Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Philosophy of Science
Japanese-English Translation: Nishida Kitarō—Self-Determination Of The Expressive Self (May 1930), Christopher Southward
Japanese-English Translation: Nishida Kitarō—Self-Determination Of The Expressive Self (May 1930), Christopher Southward
Comparative Literature Faculty Scholarship
Excerpt of working translation of 「表現的自己の自己限定」、西田幾多郎著. Source: 『西田幾多郎全集』、第五巻 (第一回配本)。東京、株式会社岩波書店、二〇〇二年一一月二七日。ページ 十一〜六十七。[The Complete Works of Nishida Kitarō, Vol. 5 (1st edition). Tokyo: Iwanami Shoten, Nov. 27, 2002. Pages 11-67].
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward
Comparative Literature Faculty Scholarship
Course Description:
Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …
Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward
Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward
Comparative Literature Faculty Scholarship
An examination of questions concerning aesthetic experience from the standpoint of the structural and functional logics of the capitalist mode of production