Women's History Commons^™

Too Much And Too Graphic: Dr. Ruth Westheimer And The Struggle For 1980s And 1990s Feminism, Louisa Marshall

Voces Novae

During the second wave of feminism, spanning from the mid 1960s to the mid 1970s, the United States saw unprecedented levels of change regarding the status of women. However, the conservative administrations of Reagan and H.W. Bush that followed turned the tides against the feminist movement and towards re-establishing traditional gender roles. Trail blazing women, including sex therapist Dr. Ruth Westheimer, dedicated their 20th century careers to combating traditional sentiment, thus changing gender roles forever.

“The Speechmaking Of A Girl-Orator”: Reason, Gender, And Authority In Dorothy Hunter’S Free Trade Oratory, Erinn Elizabeth Campbell

Honors Projects

Dorothy M. Hunter (1881-1977) rose to prominence during the 1906 United Kingdom general election as a markedly “girlish” yet widely respected free trade orator. While men on the Edwardian public political platform typically built a reputation for oratorical prowess through theatrical displays of “heroic” masculinity, Hunter established her authority as a speaker through two very different (and apparently contradictory) strategies. Her performance of “charming” middle-class femininity helped demonstrate her right to speak on free trade as a “women’s question,” extending women’s traditional authority over matters of domestic consumption to include questions of political economy. Trusting in the power of education …

Her Voice On Air: How Irish Radio Made Strides For Women's Rights, Emilie R. Hines

Pell Scholars and Senior Theses

Radio is the voice of the people; this is no less true in Ireland, a nation that prefers talk radio and phone-ins. These formats were popular from 1970-2000, formative years for the feminist movement. Scholarship suggests a correlation between radio and women’s issues in Ireland but does not answer what elements create this. Here, I analyze 10 archival radio clips from Ireland’s national public service broadcaster, RTÉ, looking at how women’s issues are framed. After analyzing these clips, I found that Irish identity embedded in the shows allows for the discussion of controversial ideas. Radio promotes an inclusive environment, by …

Honoré De Balzac’S Portrayal Of The Feminine Condition In The Wild Ass’S Skin, Père Goriot, And The Lily Of The Valley, Brooke V. Musmeci

Honors Theses

In 19th century France, women appeared to be second class citizens. They were often limited in their abilities to have independence and secure their own wealth. This perception of women perhaps justifies why, as Honoré de Balzac’s novels illustrated the realities of French society, he attempted to characterize women’s struggles to obtain control and power in their lives. In his novels The Wild Ass’s Skin (1831), The Lily of the Valley (1835), and Le Père Goriot (1835), Balzac sought to prove how women could improve their lot.

Firstly, in studying how women had been relegated to second-class citizens under their …

Queering The Carceral Cycle: Women's Resistance To The Carceral State, Ashley Ruderman-Looff

Theses and Dissertations--Gender and Women's Studies

Building upon feminist and queer scholarship that recognizes mass incarceration and the prison-industrial complex as elements of an inherently violent carceral state, Queering the Carceral Cycle excavates and analyzes twentieth-century incidents in which women resisted the state’s criminalization and/or punishment of multiply marginalized women. I argue that the state’s response to women’s acts of resistance prompted the development of new carceral strategies and technologies that expanded the carceral state’s investment in control and punishment. Moreover, by critically embracing a Foucauldian scheme known as the “carceral cycle,” I demonstrate how the state traps multiply marginalized women in a seemingly endless recurrence …

Disrupting An(Other): Sexuality As Political Resistance, Emma C. Downey

Master’s Theses

If sexual knowledge can threaten social and political institutions and their control, how do the contents and subjects of literature and publications in the interwar period make that legible? Moreover, if female sexuality–represented or real–was seen as something disruptive to the normal functioning of society, did sexuality offer a useful entry point for social, political, or ideological critiques of the interwar period? My project responds to these questions by analyzing the lives and writings of two female authors of the interwar period: Djuna Barnes (1892-1982) and Katharine Burdekin (1896-1963). In my analysis, I focus on two major points of connection. …