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Feminist, Gender, and Sexuality Studies

Journal of Religion & Film

Articles 1 - 5 of 5

Full-Text Articles in Philosophy

From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr Oct 2023

From Patriarchal Stereotypes To Matriarchal Pleasures Of Hybridity: Representation Of A Muslim Family In Berlin, Rahime Özgün Kehya Dr

Journal of Religion & Film

Sinan Çetin’s blockbuster Berlin in Berlin (1993) is a Turkish-German co-production. In contrast to certain representational tendencies with German orientalism or Turkish occidentalism, it deconstructs the intersectional structures of migration, religion, and gender. The portrayal of religion in films about Turkish-German labour migration is a kind of cultural narcissism often projected into national cinema by denigrating the faith of the other and glorifying one’s own religion. However, perspectives at such intersections are critical and require sensitivity in filmmaking, as films can create prejudice or help build peaceful relationships around these sensitive issues. The paper employs discourse analysis in linking Derrida’s …

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Divinity, Dereck Daschke Jan 2023

Divinity, Dereck Daschke

Journal of Religion & Film

This is a film review of Divinity (2023), directed by Eddie Alcazar.

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Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart Apr 2022

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

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Bearing Witness: The Sight Of A Sacrifice In Cristian Mungiu's Beyond The Hills, Megan Girdwood Oct 2016

Bearing Witness: The Sight Of A Sacrifice In Cristian Mungiu's Beyond The Hills, Megan Girdwood

Journal of Religion & Film

Drawing on the theories of sacrifice advanced by Sigmund Freud (1913) and René Girard (1972; 1982), this article interprets the exorcism depicted by Romanian director Cristian Mungiu in Beyond the Hills (2012) as a sacrifice. Explicating Girard’s defence of Freud, I use his framing of sacrifice as a function of religion to reassess scholarship addressing the parallels between liturgical and cinematic forms of representation. If, as some scholars propose, the practices of the cinema-goer and the worshipper mirror each other, then the sacrificial witness portrayed by Mungiu constitutes a third pillar in this discourse. I argue that Mungiu dramatizes the …

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There’S No Place Like Home: From Oz To Antichrist, J. Sage Elwell May 2012

There’S No Place Like Home: From Oz To Antichrist, J. Sage Elwell

Journal of Religion & Film

This article explores the dialectic of the uncanny in The Wizard of Oz (Victor Flemming, 1939) and Antichrist (Lars von Trier, 2009), treating the latter as a sequel to the former such that we encounter Dorothy first as a young girl and then as a grown woman. I observe that the uncanny entails a repressive and expressive moment that is cinematically rendered in these two films, and drawing on Freud and Žižek, I argue that in Dorothy’s evolution from Oz to Antichrist we see that the witches and wizards and gods and devils of our own minds are known to …

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