African American Studies Commons^™

Two Strivings: Uplift And Identity In African American Rhetorical Culture, 1900-1943, Jansen Blake Werner

Theses and Dissertations

During the late nineteenth- and early twentieth century, the notion of “uplift” functioned as a major thematic within African American rhetorical culture. In this milieu, “uplift” generally connoted a sense of collective self-help. However, in contrast to more generalized reform efforts, uplift was expressed as a distinctly intraracial endeavor. That is, rather than overtly leveraging the dominant white society to enact legal or political reforms, uplift typically centered on the ways in which African Americans could enhance the quality of black life independent from white involvement.

Understood as public proposals for how African Americans could employ forms of self-help to …

Grassroots And Community Activism Within Milwaukee's Black Community: A Response To Central City Renewal And Revitalization Efforts In The Walnut Street Area, 1960s To 1980s, Madeline Mary Riordan

Theses and Dissertations

Many researchers and scholars have explored the Black urban experience and have often chosen to focus on the systemic and institutionalized forms of racism that affect different aspects of Black lives. Descriptions of central city lives as told by Black central city residents are starkly similar to the descriptions of Black residents of industrialized cities throughout the United States. Fragments of the Black urban experience are contained in discussions of the effects of urban renewal efforts, including “redevelopment” and “revitalization,” beginning most heavily in the 1940s. Looking back at urban renewal designs and strategies from the 1940s through the 1980s …

The Color Of Memory: Reimagining The Antebellum South In Works By James Mcbride Through The Use Of Free Indirect Discourse, Janel L. Holmes

Theses and Dissertations

This thesis examines the use of interior narrative techniques such as free indirect discourse and internal monologue in two of James McBride’s neo-slave narratives, Song Yet Sung (2008) and The Good Lord Bird (2013). Very limited critical attention has been given to these neo-slave narratives that illustrate McBrides attention to characterization and focalized narration. In these narratives McBride builds upon the revelations he explores in his bestselling memoir, The Color of Water (1996, 2006), where he learns to disassociate race and character. What he discovers about not only his mother, but also himself, inspires his re-imagination of the people who …