Philosophy Commons^™

Manuscript For Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson

Art and Design Faculty Works

This document is the manuscript version before graphic design and copyediting. Follow this link to see the final version.

The situation that inspired and drove these aesthetic guidelines for campus master planning were unique to the history Bethel University and Seminary. By the early 1960s, Bethel was outgrowing its site on Snelling Avenue in St. Paul. The opportunity to purchase 160 acres in Arden Hills arose and the leap of faith was taken to buy this land and relocate. But it was not that simple. More was involved than mere practical problems of too-little space solved by an abundance …

Aesthetic/Design Guidelines For Campus Master Planning Bethel University, Wayne Roosa, Eugene Johnson

Art and Design Faculty Works

Table of Contents

Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

The Need for Aesthetic Guidelines for Campus Master Planning The Purpose and Use of this Document

Aesthetic Guidelines: “Suggestions Concerning the Character of the New Campus,” by Eugene Johnson (1963) (original version without annotations) . . . . . . . 5

Eugene Johnson’s, “Suggestions Concerning the Character of the New Campus” (with annotations, a history of interpretation and use) Annotations …

The Aesthetics Of Frank Lloyd Wright’S Organic Architecture: Hegel, Japanese Art, And Modernism, Kenneth Charles Dahlin

Theses and Dissertations

ABSTRACT

THE AESTHETICS OF FRANK LLOYD WRIGHT’S ORGANIC ARCHITECTURE: HEGEL, JAPANESE ART, AND MODERNISM

by

Kenneth C Dahlin

The University of Wisconsin-Milwaukee, 2018

Under the Supervision of Professor Robert Greenstreet, PhD

The goal of this dissertation is to write the theory of organic architecture which Wright himself did not write. This is done through a comparison with GWF Hegel’s philosophy of art to help position Wright’s theory of organic architecture and clarify his architectural aesthetic. Contemporary theories of organicism do not address the aesthetic basis of organic architecture as theorized and practiced by Wright, and the focus of this dissertation …

Rediscovering The Wheel, Brooke Hodge, Risd Xyz

RISD XYZ Fall/Winter 2013: Out of Bounds

What does architecture have to do with pottery? For Adam Silverman BArch 88, these two seemingly disparate creative practices are inextricably intertwined.

Brooke Hodge, director of exhibitions and publications at the Hammer Museum in Los Angeles, writes frequently about architecture and design for major publications. This text is excerpted from a longer essay in the new book Adam Silverman Ceramics, published this fall by Skira/Rizzoli.

Rhyme Or Reason:That Is The Question?, Jim Roche

Articles

Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.

So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …

Frank Lloyd Wright: Influences And Worldview, Brock Stafford

M.A. in Philosophy of History Theses

Wright was uniquely qualified to see the changing face of America. Born two years after the assassination of Abraham Lincoln and the end of the Civil War, Wright lived to nearly ninety-two years of age. During his lifetime, he lived through the American Industrial Revolution, both World Wars, the Wright Brothers flight, the invention of television.... Architecturally, he straddles the gap between the neoclassical period of the 19th century, marked by the admiration of Greek and Roman architecture, and the modernism of the 20th. Philosophically, he was a product of the early 19th century Romanticism, but followed his own, often …

Fragments In Libeskind And Wittgenstein, Rossen Ventzislavov

Contemporary Aesthetics (Journal Archive)

My paper explores the similar role that fragments play in Wittgenstein’s later philosophy and in Libeskind’s architecture. The fragment is an infraction of traditional linear approaches to architecture and philosophy and thus affords an alternative critical glimpse into the fabric of each respective field. The fact that some philosophy and architecture use this device and its critical stance bodes well not only for the futures of the two disciplines but also for the embattled connection between them. In my paper I try to show that the break with linearity Wittgenstein and Libeskind engage in effectively replaces the ivory towers of …

The Life And Death Of An American Block: A Dialogue With Entropy, Micah Daniel Antanaitis

Masters Theses

My goal in this thesis is to frame, through design, an existing environment in a manner that fosters the witness and embrace of the reality and beauty of decay—which acts as a marker of the passage of time. My intent is to engage in a careful renewal of a neglected, and largely forgotten, urban landscape, which does not ignore its temporal context. My hope is to explore the full potential of the life cycle of buildings and discover the lesson of mortality in modern American ruins.

