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Full-Text Articles in Philosophy
Literary Lepidopterology: Nabokov And The Book That Was A Butterfly, Dave Patterson
Literary Lepidopterology: Nabokov And The Book That Was A Butterfly, Dave Patterson
Anthós
In this paper I examine Vladimir Nabokov's Lolita, arguing that contrary to many interpretations, the book does not assert a moral lesson, and is instead a work of art for art’s sake. I examine its formal structures to demonstrate this claim. First I look at a Doppelgänger motif between the characters of Humbert Humbert and Clare Quilty. Since this motif is independent of Humbert’s character arc, it is narratively insignificant and becomes merely one of many themes related to doubles, twins, and mirror images. I also explain how Nabokov was a lifelong scientist studying butterflies and moths, and saw …
Locke, Judgment, And Figure: A Consistent Answer To The Molyneux Problem, Jamale Nagi
Locke, Judgment, And Figure: A Consistent Answer To The Molyneux Problem, Jamale Nagi
Anthós
John Locke has been famously credited with resurrecting the distinction between common and proper sensibles, better known in the Essay as primary and secondary qualities. Although some argue that Locke’s adherence to the doctrine of the common sensibles is in conflict with his empiricist sensibilities, I will show this is not likely to be the case. In order to achieve this I will argue that Locke held there to be cross-modal connections in the mind for the representational content of ideas of primary quality, through the relation of resemblance, but that these representations need to be empirically verified to …
Aphorism's Destructive Capacity Towards Logocentric Text In Friedrich Nietzsche's Thus Spake Zarathustra, Joseph Van Der Naald
Aphorism's Destructive Capacity Towards Logocentric Text In Friedrich Nietzsche's Thus Spake Zarathustra, Joseph Van Der Naald
Anthós
The "spirit of gravity" and all of its connotations is central to the writings of Friedrich Nietzsche. In Nietzsche's Thus Spake Zarathustra, Zarathustra proclaims that the spirit of gravity is his devil and that it can only be vanquished through laughter. In this explication, I will show that Nietzsche uses intertextual allusion to place this laughter that destroys the spirit of gravity in relation to the words of the character Clytemnestra in Aeschylus' Agamemnon. I will also show that Nietzsche binds this allusion to aphoristic text, thus framing aphorism as a multivalent form of writing that destroys absolute, …