Other Languages, Societies, and Cultures Commons^™

Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman

Cultural Studies Capstone Papers

This project examines the contradictions embedded in the stated goals and organizational structure of Burning Man. Burning Man is something that is portrayed as positive in an alternative community; but in reality has its own hegemony and hierarchical bureaucracy. Through a discourse analysis and participant observation, this project shows that the ideologies of the culture are partially liberatory while most other aspects of Burning Man are hegemonic. The social contradictions of Burning Man are pointed out through employing theories of ideology, hegemony, place and space, heteronormativity, and subculture theory.

“For All The Women You Are”: National Identity, Gender, And Tradition/Modernity In Indian Women’S Magazines, Dana Mclachlin

Independent Study Project (ISP) Collection

As a remarkably diverse nation of various ethnic, religious, and language groups, “Indian” identity is tenuous and ever-shifting, informed by both India’s colonial past and rapidly changing, ‘globalizing’ present. Economic liberalization within India has created vast economic changes in a relatively short period of time, sparking rapid cultural and social transformations. These changes are especially noticeable within the media, as the idea and figure of the “New Indian Women” was born from the transformations liberalization and globalization brought. This gendered construction serves to manage the conflict between modernity and tradition within post-colonial nationalisms, as the figure of the modern women …

Chicana Aesthetics: A View Of Unconcealed Alterities And Affirmations Of Chicana Identity Through Laura Aguilar’S Photographic Images, Daniel Perez

LUX: A Journal of Transdisciplinary Writing and Research from Claremont Graduate University

In this paper I will argue that Chicana feminist artist Laura Aguilar, Alma Lopez, Laura Molina, and Yreina D. Cervantez established a continuing counter-narrative of cultural hegemony and Western essentialized hegemonic identification. Through artistic expression they have developed an oppositional discourse that challenges racial stereotypes, discrimination, socio-economic inequalities, political representation, sexuality, femininity, and hegemonic discourse. I will present a complex critique of both art and culture through an inquiry of the production and evaluation of the Chicana feminist artist, their role as the artist, and their contributions to unfixing the traditional and marginalized feminine. I argue that third wave Chicana …

Bibliography For Work In Digital Humanities And (Inter)Mediality Studies, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

Cuba's Chords Of Change: Music, Race, Class & Motherhood At The Turn Of The 21st Century, Saundra Marie Amrhein

USF Tampa Graduate Theses and Dissertations

This thesis is an ethnography and biographical study that examines the impact of the immense socioeconomic changes underway in Cuba at the turn of the 21st century and the flexible identity categories through which individuals navigate a social crisis.

The biography and ethnography in this thesis are centered on the life of Violeta Aldama, an aging revolutionary and Afro-Cuban mother who struggles to make ends meet while fighting to steer her son, Brian, through a classical music education and into a music career. Amid growing racial inequalities when many Afro-Cubans are locked out of the most lucrative jobs in the …

Salma, John C. Lyden

Journal of Religion & Film

This is a film review of Salma (2013) directed by Kim Longinotto.

Fill The Void, John C. Lyden

Journal of Religion & Film

This is a film review of Fill the Void (2012) directed by Rama Burshtein.

From Nizam To Nation: The Representation Of Partition In Literary Narratives About Hyderabad, Deccan, Nazia Akhtar

Electronic Thesis and Dissertation Repository

This dissertation examines literary representations of the Partition of India in 1947 as it affected the southern princely state of Hyderabad, Deccan. Through my focus on Hyderabad, I interrogate and reject the assumption generally made in scholarly analyses of Partition that this momentous, life-changing event did not significantly affect South India. In doing so, I also question the origins of the self-professed secular, egalitarian, and democratic Indian nation by shedding light on the invasion of Hyderabad and the subsequent erasure of this event from Indian historiography and mainstream culture.

Different literary texts respond differently to this fraught, suppressed history. Engaging …