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Full-Text Articles in History of Philosophy
Malebranche’S Alleged Idealism, Fabio Malfara, Dylan Flint
Malebranche’S Alleged Idealism, Fabio Malfara, Dylan Flint
Western Ontario Early Modern Philosophy (WOEMP) Online Events
Over the span of eleven years (1683-1694), Nicolas Malebranche and Antoine Arnauld, two prominent sympathizers of the Cartesian tradition, engaged in a rigorous debate. In his initial set of criticisms, Arnauld objects that a natural consequence of Malebranche’s theory of ideas is idealism.1 This charge of idealism has puzzled scholars: why did Arnauld believe this? Han Adriaenssen2 has convincingly argued that Arnauld’s charge of idealism is founded on the representationality of Malebranchean ideas. According to Arnauld, ideas represent for Malebranche in much the same way that portraits do—by inciting a perceiver to form a conception of whatever they pertain to. …
Kant And Tetens On Transcendental Philosophy, Richard D. Creek
Kant And Tetens On Transcendental Philosophy, Richard D. Creek
Electronic Thesis and Dissertation Repository
This dissertation examines the significance of Johann Nikolas Tetens, a German empiricist philosopher working in the 1770's, to the theoretical philosophy of Immanuel Kant. I begin by examining Tetens' discussion of philosophical methodology in his 1775 essay \textit{Über die allgemeine speculativische Philosophie}. I make the case that Tetens' criticism of the methodology of the Scottish common sense philosophers and his subsequent attempt to incorporate what he takes to be their valuable insights into the approach of the broadly Wolffian philosophical tradition provides important context for interpreting Kant's methodology in the \textit{Critique of Pure Reason}. I then examine two different cases …
The Ontological-Ontic Character Of Mythology, Jeffrey M. Ray
The Ontological-Ontic Character Of Mythology, Jeffrey M. Ray
Electronic Thesis and Dissertation Repository
This thesis interrogates the concept of mythology within the opposing philosophical frameworks of the world as either an abstract totality from which ‘truth’ is derived, or as a chaotic background to which the subject brings a synthetic unity. Chapter One compares the culturally dominant, classical philosophical picture of the world as a necessary, knowable totality, with the more recent conception of the ‘world’ as a series of ideational repetitions (sense) grafted on to material flows emanating from a chaotic background (non-sense). Drawing on Plato, Kant, and Heidegger, I situate mythology as a conception of the false—that which fails to …