History of Philosophy Commons^™

Japanese-English Translation: Nishida Kitarō––“Self-Determination Of The Eternal Now” 「永遠の今の自己限定」、西田幾多郎著（昭和六年七月） (July 1931) §1 Of 4; Complete Draft (Supersedes Draft Of 2 Jan 19); Translated By Christopher Southward; Revision And Expansion Underway, Christopher Southward

Comparative Literature Faculty Scholarship

Japanese-English Translation: Nishida Kitarō––“Self-Determination of the Eternal Now” (July 1931) 「永遠の今の自己限定」、西田幾多郎著（昭和六年七月）

§1 of 4; Complete Draft (Supersedes Draft of 2 Jan 2019)

Translated from the Japanese by Christopher Southward; Revision and Expansion Underway, October 2023

Japanese-English Translation: Miki Kiyoshi —Thinking With Master Nishida (First Published In Fujin Kōron, August 1941) Complete Draft; Translated, Edited, And Revised By Christopher Southward, October 2022-September 2023 「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）, Christopher Southward

Comparative Literature Faculty Scholarship

Japanese-English Translation: Miki Kiyoshi —Thinking with Master Nishida (First Published in Fujin Kōron, August 1941) Complete Draft; Translated, Edited, and Revised by Christopher Southward, October 2022-September 2023「西田先生のことども」、三木清著（初発 婦人公論、昭和十六年八月）

Source text transcribed and published by Aozora Bunko–a compendium of public-domain Japanese literature, philosophy, and criticism

General website: https://www.aozora.gr.jp

Current text: https://www.aozora.gr.jp/cards/000218/files/50538_37481.html

Aftermath, Babette Babich

Articles and Chapters in Academic Book Collections

Aftermath

The question after any disaster is the question of what remains and that, to the extent that there is still something that remains, is the question of life. It is life that is the question after Auschwitz—how go on, how write poetry, how philosophize? What is called thinking after Heidegger? Are we still inclined to thinking, after Heidegger? And what of logic? What of history? And what of science? In addition, we may ask after ethical implications, including questions bearing on anti-Semitism, but also issues of misogyny, as well as Heidegger’s critical questions concerning technology and concerning animal life …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Philosophische Figuren, Frauen Und Liebe: Zu Nietzsche Und Lou, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”

The Philosopher And The Volcano, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche's Zarathustra echoes Empedocles' as orator or speaker especially if reviewed in terms of Empedocles' esoteric Katharmoi or Purifications. This essay reads Zarathustra teaching of the eternal return of the same as the teaching of going to ground, that is: death and rebirth, arguing that death is present at the start and already at work in the section entitled The Adder's Bite. Indeed it is the explicit subtext of the overman.

Like Empedocles, Nietzsche's Zarathustra tells us that the human being is something that should be overcome. and thus it makes a difference that we hear Zarathustra proclaim this teaching …

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Articles and Chapters in Academic Book Collections

Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in …

Ex Aliquo Nihil: Nietzsche On Science And Modern Nihilism. Acpq, 84-2 (Spring 2010): 231-256., Babette Babich

Articles and Chapters in Academic Book Collections

This essay explores the nihilistic coincidence of the ascetic ideal and Nietzsche’s localization of science in the conceptual world of anarchic socialism as Nietzsche indicts the uncritical convictions of modern science by way of a critique of the causa sui, questioning both religion and the enlightenment as well as both free and unfree will and condemning the “poor philology” enshrined in the language of the “laws” of nature. Reviewing the history of philosophical nihilism in the context of Nietzsche’s “tragic knowledge” along with political readings of nihilism, willing nothing rather than not willing at all, today’s this-worldly and very planetary …

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Dreams Of Interpretation: Psychoanalysis And The Literature Of Vienna, Thomas Paul Bonfiglio

Languages, Literatures, and Cultures Faculty Publications

The first edition of Die Traumdeutung (translated as The Interpretation of Dreams, 1913) bears a publication date of 1900, although it actually appeared in Vienna in November 1899. This is consistent with the pivotal temporality of a work that looks retrospectively into the nineteenth century and prospectively into the twentieth. In 1931, Freud said of his first and arguably most important book, "It contains, even according to my present-day judgement, the most valuable of all the discoveries it has been my good fortune to make. " In terms of the influence not only on his later publications, but also …

Between Hölderlin And Heidegger: Nietzsche’S Transfiguration Of Philosophy, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Future Philology! By Ulrich Von Wilamowitz-Moellendorff - Translated By G. Postl, B. Babich, And H. Schmid, Babette Babich

Articles and Chapters in Academic Book Collections

Ulrich von Ulrich von Wilamowitz-Möllendorff's

FUTURE PHILOLOGY! a reply to FRIEDRICH NIETZSCHE’S Ordinarius Professor of Classical Philology at Basel „birth of tragedy“

Translated by Gertrude Postl, Babette E. Babich, and Holger Schmid (Greek and Latin translations by Babette Babich and Holger Schmid. Additional corrections to the Greek by James I. Porter and Alexander Nehamas)

Nietzsche And Eros Between The Devil And God’S Deep Blue Sea: The Problem Of The Artist As Actor–Jew–Woman, Babette Babich

Articles and Chapters in Academic Book Collections

In just one aphorism in The Gay Science, Nietzsche arrays “The Problem of the Artist” in a complex, highly reticulated constellation. Addressing every member of the excluded grouping of disenfranchised “others,” Nietzsche turns to the destitution of a god of love keyed to the self- or inward-turning absorption of the human heart. His ultimate and irrecusably tragic project to restore the innocence of becoming requires the affirmation of the problem of suffering as the task of learning how to love. Nietzsche sees the eros of art as what can teach us how to make things beautiful, desirable, lovable in the …