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Full-Text Articles in Philosophy
Quatrains Of Mahsati Of Ganja, Literary Imagination, Rebecca Gould
Quatrains Of Mahsati Of Ganja, Literary Imagination, Rebecca Gould
Rebecca Gould
“Mahsatī of Ganja’s Wandering Quatrains,” (introduction to translations of the twelfth-century Persian poetess), Literary Imagination 13 (2): 225-227. Translations of Mahsati's quatrains, pp. 227-231.
Landslide - Interview With The Descendants Of Titsian Tabidze, Rebecca Gould
Landslide - Interview With The Descendants Of Titsian Tabidze, Rebecca Gould
Rebecca Gould
No abstract provided.
Georgian Literary Modernism: Poems By Titsian Tabidze, Paolo Iashvili And Galaktion Tabidze, Rebecca Gould
Georgian Literary Modernism: Poems By Titsian Tabidze, Paolo Iashvili And Galaktion Tabidze, Rebecca Gould
Rebecca Gould
This feature section, originally published in the literary journal Metamorphoses, introduces the poets Titsian Tabidze, Galaktion Tabidze, and Paolo Iashvili to an English readership. These three major exponents of the Georgian Literary Modernism were all either executed (Titsian) or committed suicide (Paolo and Galaktion) as a result of Stalin's and Beria's repressive policies. Collectively, these texts movingly testify to the intimate relation between politics and poetics in Georgian literature, as in other literatures of the former Soviet Union. An introduction called "The Twlight of Georgian Literary Modernism" is followed by the original Georgian texts and English translations of the following …
Wallace Stevens' Philosophical Evasions, Gregory Brazeal
Wallace Stevens' Philosophical Evasions, Gregory Brazeal
Gregory Brazeal
How could thought ever benefit from being formed in poetic language rather than philosophical prose? This essay attempts to clarify a single, relatively narrow respect in which poetry can perform philosophical work that prose, as such, cannot: the evasion of philosophical dogmatism through Stevensian qualification. What Helen Vendler in an early essay calls Stevens’ “qualified assertions,” and what Marjorie Perloff calls Stevens’ “ironic modes," are the basic techniques of Wallace Stevens' anti-dogmatic art.