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Monuments Of The Present: The Document And Monument In Michel Foucault's Archaeology, Alexander Walker

Electronic Thesis and Dissertation Repository

This thesis interrogates Michel Foucault’s distinction between the monument and the document in his key methodological text The Archaeology of Knowledge (1972), originally released in French as L’Archéologie du Savior in 1969. Foucault attempts to formulate a new form of history based on the examination of the monument, where previous methodologies had examined the document.

The thesis first examines Foucault’s theorization of this distinction and then questions the stability of these two categories through the comments of art critic Erwin Panofsky. I propose that the monument and document distinction implicates the historian in the power-relations that Foucault articulates later in …

Agnotologies Of Modernism: Knowing The Unknown In Lewis, Woolf, Pound, And Joyce, Jeremy Colangelo

Electronic Thesis and Dissertation Repository

Agnotologies of Modernism examines the productive role of ignorance in the work of several key modernist authors. Borrowing concepts from speculative realist philosophers like Quentin Meillassoux, Graham Harman, and Jane Bennett, as well as such thinkers as Gilles Deleuze, and Jacques Derrida, the dissertation endeavors to read modernism epistemologically, and treats ignorance as an active and creative force that often plays a key structuring role in the imaginative world of the text. Drawing from Bruno Latour’s notion of a “black box,” the study shows how ignorance can be transposed into an ontological entity which can then be attributed positive traits …

The Politics Of Wounds, Jonathan Nash

Electronic Thesis and Dissertation Repository

What configuration of strategies and discourses enable the white male and settler body politic to render itself as simultaneously wounded and invulnerable? I contextualize this question by reading the discursive continuities between Euro-America’s War on Terror post-9/11 and Algeria’s War for Independence. By interrogating political-philosophical responses to September 11, 2001 beside American rhetoric of a wounded nation, I argue that white nationalism, as a mode of settler colonialism, appropriates the discourses of political wounding to imagine and legitimize a narrative of white hurt and white victimhood; in effect, reproducing and hardening the borders of the nation-state. Additionally, by turning to …