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- Ideology (2)
- Modes of production (2)
- Aesthetics (1)
- Art-technology dialectic (1)
- Artistic practice (1)
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- Concretion (1)
- Handicraft (1)
- Humanism (1)
- Instauration (1)
- Japanese Pottery (1)
- Japanese art history (1)
- Kitaōji Rosanjin、art criticism (1)
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- Politics (1)
- Technology (1)
- Time; space; eternal now; absolute nothingness; consciousness (1)
- 北大路魯山人、日本陶芸家、日米芸術交流、芸術批評、日本芸術史、芸術と技術との弁証法、Japanese Ceramics (1)
Articles 1 - 6 of 6
Full-Text Articles in Philosophy
Japanese-English Translation: Nishida Kitarō––“Self-Determination Of The Eternal Now” 「永遠の今の自己限定」、西田幾多郎著(昭和六年七月) (July 1931) §1 Of 4; Complete Draft (Supersedes Draft Of 2 Jan 19); Translated By Christopher Southward; Revision And Expansion Underway, Christopher Southward
Comparative Literature Faculty Scholarship
Japanese-English Translation: Nishida Kitarō––“Self-Determination of the Eternal Now” (July 1931) 「永遠の今の自己限定」、西田幾多郎著(昭和六年七月)
§1 of 4; Complete Draft (Supersedes Draft of 2 Jan 2019)
Translated from the Japanese by Christopher Southward; Revision and Expansion Underway, October 2023
Dissertation Chapters Underway: 10,000 Shards, Or Opening And Activating Depth: Handicraft, Value, And The Work Of Art (Shards 00000-00001), Christopher Southward, Christopher Southward
Dissertation Chapters Underway: 10,000 Shards, Or Opening And Activating Depth: Handicraft, Value, And The Work Of Art (Shards 00000-00001), Christopher Southward, Christopher Southward
Comparative Literature Faculty Scholarship
Dissertation Chapters Underway: 10,000 Shards, Or Opening and Activating Depth: Handicraft, Value, and the Work of Art (Shards 00000-00001), Christopher Southward
Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward
Japanese-English Translation: Kitaōji Rosanjin—Why I Became A Potter (1933), Christopher Southward
Comparative Literature Faculty Scholarship
A translation of「なぜ作陶を志したか」、北大路魯山人著、1933年
Source, Aozora Bunko (a digital archive of public-domain Japanese-language works):
General website: https://www.aozora.gr.jp
Current text: https://www.aozora.gr.jp/cards/001403/files/55082_54782.html
All rights reserved, Christopher Southward, 2019
Japanese-English Translation: Nishida Kitarō—Self-Determination Of The Expressive Self (May 1930), Christopher Southward
Japanese-English Translation: Nishida Kitarō—Self-Determination Of The Expressive Self (May 1930), Christopher Southward
Comparative Literature Faculty Scholarship
Excerpt of working translation of 「表現的自己の自己限定」、西田幾多郎著. Source: 『西田幾多郎全集』、第五巻 (第一回配本)。東京、株式会社岩波書店、二〇〇二年一一月二七日。ページ 十一〜六十七。[The Complete Works of Nishida Kitarō, Vol. 5 (1st edition). Tokyo: Iwanami Shoten, Nov. 27, 2002. Pages 11-67].
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward
Course Syllabus (W19 Online) Coli 331t--Television Culture: "Lens, Mirror, Screen: Orwell's Nineteen Eighty-Four", Christopher Southward
Comparative Literature Faculty Scholarship
Course Description:
Or a conjuncture of three moments in the dialectic of television as technical apparatus and cultural practice. In this course, we will read George Orwell’s 1984, view Michael Radford’s filmic adaptation of the novel, and consider a number of critical texts in order to think the psychological and social implications of television as an instrument of control, manipulation, and knowledge production. What, we ask, are the implications, in both 1984 and concrete experience, of light-speed communication capabilities for sense perception, consciousness, language, and awareness? In its dissemination of images and information, how does television impede and/or facilitate politics …
Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward
Course Syllabus (Fa15) Coli 211 Literature & Psychology: "Material Aesthetics", Christopher Southward
Comparative Literature Faculty Scholarship
An examination of questions concerning aesthetic experience from the standpoint of the structural and functional logics of the capitalist mode of production