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Full-Text Articles in Philosophy

High Art, Folk Art, And Other Social Distinctions, Gary Shapiro Jan 1989

High Art, Folk Art, And Other Social Distinctions, Gary Shapiro

Philosophy Faculty Publications

Most discussions of the arts by critics and philosophers could be characterized in terms of a rather studied neglect of folk and popular art. This neglect is hardly absolute, however, for it is important in order to articulate a specific conception of aesthetic taste, beauty, or style to contrast the standard being used or praised with some other, less desirable, even degraded way of producing or appreciating something similar. It is perhaps more than a historical coincidence that the formation of the modern concept of taste and aesthetic judgment, in the eighteenth century, coincides roughly with the discovery and valorization …


Foucault's Move Beyond The Theoretical, Ladelle Mcwhorter Jan 1989

Foucault's Move Beyond The Theoretical, Ladelle Mcwhorter

Philosophy Faculty Publications

Theory plays an important role in virtually every academic discipline currently vital. The specific functions of theory may differ from discipline to discipline, but it is difficult to think of any serious discipline that is able to dispense with it entirely; for theory, we usually assume, is quite simply the name of all instances of systematic speculation, all attempts at rational explication. Ordered mentation, most of us unwaveringly believe, is and must be theoretical. All that is not theoretical is either confused thinking – or, more positively, perhaps it is poetic – or it is not thinking at all, but …


To Philosophize Is To Learn To Die, Gary Shapiro Jan 1989

To Philosophize Is To Learn To Die, Gary Shapiro

Philosophy Faculty Publications

As the quintessential man of letters, Roland Barthes had the genial gift of being able to sympathize with an endless variety of discourses, texts, myths, and semiotic systems. The profusion of apparent subjects-Japan, Brecht, Balzac, photography, "mythologies," classical writing, the theater-is perhaps calculated to provoke the purist who insists on the values of thoroughness and well-grounded inquiry. At the same time, one would have to be obtuse to fail to recognize the critical projects that animate the many books, essays, and studies; these are explorations that put into question the often closed and crabbed commitment of the scholar or critic …