History of Philosophy Commons^™

Of Method: A Propaedeutic To Coleridge's Prose Works, Michael A. Granger

Dissertations, Theses, and Capstone Projects

Coleridge’s prose works, published and unpublished, demonstrate a thorough and critical testing and understanding of British and German philosophical responses to skepticism and the ability of philosophy to progress by maintaining a double-minded and conflicted suture of both the practical or imaginative eclipse of knowledge and theorizing the hypothetical epistemological absolute that explains the relativity of facticity. Any inadequate method of inquiry stagnates within attempting a purely figurative or purely demonstrative solution to skepticism. Thus, the appropriate way to approach Coleridge’s understanding of philosophy is the struggle to make inquiry adequate though progression. Coleridge’s methodological impulse originates explicitly in a …

The Pariah And The Poet: Hannah Arendt’S Alternative Reading Of Goethe’S «Wilhelm Meisters Lehrjahre» As A Critique Of Enlightenment «Bildung», John Macready

John Macready

Unread: The (Un)Published Texts Of Romanticism, Marc D. Mazur

Electronic Thesis and Dissertation Repository

This dissertation reads the unpublished texts of Romanticism not as fragments on the road to publication but as psychoanalytic “partial objects” that re-figure our understanding of the relationship between Romantic authors and publication. Against positivist interpretations of literary production that limit writing to the professionalization of the author and to a sociology of texts, Unread develops the concept of the (un)published whose parenthetical bracketing signals an unstable suspension of textual instability that is at once prior to and yet persistently remains a part of the writing of the published text. I argue that non-publication also arises from the author’s relation …

Ernst Blochs Utopischer Nietzsche: Von Der Tragödien- Zur Marxismustheorie, Ursula Beata Baur

Arts & Sciences Electronic Theses and Dissertations

Ernst Bloch, bekannt als neomarxistischer Querdenker, sieht das utopische und lebensbejahende Potenzial seiner Philosophie bereits in Friedrich Nietzsches Denken angelegt. Dessen widerstreitende, aber sich dennoch komplementär ergänzende Konzepte des „Apollinischen“ und „Dionysischen“ interpretiert und erweitert Bloch für seine Hoffnungslehren. Die Thesis widmet sich der Fragestellung, inwiefern Nietzsches Begriffspaar bei Bloch verstanden und politisiert wird und welcher Mehrwert durch diese Analyse entsteht. Bloch entlehnt von Nietzsche vor allem seine Dionysos-Figur, die er als das rebellierende Subjekt gegen das geschlossene Objektivsystem des Staatsmarxismus seiner Zeit setzt. Dabei vernachlässigt er den anti-individuellen und allvereinenden Aspekt des Dionysischen, eröffnet aber so eine Perspektive auf …

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

"Part Of That Force That Always Wills The Evil And Always Produces The Good" On A Devilish Incoherence, Peter Baumann

Sophia and Philosophia

When Mephisto was asked by Faust, "Well now, who are you then?" (“Nun gut, wer bist Du denn?”), he gave the well-known answer, "Part of that force that always wills the evil and always produces the good" (“Ein Teil von jener Kraft, die stets das Böse will und stets das Gute schafft”: Goethe, Faust, 1334-1336). This answer raises some important questions which in turn lead to interesting answers. Let us start by looking at the content of Mephisto's utterance.

Religious Tones And Overtones In The Human Sufficiency Arguments Of Marx And Nietzsche, Norman Rudolph Saliba

Masters Theses

It is often assumed that since Marx and Nietzsche were both anti-religious thinkers, religion played no part in the formulation of their philosophical outlooks. With this assumption, the influence of historical religions on rhetoric has received a subordinate role, if at all, in the discourse on 19^th century German critiques of those very religions. Although differing fundamentally in the debate on inclusiveness versus individuality, this essay asserts that Marx and Nietzsche, both from families of religious scholars, broke with previous philosophical tradition and utilized a religious form of rhetoric in their writings to combat doctrines of human deficiency inherent …

Enlightenment And Catholicism In Europe. A Transnational History, Ulrich Lehner, Jeffrey Burson

Ulrich L. Lehner

No abstract provided.

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

Nietzsche And Eros Between The Devil And God’S Deep Blue Sea: The Problem Of The Artist As Actor–Jew–Woman, Babette Babich

Babette Babich

In just one aphorism in The Gay Science, Nietzsche arrays “The Problem of the Artist” in a complex, highly reticulated constellation. Addressing every member of the excluded grouping of disenfranchised “others,” Nietzsche turns to the destitution of a god of love keyed to the self- or inward-turning absorption of the human heart. His ultimate and irrecusably tragic project to restore the innocence of becoming requires the affirmation of the problem of suffering as the task of learning how to love. Nietzsche sees the eros of art as what can teach us how to make things beautiful, desirable, lovable in the …

Dreams Of Interpretation: Psychoanalysis And The Literature Of Vienna, Thomas Paul Bonfiglio

Languages, Literatures, and Cultures Faculty Publications

The first edition of Die Traumdeutung (translated as The Interpretation of Dreams, 1913) bears a publication date of 1900, although it actually appeared in Vienna in November 1899. This is consistent with the pivotal temporality of a work that looks retrospectively into the nineteenth century and prospectively into the twentieth. In 1931, Freud said of his first and arguably most important book, "It contains, even according to my present-day judgement, the most valuable of all the discoveries it has been my good fortune to make. " In terms of the influence not only on his later publications, but also …

Nietzsche And Eros Between The Devil And God’S Deep Blue Sea: The Problem Of The Artist As Actor–Jew–Woman, Babette Babich

Articles and Chapters in Academic Book Collections

In just one aphorism in The Gay Science, Nietzsche arrays “The Problem of the Artist” in a complex, highly reticulated constellation. Addressing every member of the excluded grouping of disenfranchised “others,” Nietzsche turns to the destitution of a god of love keyed to the self- or inward-turning absorption of the human heart. His ultimate and irrecusably tragic project to restore the innocence of becoming requires the affirmation of the problem of suffering as the task of learning how to love. Nietzsche sees the eros of art as what can teach us how to make things beautiful, desirable, lovable in the …