Women's History Commons^™

Since The Time Of Eve : La Leche League And Communities Of Mothers Throughout History., Joanna Paxton Federico

Electronic Theses and Dissertations

La Leche League International (LLL) is the oldest and largest breastfeeding support group in the world. This thesis examines how, beginning in 1956, seven Catholic housewives from suburban Chicago built up the institutional knowledge to sustain a cohesive global network of breastfeeding mothers. It also explores how LLL managed this knowledge over time in response to developments in scholarship and changing social conditions. Based on a narrative analysis of LLL publications, this thesis argues that the League’s founders drew selectively from existing bodies of knowledge and from their own cultural perspectives to establish a sense of community among breastfeeding women. …

Southern Veils : The Sisters Of Loretto In Early National Kentucky., Hannah O'Daniel

Electronic Theses and Dissertations

This thesis analyzes the experiences of Roman Catholic women who joined the Sisters of Loretto, a community of women religious in rural Washington and Nelson Counties, Kentucky, between the 1790s and 1826. It argues that the Sisters of Loretto used faith to interpret and respond to unfolding events in the early nation. The women sought to combat moral slippage and restore providential favor in the face of local Catholic institutional instability, global Protestant evangelical movements, war and economic crisis, and a tuberculosis outbreak. The Lorettines faced financial, social, and cultural pressures—including an economic depression, a culture that celebrated family formation …

Flapperism: A National Phenomenon Comes To New Orleans, Tracy Carrero

University of New Orleans Theses and Dissertations

No abstract provided.

Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo

Doctoral Dissertations

This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …

Spectral Bodies: Women's Resistance Across Time In North America, Whitney C. Evanson

Dissertations, Theses, and Capstone Projects

This project contrasts the lived experiences of feminists within the EZLN in Mexico with the historical persecution of community outsiders during the Salem witch trials. I want to explore the differences between a radical political and social movement (the EZLN), and the radical shift in history in which women were accused of witchcraft based on hysteria and rumors. There are parallels between the witch trials and the causes of the Zapatista movement in the ways that women's bodies were treated--their political usefulness to create fear and obedience from citizens by murdering them for their defiance, burying them in shallow graves. …

Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth

History

During the relatively short period from the mid-to-late eighteenth century when glass musical instruments were manufactured and gained popularity, several women made names for themselves in the realm of avant-garde musical performance. The lives of three female glass instrument players: Anne Ford, Marianne Davies, and Marianne Kirchgassner, show how these successful performer-entrepreneurs operated in an age of emerging feminine public identity. Their journeys reveal much about the gender dimensions of the age, the role of music in the modern era, the consumption of it, and their approach to business. The financial opportunities presented to women looking to challenge the limitations …

Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397

Spanish and Portuguese ETDs

This dissertation traces the cultural memory of three magical/religious women of the colonial period: Sor Juana Inés de la Cruz, La Condesa de Malibrán and La Falsa Teresa de Jesús. It studies these icons specifically in three different discourses that construct cultural identities in Mexico: colonial discourse (XVI-XVII Centuries), the discourse of national consolidation (XIX-XX centuries) and postcolonial discourse (XX-XIX Centuries). First I describe how the narratives of the colonial period and of national consolidation employ an official lens to place magical/religious women within traditional gender roles. Then I delineate how historical novels in the 21st century employ a postcolonial …

Mestiza, Métis, American: How Intermixture On United States Borders Shaped Local, Regional, And National Identities, Carla L. Mendiola

History Theses and Dissertations

This project compares mestizaje in Mexican American communities of the Texas-Mexico border and métissage in Franco American communities of the Maine-Canada border, from the pre-contact period to the 20th-century. Exploring the central themes of intermixing, borders, and identity, the paper shows the long-standing presence of mixed-ancestry groups in the U.S. and investigates how social and geopolitical borders have been used to racialize and exclude these groups from U.S. history, and, ultimately from acceptance as part of U.S. identity. The comparison of Texas’s Lower Rio Grande Valley and Maine’s St. John River Valley follows the development of these communities and recognizes …

No Foreign Despots On Southern Soil: The American Party In Alabama And South Carolina, 1850-1857, Robert N. Farrell

Master's Theses

During the 1850s in the South, the American Party, also known as the Know Nothing Party, rallied southerners culturally and politically around nativism, an anti-immigrant and anti-Catholic ideology. This thesis studies nativism in the Deep South and challenges existing scholarship by Tyler Anbinder and William Darrell Overdyke. Anbinder claims that southern Know Nothings held little in common with their northern counterparts and exhibited only regional characteristics. Overdyke maintains that the American Party in the Deep South participated in the national organization, but he argues that nativism appeared only as an incidental component.

An analysis of private papers, speeches, and newspapers …

Sentimentality Has Its Place In Human Rights Activism: Nadia Murad Basee Taha’S Testimony And The Yazidi Story, Miranda Rose Shulman

Senior Projects Spring 2017

This project tells the story of Nadia Murad and the Yazidi genocide of 2014 through analysis of her own testimony and considers the success and the intricacies of her approach to aiding the Yazidis who suffer to this day. It discusses the power of using sentimentality and emotion in human rights activism.

Naturalized Women And Womanized Earth: Connecting The Journeys Of Womanhood And The Earth, From The Early Modern Era To The Industrial Revolution, Maggie Rose Berke

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …