Philosophy Commons^™

Novelistic Intimacies: Reading And Writing In The Late Age Of Print, Vincent Michael Haddad

Wayne State University Dissertations

In Novelistic Intimacies, I consider the political and aesthetic structure of intimacy in a diverse set of narrative forms produced in the so-called digital age, or the late age of print—from encyclopedic and metafictional novels to graphic storytelling and Afrofuturist fantasy. As an organizing principle, intimacy forces us to consider, at once, how novelists have attempted to restore language and narrative with personal meaning after postmodernism—often termed New Sincerity or post-irony. At the same time, intimacy allows us to see how novelists have experimented on the materiality of the book and the eroticism of language to invent new, impersonal modes …

Adolescents' Characterization Of Their Neighborhood Through An Art-Based Community Project, Eileen Finnegan

Wayne State University Dissertations

The purpose of this research was to study adolescent participation in the development of a neighborhood mural as an art-based community project. I examined perceptions of the adolescents regarding the awareness of their community and neighborhoods. Additionally, I explored adolescents' perceptions of their own development in terms of building their self-confidence. To accomplish this, I facilitated the creation and design of a mural that depicts their perceptions of their neighborhoods, using art as a modality for expression. Fourteen seventh grade students attending a parochial school in a low socioeconomic area of a large metropolitan city participated in the study. They …

Motion(Less) Pictures: The Cinema Of Stasis, Justin Remeselnik

Wayne State University Dissertations

Since cinema's inception, there has been much disagreement among film theorists about the role of movement in cinema's ontology. For example, while Rudolf Arnheim has argued that motion is a sine qua non of cinema, Roland Barthes has insisted that motion is not as central to cinema's ontology as duration, an experiential "unfolding." In this dissertation, I argue--following Barthes--that movement is merely a contingent, not a necessary, condition of cinema. I further suggest that the very enterprise of prescribing necessary conditions of cinema is myopic, reductive, and reactionary.

In supporting these claims, I interrogate the cinema of stasis, a modality …

Nothing But A Pack Of Cards: Semi-Fictitious Persons And Flopping Jellyfish In Elizabeth Bowen, Renée C. Hoogland

English Faculty Research Publications

Taking the wildly conflicting critical evaluations of Elizabeth Bowen's final novel, Eva Trout, or Changing Scenes (1969) as its starting-point, this essay argues against 'interpreting' both the novel and its 'monstrous' heroine in conventional representational terms, to argue, instead, for an appreciation, or experience, of both novel and protagonist as instantiations of a process of becoming along Deleuzian lines. Rather than seeing Bowen's final novel as a (failed) attempt to do what the Anglo-Irish writer's previous work would have suggested this text to do as well, the novel and its eponymous heroine are approached as Bowen's rigorously ethical effort to, …

Media Effects: Cultural Appropriation And Attitudes Towards Cosmetic Surgery, Darlene Shauntanese Lee

Wayne State University Dissertations

The current study investigates media's influence on Caucasian women to culturally appropriate the physical features generally ascribed to African American women through non-surgical and or surgical cosmetic procedures and vice versa. Participants were 26 African American women and 54 Caucasian women who had previously undergone either non-surgical or surgical cosmetic procedures. Results indicate that African American women were more likely to culturally appropriate than Caucasian women. For African American women high media exposure to cosmetic surgery media messages played a significant role in the cultural appropriation process. Results also indicated that Caucasian women culturally appropriate at the same level, whether …