History of Philosophy Commons^™

Nietzsches Lyrik. Archilochus, Musik, Metrik, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Nietzsche's Spiritual Exercises, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche’s third Untimely Meditation, composed in 1874, Schopenhauer as Educator, reflects upon and describes a “spiritual exercise” not unlike the spiritual exercises of St. Ignatius of Loyola, detailing tactics and including practical advice. Thus Nietzsche’s “spiritual exercises” correspond to the traditional practice of self-cultivation, self-education, characteristic of the Stoic philosophers but also influential for the Hellenistic neo-Platonic tradition, the church fathers, and St. Augustine, author of De Magistro and the Confessions. Beyond antiquity, spiritual exercises refer to a theological practice of selfcultivation and self-discipline.

“Who Do You Think You Are?” On Nietzsche’S Schopenhauer, Illich’S Hugh Of St. Victor, And Kleist’S Kant, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Nietzsche’S Zarathustra And Parodic Style: On Lucian’S Hyperanthropos And Nietzsche’S Übermensch, Babette Babich

Articles and Chapters in Academic Book Collections

It is well-known that as a term, Nietzsche’s Übermensch derives from Lucian of Samosata’s hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances by reflecting on the context of that origination from Lucian’s Kataplous – literally, “sailing into port” – referring to the soul’s journey (ferried by Charon, guided by Hermes) into the afterlife. The Kataplous he tyrannos, usually translated Downward Journey or The Tyrant, is a Menippean satire of the “overman” who is imagined to be superior to others of “lesser” station in this-worldly life and the same tyrant after his (comically unwilling) …

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”

The Philosopher And The Volcano, Babette Babich

Articles and Chapters in Academic Book Collections

Nietzsche's Zarathustra echoes Empedocles' as orator or speaker especially if reviewed in terms of Empedocles' esoteric Katharmoi or Purifications. This essay reads Zarathustra teaching of the eternal return of the same as the teaching of going to ground, that is: death and rebirth, arguing that death is present at the start and already at work in the section entitled The Adder's Bite. Indeed it is the explicit subtext of the overman.

Like Empedocles, Nietzsche's Zarathustra tells us that the human being is something that should be overcome. and thus it makes a difference that we hear Zarathustra proclaim this teaching …

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Articles and Chapters in Academic Book Collections

Abstract

Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in …

Schrödinger And Nietzsche On Life: The Eternal Recurrence Of The Same, Babette Babich

Working Papers

Schrödinger and Nietzsche on Life: The Eternal Recurrence of the Same

This essay explores Schrödinger’s reflections on measurement, consciousness, and personal identity. Schrödinger’s, What Is Life? is read together with Nietzsche’s own reflections on the same question, in his aphorism What is Life? together with Nietzsche’s teaching of the eternal return of the selfsame. Schrödinger’s own thinking is influenced as is Nietzsche’s by Schopenhauer but Schrödinger also has the Vedic tradition as this influenced Schopenhauer himself in view.

Politik Und Die Analytisch-Kontinentale Streit Der Fakultaeten In Die Philosophie, Babette Babich

Articles and Chapters in Academic Book Collections

Bekanntnermaßen machen die unterschiedlichen Antworten, die auf die Frage ‚Was ist Philosophie?’ gegeben werden können, die Differenz und damit die Trennung zwischen analytischen und kontinentalen Denkstilen aus. Wenn man bedenkt, was hier auf dem Spiele steht, so geht es dabei nicht um einen terminologischen Streit um Begriffe, sondern um die Definition einer Disziplin als solcher und dies schließt nicht nur das Problem ein, wie Philosophie betrieben – und bewertet – wird, sondern wer überhaupt in die Lage kommt, sie auszuüben (und zu evaluieren), gerade wo solches Tun – und solche Evaluation – sich als eine bedeutsame Voraussetzung für Einladungen erweist. …

Words In Blood, Like Flowers: Philosophy And Poetry, Music And Eros In Hölderlin, Nietzsche, And Heidegger, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Between Hölderlin And Heidegger: Nietzsche’S Transfiguration Of Philosophy, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.

Future Philology! By Ulrich Von Wilamowitz-Moellendorff - Translated By G. Postl, B. Babich, And H. Schmid, Babette Babich

Articles and Chapters in Academic Book Collections

Ulrich von Ulrich von Wilamowitz-Möllendorff's

FUTURE PHILOLOGY! a reply to FRIEDRICH NIETZSCHE’S Ordinarius Professor of Classical Philology at Basel „birth of tragedy“

Translated by Gertrude Postl, Babette E. Babich, and Holger Schmid (Greek and Latin translations by Babette Babich and Holger Schmid. Additional corrections to the Greek by James I. Porter and Alexander Nehamas)

Nietzsche And Eros Between The Devil And God’S Deep Blue Sea: The Problem Of The Artist As Actor–Jew–Woman, Babette Babich

Articles and Chapters in Academic Book Collections

In just one aphorism in The Gay Science, Nietzsche arrays “The Problem of the Artist” in a complex, highly reticulated constellation. Addressing every member of the excluded grouping of disenfranchised “others,” Nietzsche turns to the destitution of a god of love keyed to the self- or inward-turning absorption of the human heart. His ultimate and irrecusably tragic project to restore the innocence of becoming requires the affirmation of the problem of suffering as the task of learning how to love. Nietzsche sees the eros of art as what can teach us how to make things beautiful, desirable, lovable in the …