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Articles 1 - 9 of 9
Full-Text Articles in Philosophy of Science
Review: Worlds Without End: The Many Lives Of The Multiverse, Patrick Blanchfield
Review: Worlds Without End: The Many Lives Of The Multiverse, Patrick Blanchfield
Mary-Jane Rubenstein
No abstract provided.
Contesting Faith, Truth, And Religious Language At The Creation Museum: A Historical-Theological Reflection, Brent A. R. Hege
Contesting Faith, Truth, And Religious Language At The Creation Museum: A Historical-Theological Reflection, Brent A. R. Hege
Brent A. R. Hege
The Creation Museum in Petersburg, Kentucky, attempts to demonstrate the flaws in contemporary science and to offer an alternative explanation of human origins and biological complexity rooted in a specific reading of the biblical narrative. This effort, however, is paradoxically rooted in the worldview of modern science and the Enlightenment. This article will examine the Creation Museum’s definitions of faith, truth, and religious language and will compare these definitions to those of mainline Protestant Christianity to uncover the historical and theological presuppositions of Creationist and mainline Protestant engagements with contemporary science.
The Multiverse In A Flat Circle: Review Of Worlds Without End, Jared Keller
The Multiverse In A Flat Circle: Review Of Worlds Without End, Jared Keller
Mary-Jane Rubenstein
No abstract provided.
Schrödinger And Nietzsche And Life: Eternal Recurrence And The Conscious Now, Babette Babich
Schrödinger And Nietzsche And Life: Eternal Recurrence And The Conscious Now, Babette Babich
Articles and Chapters in Academic Book Collections
The phenomenological question of consciousness usually associated with Husserl (although there are echoes of this in Augustine as in Marcus Aurelius, Kant and Schopenhauer), is the consciousness of the now, the present moment. I explore this consciousness for Erwin Schrödinger, which for him included reference to the Upaniṣads together with Nietzsche’s central teaching or “thinking” of the eternal recurrence of the same.
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Masters Theses
Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …
Contesting Faith, Truth, And Religious Language At The Creation Museum: A Historical-Theological Reflection, Brent A. R. Hege
Contesting Faith, Truth, And Religious Language At The Creation Museum: A Historical-Theological Reflection, Brent A. R. Hege
Scholarship and Professional Work - LAS
The Creation Museum in Petersburg, Kentucky, attempts to demonstrate the flaws in contemporary science and to offer an alternative explanation of human origins and biological complexity rooted in a specific reading of the biblical narrative. This effort, however, is paradoxically rooted in the worldview of modern science and the Enlightenment. This article will examine the Creation Museum’s definitions of faith, truth, and religious language and will compare these definitions to those of mainline Protestant Christianity to uncover the historical and theological presuppositions of Creationist and mainline Protestant engagements with contemporary science.
Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien
Advances In Documentation, Digital Curation, Virtual Exhibition, And A Test Of 3d Geometric Morhpometrics: A Case Study Of The Vanderpool Vessels From The Ancestral Caddo Territory, Robert Z. Selden Jr., Timothy K. Perttula, Michael J. O'Brien
CRHR: Archaeology
Three-dimensional (3D) digital scanning of archaeological materials is typically used as a tool for artifact documentation. With the permission of the Caddo Nation of Oklahoma, 3D documentation of Caddo funerary vessels from the Vanderpool site (41SM77) was conducted with the initial goal of ensuring that these data would be publicly available for future research long after the vessels were repatriated. A digital infrastructure was created to archive and disseminate the resultant 3D datasets, ensuring that they would be accessible by both researchers and the general public (CRHR 2014a). However, 3D imagery can be used for much more than documentation. To …
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
Neuroscience And Hindu Aesthetics: A Critical Analysis Of V.S. Ramachandran’S “Science Of Art”, Logan R. Beitmen
FIU Electronic Theses and Dissertations
Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences …
Worlds Without End: The Many Lives Of The Multiverse, Mary-Jane Rubenstein
Worlds Without End: The Many Lives Of The Multiverse, Mary-Jane Rubenstein
Mary-Jane Rubenstein
Worlds without End explores the recent proliferation of "multiverse" cosmologies, which imagine our universe as just one of a vast, even infinite, number of others. While this idea has been the stuff of philosophy, religion, and literature for millennia, it is now under consideration as a scientific hypothesis, with wildly different models emerging from the fields of cosmology, quantum mechanics, and string theory. Beginning with the Atomistic and Stoic philosophies of ancient Greece, this book assembles a genealogy of the multiverse, seeking to map contemporary models in relation to their forerunners, and to ask why the proposition has become such …