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Full-Text Articles in Other Arts and Humanities

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco Dec 2018

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …


A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto Dec 2018

A Sinful Reaction To Capitalist Ethics In No Quiero Quedarme Sola Y Vacía (2006), Celina Bortolotto

CLCWeb: Comparative Literature and Culture

In her article “A Sinful Reaction to Capitalist Ethics in No quiero quedarme sola y vacía (2006)” Celina Bortolotto analyzes how Lozada’s characterization of the main character, La Loca, questions the ideals of free agency offered by consumerist capitalism and the urban gay male ideal under the promise of a liberating gay lifestyle in a social context defined by identity politics. The novel is a fictionalized autobiographical account of Puerto Rican author Angel Lozada’s misadventures in the early 2000s gay scene in New York. This essay plays with the punitive sense of the word “capital” in the seven capital sins …


Frame, Preference, And Memory In Literary History Narration, Guoqiang Qiao Mar 2018

Frame, Preference, And Memory In Literary History Narration, Guoqiang Qiao

CLCWeb: Comparative Literature and Culture

In his article "Frame, Preference, and Memory in Literary History Narration" Guoqiang Qiao analyzes the frame, preference and memory in literary historiography from a narratological and cognitive perspectives. He maintains that literary history is of multileveled narration that includes not only the perceptualized literary events, literary figures, and literary works, but also the conceptualized spirit of the time, national culture, and personal and collective memories. Qiao employs the basic concepts of frame, preference, and memory to suggest a cognitive approach to the narration of literary history. To illustrate the complex construction of literary historiography, he provides examples from Chinese literary …