colonized minority under the rule of a modern settler-colonial state. We conclude by considering Aboriginal engagement with Hip Hop …

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Book Review Of Hip Hop In Africa: Prophets Of The City And Dustyfoot Philosophers, Camea Davis Nov 2019

Book Review Of Hip Hop In Africa: Prophets Of The City And Dustyfoot Philosophers, Camea Davis

Journal of Hip Hop Studies

Dr. Davis provides an analysis of Hip Hop in Africa: Prophets of the City and Dustyfoot Philosophers (2018). Dr. Camea Davis is a poet, educator and educational researcher with a heart for urban youth and communities. She earned her doctorate in educational policy studies with minors in curriculum and instruction and educational technology from Ball State University. She currently works as a Post-Doctoral Research Associate as Georgia State University in the Department of Middle and Secondary Education.

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If I Ruled The World: Putting Hip Hop On The Atlas, Travis T. Harris, Simran Singh, Daniel White Hodge Nov 2019

If I Ruled The World: Putting Hip Hop On The Atlas, Travis T. Harris, Simran Singh, Daniel White Hodge

Journal of Hip Hop Studies

“If I Ruled the World: Putting Hip Hop on the Atlas” contends for a third wave of Global Hip Hop Studies that builds on the work of the first two waves, identifies Hip Hop as an African diasporic phenomenon, and aligns with Hip Hop where there are no boundaries between Hip Hop inside and outside of the United States. Joanna Daguirane Da Sylva adds to the cipha with her examination of Didier Awadi. Da Sylva's excellent work reveals the ways in which Hip Hoppa Didier Awadi elevates Pan-Africanism and uses Hip Hop as a tool to decolonize the minds of …

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Go Tell It On The Mountain, Ikeogu Oke Nov 2019

Go Tell It On The Mountain, Ikeogu Oke

Journal of Hip Hop Studies

Tenth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

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Reclaiming Our Subjugated Truths—Using Hip Hop As A Form Of Decolonizing Public Pedagogy: The Case Of Didier Awadi, Joanna D. Da Sylva Nov 2019

Reclaiming Our Subjugated Truths—Using Hip Hop As A Form Of Decolonizing Public Pedagogy: The Case Of Didier Awadi, Joanna D. Da Sylva

Journal of Hip Hop Studies

This paper explores how Senegalese Hip Hop pioneer, Didier Awadi, uses Hip Hop as a form of decolonizing public pedagogy that renders the contributions of Pan-African leaders visible to Africa and the world, contributions that are often omitted and vilified by mainstream history. I argue that Awadi’s work provides a strategy for reclaiming oral literature, particularly storytelling, as a legitimate way of knowing, teaching and learning history. In his album Présidents d’Afrique, Didier Awadi uses rap and traditional African music to retell the story of our resistant past through an African frame of reference. The data is comprised of …

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Foreword, Travis T. Harris Nov 2019

Foreword, Travis T. Harris

Journal of Hip Hop Studies

This is the Foreword to the special issue. It provides a broad overview of the special issue, a description of the context it is written in and acknowledgment of all those who contributed to "If I Ruled the World."

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Configurations Of Space And Identity In Hip Hop: Performing “Global South”, Igor Johannsen Nov 2019

Configurations Of Space And Identity In Hip Hop: Performing “Global South”, Igor Johannsen

Journal of Hip Hop Studies

The spatiality of culture, specifically Hip Hop, and the reverberations between space and identity are the core concern of this essay. In deconstructing and contextualizing the concept of the Global South by discussing the practices of respective Hip Hop communities, this paper aims at laying bare the oversimplifications inherent in those seemingly natural spatial dimensions. The Global South can, thus, not be understood as a concise and objective term. Instead, it implies a highly normative concept and can be made to reveal or conceal specific attributes of the culture in question. Deliberately creating a cultural and artistic discourse in which …

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Editor's Introductory Essay: Race, Rights, And Reparations, Regennia N. Williams Oct 2019

Editor's Introductory Essay: Race, Rights, And Reparations, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

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Table Of Contents, Regennia N. Williams Oct 2019

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

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Student Leaders, The University Of The Free State, And The 2012 Global Leadership Summit: An Introductory Note, Regennia N. Williams Oct 2019

Student Leaders, The University Of The Free State, And The 2012 Global Leadership Summit: An Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

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The 2012 Csu Global Leadership Summit Newsletter, Regennia N. Williams Oct 2019

The 2012 Csu Global Leadership Summit Newsletter, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

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Jazz, Jobs, And Justice: From The American South To South Africa And Beyond, C. 1960-Present, Regennia N. Williams Oct 2019

Jazz, Jobs, And Justice: From The American South To South Africa And Beyond, C. 1960-Present, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

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From King To Mandela And Beyond: A Personal History Of Black Economic Empowerment, Aisha Asare Oct 2019

From King To Mandela And Beyond: A Personal History Of Black Economic Empowerment, Aisha Asare

The Journal of Traditions & Beliefs

No abstract provided.

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