Things fall apart. This is a simple truth about the physical world that humanity …

City Walks And Tactile Experiences, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

This paper is an attempt to develop categories of the pedestrian’s tactile and kinaesthetic experience of the city. The beginning emphasizes the haptic qualities of surfaces and textures, which can be “palpated” visually or experienced by walking. Also the lived city is three-dimensional; its corporeal depth is discussed here in relation to the invisible sewers, protuberant profiles, and the formal diversity of roofscapes. A central role is ascribed in the present analysis to the formal similarities between the representation of the city by walking through it and the representation of the tactile form of objects. Additional aspects of the “tactile” …

Philosophical Hermeneutics And The Ethical Function Of Architecture, Paul Kidder

Contemporary Aesthetics (Journal Archive)

Karsten Harries’ book, The Ethical Function of Architecture, raises the question of how architecture can be interpretive of and for our time. Part of Harries’ pursuit of this question is done in dialogue with the philosophy of Martin Heidegger, whose evocatively expressed ontology of building and dwelling recovered, in philosophical and poetic terms, the power of buildings to symbolize and interpret the most fundamental truths of being and human existence. The present essay identifies contributions to this hermeneutic and ontological approach to architecture drawn from the philosophy of Hans-Georg Gadamer, emphasizing Gadamer’s notions of play (Spiel), symbol, and the …

Architecture Vs. Art: The Aesthetics Of Art Museum Design[1], Larry Shiner

Contemporary Aesthetics (Journal Archive)

Many art critics have complained that the most dramatic art museum designs of the last decade have upstaged or interfered with the art within. This essay examines eight contemporary cases before drawing some lessons for art museum design, and ends by setting the architecture vs. art problem in the context of the philosophy of architecture, focusing on the issues of function and symbolism.

Learning From Venice, Max Ryynänen

Contemporary Aesthetics (Journal Archive)

What role does arrival play in our aesthetic interaction with a city? Traveling to Venice drastically changed following the building of the railway. The way the city was perceived was wholly altered. The facade of Venice moved from the harbor to the railway station, without any changes being made to the city itself or its architecture. How did this change Venice and how did it change visiting it, and what can we learn from this case?

Mobility: The Fourth Dimension In The Fine Arts And Architecture, Gerd-Helge Vogel

Contemporary Aesthetics (Journal Archive)

Mobility is a basic behavioural pattern of human beings that has been accelerating in the course of its social development. Especially since the beginnings of the industrial revolution, mobility has caused a fundamental change in human relationships that continues today. This becomes visible when we look at the aesthetic and spiritual impact on architecture and the fine arts. It is my intention to present significant examples in order to give an idea of the different stages of its development today.

Risd Press September 27, 1974, Students Of Risd, Risd Archives

All Student Newspapers

RISD press was a student newspaper published weekly in the early 1970s, a self-described attempt at consolidating all the information outlets of the school, including the previous student newspaper, Montage. The issue of September 27, 1974 had an article about the RISD Building Study report that took place in the summer. Also the RISD student board meeting for the activities budget outline was in this issue. Information about student health services, ads, classifieds, events listed for RISD students were mentioned.

Risd Press March 15, 1974, Students Of Risd, Risd Archives

All Student Newspapers

RISD press was a student newspaper published weekly in the early 1970s, a self-described attempt at consolidating all the information outlets of the school, including the previous student newspaper, Montage. The March 15, 1974 issue had an article about sports at RISD, a letter to the RISD building committee from RISD architecture students, and an article about a quilt lecture with Jonathan Holstein. There also was an article about the Women in Wintersession class in New York City. Poems, comics, ads, classifieds, and events for RISD students were also included.

Risd Press November 16, 1973, Students Of Risd, Risd Archives

All Student Newspapers

RISD press was a student newspaper published weekly in the early 1970s, a self-described attempt at consolidating all the information outlets of the school, including the previous student newspaper, Montage. The issue of November 16, 1973 had an article about Interface: Providence which was the proposed revitalization of Providence with Bill Thornhill and Gerald Howes of the RISD architecture department. There also was an article about the RISD Instruction Committee. Recipes, art exhibitions, photos, and events for RISD students were also listed.