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Articles 1 - 6 of 6
Full-Text Articles in Other Languages, Societies, and Cultures
Formal Displacement, Savannah Grace Dixon
Formal Displacement, Savannah Grace Dixon
Chancellor’s Honors Program Projects
No abstract provided.
Cross-Linguistic Phonosemantics, Raleigh Anne Butler
Cross-Linguistic Phonosemantics, Raleigh Anne Butler
Chancellor’s Honors Program Projects
No abstract provided.
Sounding Identity: Soundscapes, Music, And Technoculture In The Chinese Diaspora Of Panama, Corey Michael Blake
Sounding Identity: Soundscapes, Music, And Technoculture In The Chinese Diaspora Of Panama, Corey Michael Blake
Masters Theses
Present in Panama since the 19th century, the Chinese diaspora in Panama City, Panama represents an empowered community of individuals who identify as both Chinese and Panamanian. These Chinese Panamanian hybrid identities emerge within sonic environments through an engagement with transnational media and digital technologies, notably within retail stores. Specifically, music surfaces as an especially important sonic marker of the Chinese Panamanian hybridity. Within the mall of the Panamanian Chinatown of El Dorado, an interesting mixture of both Chinese and Latin American popular music genres sounds throughout the various stores. This mixture of music genres demonstrates Chinese Panamanian agency …
Examining Cultural Stereotypes Through Russian And American Voices, Samuel F. Smith
Examining Cultural Stereotypes Through Russian And American Voices, Samuel F. Smith
Chancellor’s Honors Program Projects
No abstract provided.
Patterns Of Behavior: Analyzing Modes Of Social Interaction From Prehistory To The Present, Whitney Nicole Hayden
Patterns Of Behavior: Analyzing Modes Of Social Interaction From Prehistory To The Present, Whitney Nicole Hayden
Chancellor’s Honors Program Projects
No abstract provided.
La Figura Femenina Bajo Represión Y Violencia En El Teatro De Griselda Gambaro, Carolina Del Carmen Palacios Diazceballos
La Figura Femenina Bajo Represión Y Violencia En El Teatro De Griselda Gambaro, Carolina Del Carmen Palacios Diazceballos
Doctoral Dissertations
Griselda Gambaro’s work had been studied previously under the confrontation of victims and their oppressors where the oppressor’s role is played by male characters while women play the victim part. However, in Gambaro’s four monologues that were written in 1970 and 1974, just before the Argentinean military dictatorship that took place in 1976, there were no male characters.
However Gambaro’s monologues, even without male characters, illustrate the violence, repression and stark violations of human rights in an “apparently” democratic time in Argentina. This is possible because the women characters plunder their passive feminine identity by acquiring male behaviors full of …