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Articles 1 - 15 of 15
Full-Text Articles in Philosophy
Genius, Instrumental Music, And “Great Mistakes”: Amadeus Wendt And Beethoven’S Ninth Symphony, Sarah Clemmens Waltz
Genius, Instrumental Music, And “Great Mistakes”: Amadeus Wendt And Beethoven’S Ninth Symphony, Sarah Clemmens Waltz
Ira F. Brilliant Center for Beethoven Studies Publications
The author attributes the anonymous 1826 Berliner allegemeine musikalische Zeitung (BamZ) review of the Leipzig performances of Beethoven’s Ninth, which suggests removal of the choral finale and inspires A.B. Marx to a passionate defense, to the critic Amadeus Wendt. The career of Wendt as a philosophy professor is firmly established, as is his criticism for the BamZ, Allgemeine musikalische Zeitung (AmZ), Cäcilia, Allgemeine musikalische Zeitung mit besonderer Rucksicht auf den österreichischen Kaiserstaat (WamZ), and other journals. Wendt’s Hoffmannesque opinions of instrumental music are contextualized via his extensive criticism of opera and vocal music, highlighting themes such as inappropriate virtuosity, (im)proper …
Illuminating Chinese Aesthetics With Kant’S Account Of Genius? Possibility And Difficulty, Kefu Zhu
Illuminating Chinese Aesthetics With Kant’S Account Of Genius? Possibility And Difficulty, Kefu Zhu
Comparative Philosophy
Many scholars interpret Chinese Aesthetics with the Kantian theory of genius because they seem to form a parallel: similar innate and spontaneous mental talents that exceed normal cognition and imagination generates beautiful arts with similar extraordinary qualities. I argue that projecting Kant’s genius to illuminate the creative power analogically, i.e., the carefree-wandering mind, is infeasible. The theory of genius assumes a critical project that stipulates a valuable way to exercise the power of judgment. Genius is only a postulated idea for successfully making aesthetic judgments on artworks. In contrast, the carefree-wandering mind assumes a Daoist metaphysical-ethical theory centering on the …
Ineffability, Emptiness And The Aesthetics Of Logic, Andreas Kapsner
Ineffability, Emptiness And The Aesthetics Of Logic, Andreas Kapsner
Comparative Philosophy
In this essay, I explore the nature of the logical analysis of Buddhist thought that Graham Priest has offered in his book The Fifth Corner of Four (5of4). The paper traces the development of a logical value in- troduced in 5of4, which Priest has called e. The paper points out that certain criticisms I have made earlier still stand, but focuses on a recon- ceptualization of 5of4 in which these arguments carry less weight. This new perspective on the book, inspired by a response to my arguments by Priest himself, sees the logical analysis of Buddhism …
Book Review On A Grand Materialism In The New Art From China (By Mary Wiseman), Kathleen Higgins
Book Review On A Grand Materialism In The New Art From China (By Mary Wiseman), Kathleen Higgins
Comparative Philosophy
No abstract provided.
Aestheticized Tragedy (Karuṇarasa) As An Intellectual Virtue, Lisa Widdison
Aestheticized Tragedy (Karuṇarasa) As An Intellectual Virtue, Lisa Widdison
Comparative Philosophy
In contemporary virtue epistemology, responsibilist intellectual virtues in the tradition of Aristotle's moral theory are acquired character traits involving a motivational component and a success component. The motivational component is an emotion that regulates inquiry but which would ordinarily, and problematically, carry bias. In order to monitor the patterns of fallibility in emotions, reflection can correct beyond perceptual errors or logical fallacies. Emotions which survive reflection are less partial and hold more epistemic valance than egotistical emotions. Since the framework of virtue epistemology might be at a loss for monitoring emotions reflectively, given the fact emotions operate rapidly and tend …
Book Review On New Essays In Japanese Aesthetics (Edited By A. Minh Nguyen), Mary Wiseman
Book Review On New Essays In Japanese Aesthetics (Edited By A. Minh Nguyen), Mary Wiseman
Comparative Philosophy
No abstract provided.
[Review Of] La Estética De Lo Mínimo: Ensayos Sobre Microrrelatos Mexicanos, Ed. Pablo Brescia, Cheyla Samuelson
[Review Of] La Estética De Lo Mínimo: Ensayos Sobre Microrrelatos Mexicanos, Ed. Pablo Brescia, Cheyla Samuelson
Faculty Publications
A review of Brescia, Pablo, ed. La estética de lo mínimo: Ensayos sobre microrrelatos mexicanos. Guadalajara: Universidad de Guadalajara, 2013. 166 pp.
Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden
Alone In The Crowd: Appropriated Text And Subjectivity In The Work Of Rirkrit Tiravanija, Liz Linden
Faculty Publications
The practice of Thai artist Rirkrit Tiravanija is perhaps the best-known exemplar of relational aesthetics, a distinction first made by Nicholas Bourriaud and affirmed in the writings of many subsequent art critics; but the critical focus on the interactive aspect of his works has tended to rely on utopian modes of community engagement, which ignore Tiravanija's strategic deployment of relational, interactive structures to implicate the viewer, publicly, in problematic political positions. Tiravanija commonly uses appropriation in his artworks as a way of exposing viewer's biases and this paper focuses specifically on his use of appropriated text to explore divided subjectivities …
Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy
Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy
Faculty Publications
How does Richard Shusterman’s Thinking Through the Bodyapply to the issues of everyday aesthetics? As it turns out, many chapters contribute significantly to everyday aesthetics, in particular the work on architecture, self-styling, the body as background, lovemaking, and the process of making a photographic portrait. Shusterman’s concentration on the art of living has special importance to everyday aesthetics. Current debates within the field of everyday aesthetics also raise problems for somaesthetics. I also question the limits of somaesthetics and Shusterman’s rejection of defamiliarization in making the ordinary extraordinary.
Anti-Essentialism, Tom Leddy
Anti-Essentialism, Tom Leddy
Faculty Publications
From the late nineteenth century to the 1950s one of the main foci of aesthetic inquiry was the attempt to develop definitions of art and such related concepts as visual art, music, tragedy, beauty, and metaphor. Clive Bell (1958) famously stated that either all works of visual art have some common quality or when we speak of “work of art” we speak nonsense. DeWitt H. Parker (1939) argued more generally that the assumption underlying every philosophy of art is the existence of some common nature present in all the arts. This search for a common quality or nature …
Everyday Aesthetics And Photography, Tom Leddy
Everyday Aesthetics And Photography, Tom Leddy
Faculty Publications
Everyday aesthetics as a new subdiscipline within aesthetics benefits by constantly going back to and borrowing from earlier theorists, even those who were primarily concerned with the aesthetics of art. To that end, I will begin my discussion of everyday aesthetics and photography with a look at that classic formalist aesthetician from the beginning of the 20th century, Clive Bell (1958). Bell was notoriously very negative about photography. He basically saw photographs as mechanical imitations of reality. He also famously criticized illustrative or descriptive painting for doing what photography can do better. One of the problems he had with people …
Article Review. Everyday Aesthetics By Yuriko Saito, Tom Leddy
Article Review. Everyday Aesthetics By Yuriko Saito, Tom Leddy
Tom Leddy
No abstract provided.
Article Review. Everyday Aesthetics By Yuriko Saito, Tom Leddy
Article Review. Everyday Aesthetics By Yuriko Saito, Tom Leddy
Faculty Publications
No abstract provided.
Naive Realism In Philosophy Of Literature, Tom Leddy
Naive Realism In Philosophy Of Literature, Tom Leddy
Faculty Publications
No abstract provided.
Naive Realism In Philosophy Of Literature, Tom Leddy