Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Art (1)
- Audio (1)
- Black existential philosophy (1)
- Body (1)
- Caribbean (1)
-
- Colonization (1)
- Critical race theory (1)
- Culture (1)
- Death (1)
- Erasure (1)
- Histories (1)
- History Painting (1)
- Language (1)
- Military (1)
- Monument (1)
- Monumental Sculpture (1)
- Multimedia (1)
- Myth (1)
- Patriotism (1)
- Performance (1)
- Photography (1)
- Public Space (1)
- Quantum (1)
- Race (1)
- Representation of power (1)
- Slavery (1)
- Sound (1)
- United States (1)
- Video (1)
Articles 1 - 5 of 5
Full-Text Articles in African American Studies
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche
Theses and Dissertations
I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.
Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv
Nigga Is Historical: This Is Not An Invitation For White People To Say Nigga, Sandy Williams Iv
Theses and Dissertations
Over the past several years I have been on a quest to locate a world beyond the one I’ve been presented. I am interested in the history of atomic particles - like everything that radiates off of a monument (both literally and those things that are metaphorically reified) - invisible things, and the ways in which these things insect beyond our knowledge systems. This inquiry takes many forms. Mine is a conceptually based practice linked to record keeping and time, and the ways in which these concepts find plurality within our culture; or more pointedly, the importance that we attach …
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales
Theses and Dissertations
After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.
Sawft.Servindat... [V1.7], Ray Ferreira
Sawft.Servindat... [V1.7], Ray Ferreira
Theses and Dissertations
A descriptor of my artistic practice, a text piece, a series of linguistic musings, and more, Sawft.servindat… [v1.7] attempts to explore the dance between language, embodiment, and performativity. More specifically, the text moves through metaphor and metonym, Englishes, Spanishes, and Images, the performativity of representation and the representation of performativity —my body. My body moving across spaces and times. As part of the Sawft.servindat… series, Sawft.servindat… [v1.7] uses the scroll down format of most PDF reading software to activate the inherently embodied experience of intra-acting with technologies, resisting the dichotomy between the virtual and analog. Englishes juxtaposed with Spanishes juxtaposed …
A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams
A (Dis)Assemblage Of The Gallery-Growlery, Levester R. Williams
Theses and Dissertations
A (dis)Assemblage of the Gallery-Growlery exhibition and writing presents itself as a site of a morphological exploration of language, sound, and objects in tandem with the irreducibly venting black expression. Venting, the black expression never seeks wholeness within objects or language itself for it is a thing-in-itself. Its presence affords critical reception to a residue of delimiting forms. All growls eschew verbal objects for the manifestation of pure phonetics. A growl in a gallery is the growl. The growl resounds through the physicality of the objects and gallery. Also, it unwinds the object-among-objects as the phono-present stretches the discursive …