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Articles 1 - 5 of 5
Full-Text Articles in Women's History
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane
Dissertations, Theses, and Capstone Projects
In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …
Feminism Under And After Franco: Success And Failure In The Democratic Transition, Kathryn L. Mahaney
Feminism Under And After Franco: Success And Failure In The Democratic Transition, Kathryn L. Mahaney
Dissertations, Theses, and Capstone Projects
This dissertation, through an examination of late-20th century Spanish feminism, analyzes how Spaniards’ anxieties about their nation’s post-Franco identity have influenced domestic debates about women’s rights and, eventually, gender equality policy. In this way debates about women’s rights have been central to Spaniards’ post-Franco political and cultural identity. I have also argued for a broader understanding of both the Sección Femenina and of Spanish feminism that places each in context of developments in Western European, and not just Spanish, culture and politics. The dissertation undertakes this argument over four chapters. Chapter One argues that unlike other elements within the Franco …
Transnational Nationalists: Cosmopolitan Women, Philanthropy, And Italian State-Building, 1850-1890, Diana Moore
Transnational Nationalists: Cosmopolitan Women, Philanthropy, And Italian State-Building, 1850-1890, Diana Moore
Dissertations, Theses, and Capstone Projects
“Transnational Nationalists: Cosmopolitan Women, Philanthropy and Italian State-Building, 1850-1890” is a study of Protestant and Jewish transnational reforming women who took advantage of a period of fluidity to act as non-state actors and impact Italian unification and liberation, a process known as the Risorgimento, and subsequent Italian state-building. Inspired by Giuseppe Mazzini’s spiritual brand of romantic cosmopolitan nationalism, as well as Giuseppe Garibaldi’s military campaigns, and believing that women had a god-given duty to provide education, morality, and uplift to oppressed groups, they worked to provide Italy not only with physical unification but also moral regeneration. Through an examination of …
Féminisme Oblige: Katharine Susan Anthony And The Birth Of Modern Feminist Biography, 1877-1929, Anna C. Simonson
Féminisme Oblige: Katharine Susan Anthony And The Birth Of Modern Feminist Biography, 1877-1929, Anna C. Simonson
Dissertations, Theses, and Capstone Projects
Féminisme Oblige examines the life and work of Katharine Susan Anthony (1877-1965), a feminist, socialist, and pacifist whose early publications on working mothers (Mothers Who Must Earn [1914]) and women’s movements in Europe (Feminism in Germany and Scandinavia [1915]) presaged her final chosen vocation as a feminist biographer. Between 1920 and 1958, Anthony published nine biographies of women, all of which in some way challenged the assumptions behind established gender norms and the status quo. Perhaps most importantly, Anthony’s biographies, grounded in the exciting new theories of Sigmund Freud, challenged women themselves to think differently about their prescribed …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …