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Full-Text Articles in Other Languages, Societies, and Cultures

Unraveling Ethos: The Commodification Of Ethical Clothing, Oliva Hanson Apr 2019

Unraveling Ethos: The Commodification Of Ethical Clothing, Oliva Hanson

Cultural Studies Capstone Papers

In the last decade there has been a noticeable attempt to subvert traditional modes of clothing production. The recent emergence of “ethical consumption” in the fashion industry is a case in point. This project argues that these new formations and practices around ethical consumption are mere appropriations of anti-corporate politics and sentiments for consumers in the West. Signification of ethical consumption through language and cultural capital give more value to individual articles of clothing and branded entities. This reformation of the clothing industry towards an ethical attitude is a rebranding tactic that avoids the source-issue altogether. Through advertising and normalization …


Apocalypse & Affect: Political Passivity In Film And Television Representations Of Nuclear Holocaust, W W. Rooks May 2016

Apocalypse & Affect: Political Passivity In Film And Television Representations Of Nuclear Holocaust, W W. Rooks

Cultural Studies Capstone Papers

Within the expanding canon of apocalyptic and post-apocalyptic film and television, this project studies the subgenre that makes use of nuclear holocaust as a narrative device or setting in order to understand how, rather than engaging audiences with the dire off-screen politics that inform such films, it imposes a sense of political passivity on its characters. Similarly imparted is an assumption of that same sense for the audience. In this way, the framing of modern apocalyptic narratives meet an “affective limitation,” which is a concept steeped in the examination of media as a potential tool to motivate political action (Massumi …


Whovians And Directioners: Challenging The Fangirl Identity, Brianna Vancant May 2014

Whovians And Directioners: Challenging The Fangirl Identity, Brianna Vancant

Cultural Studies Capstone Papers

Using notions from fan blogs and fan theory, this project analyzes the inconsistencies surrounding the phenomenon of so-called fangirls in the Doctor Who and One Direction worlds. The term fangirl is usually defined as an irrational adolescent female who is only a fan of very specific types of entertainment because of factors that are perceived by other fans as superficial and irrelevant. In contemporary music and television fandom, these fangirls are often criticized and policed by other fans, many times disregarded as not ‘true’ fans. The project studies this distorted perception and how it leads to misconceptions about the wider …


Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman May 2013

Paradox On The Playa: Uncovering The Contradictions Embedded In Burning Man, Shelby Anne Rothman

Cultural Studies Capstone Papers

This project examines the contradictions embedded in the stated goals and organizational structure of Burning Man. Burning Man is something that is portrayed as positive in an alternative community; but in reality has its own hegemony and hierarchical bureaucracy. Through a discourse analysis and participant observation, this project shows that the ideologies of the culture are partially liberatory while most other aspects of Burning Man are hegemonic. The social contradictions of Burning Man are pointed out through employing theories of ideology, hegemony, place and space, heteronormativity, and subculture theory.


Mining The Meaning Of Collective Memory And Imagination: The Construction Of Identity In The Puerto Rican Diaspora, Courtney Hooper May 2006

Mining The Meaning Of Collective Memory And Imagination: The Construction Of Identity In The Puerto Rican Diaspora, Courtney Hooper

Cultural Studies Capstone Papers

This project illuminates the relationship between cultural resistance, cultural production, and cultural identity in the poetry of Puerto Ricans in New York (“Nuyoricans”). Through textual analysis, informal interviews, and participant observation conducted in the South Bronx, this project is interested in how the descriptions of the island as “home” are used to mediate a cultural or ethnic identity, particularly amongst a people who do not live there, or perhaps never have. While the construction of an ethnic identity and a conceptual homeland in a diasporic community has been studied in past research, the intention here is to elaborate upon the …