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Mephistopheles' Atopy, Allotry, Lottery. On Textual Proliferations In Goethe's Faust I And Ii, Pasqual Solass

Vernacular: New Connections in Language, Literature, & Culture

Combining a careful reading of selected passages from Goethe’s Faust I and II and of marginal but nevertheless revealing lines on maybe the actual protagonist of the “Tragödie”, Mephistopheles, this paper aims to present aspects of what one could call Goethe’s vision of a modern devil. Taking departure from etymological considerations on the root of “diabolus”, i.e. diabállein, meaning to cast apart, to scatter, but also to accuse, as well as from different beliefs of German “Aberglaube” (superstition), it will become clear that one if not the major feature of Goethe’s Mephistopheles-figure is movement, not just …