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Full-Text Articles in Philosophy of Science
Cosmological Models And The Christian Faith In John Milton's Paradise Lost, Jacob R. Taylor
Cosmological Models And The Christian Faith In John Milton's Paradise Lost, Jacob R. Taylor
Tenor of Our Times
In this work the author argues that John Milton justifies the intelligibility and priority of Christian faith against modern revolutions of science in his epic poem Paradise Lost. Milton argues against scientists who choose to believe modern astronomy over cosmology. He argues that Christian faithfulness stands firm despite the crumbling of its medieval cosmological basis. This endurance of the faith is the primary scientific theme of the epic English poem.
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Masters Theses
Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …
Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz
Women, The Novel, And Natural Philosophy, 1660-1727, Karen Gevirtz
Karen Bloom Gevirtz
Women, the Novel, and Natural Philosophy, 1660-1727 shows how early women novelists drew on debates about the self generated by the 'scientific' revolution to establish the novel as a genre and literary omniscience as a point of view. These writers such as Aphra Behn, Jane Barker, Eliza Haywood, and Mary Davys used, tested, explored, accepted, and rejected ideas about the self in their works to represent the act of knowing and what it means to be a knowing self. Karen Bloom Gevirtz agues that as they did so, they developed structures for representing authoritative knowing that contributed to the development …