Women's History Commons^™

Throwing Off The "Draggling Dresses": Women And Dress Reform, 1820-1900, Laura J. Ping

Dissertations, Theses, and Capstone Projects

In 1851 a group of woman’s reformers adopted a radical garment called the bloomer costume and thus launched a dress reform movement. During this era women typically wore corsets and layers of underclothes beneath dresses with tight bodices and voluminous skirts. In contrast, the bloomer costume included a loose dress, shortened to the knee, and harem style trousers. Underclothes, including corsets, were discouraged. The purpose of adopting such clothing was twofold; social reformers believed that women were in need of comfortable garments and they also hoped that by rejecting fashion woman’s rights activists could cast off the stereotype that women …

Lauretta Vinciarelli In Context: Transatlantic Dialogues In Architecture, Art, Pedagogy, And Theory, 1968-2007, Rebecca Siefert

Dissertations, Theses, and Capstone Projects

This dissertation centers on the interdisciplinary work of Italian-born artist, architect, teacher, and theorist Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who occupies a historic place in the 1970s revival of architectural drawings, Columbia University’s housing studio, Peter Eisenman’s influential Institute of Architecture and Urban Studies (IAUS) in New York, and architectonic trends in contemporary painting. She was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (MoMA, in 1974), she was among the first women to teach architecture studio courses at Columbia University (hired in 1978), …

The Juridical Communities Of Apulia: Communal Identity And Municipal Belonging In The Aragonese Kingdom Of Naples, Vincenzo Selleri

Dissertations, Theses, and Capstone Projects

This study intends to make a contribution to the debate concerning Jewish citizenship in Renaissance Europe by suggesting that de jure status does not provide sufficient information on the municipal belonging of individuals and groups. Citizenship in Renaissance Italy was an equivocal concept. Political rights were usually granted on the basis of wealth and “respectability” (measured in terms of lineage, and education). Jews, women, the poor, and “debased” groups may have not enjoyed such rights; nonetheless they were part of the social, economic, and cultural life of the Renaissance city.

Municipal belonging is better assessed by individuals’ de facto enjoyment …

Feminism Under And After Franco: Success And Failure In The Democratic Transition, Kathryn L. Mahaney

Dissertations, Theses, and Capstone Projects

This dissertation, through an examination of late-20th century Spanish feminism, analyzes how Spaniards’ anxieties about their nation’s post-Franco identity have influenced domestic debates about women’s rights and, eventually, gender equality policy. In this way debates about women’s rights have been central to Spaniards’ post-Franco political and cultural identity. I have also argued for a broader understanding of both the Sección Femenina and of Spanish feminism that places each in context of developments in Western European, and not just Spanish, culture and politics. The dissertation undertakes this argument over four chapters. Chapter One argues that unlike other elements within the Franco …

Women And Work: African American Women In Depression Era America, Sarah Ward

Dissertations, Theses, and Capstone Projects

This project explores whether African American women met similar public sentiments as Caucasian women during the Depression Era and how gender dynamics changed within African American households in urban America as well as the effect of the crisis on a populace that was not new to the work force. Historical statistical analysis and emphasis on labor policy are used to garner information. The Great Depression sparked an abrupt shift in not only the American economy but also American ideology regarding male and female gender dynamics. Despite discouragement from entering the workforce due to dominant masculinity, employment rates rose amongst Caucasian …

How Lucille Ball Fought The Patriarchy, While Lucy Ricardo (Indirectly) Contributed To Second-Wave (White) Feminism, Anam Rana Afzal

Dissertations, Theses, and Capstone Projects

Author Stephanie Coontz argues that our most powerful visions of traditional families derive from images that are still delivered to our homes in countless reruns of 1950s television sitcoms. In actuality, the happy, homogenous families that we “remember” from America in the 50s were a result of the media’s denial of diversity. Also, women’s retreat to housewifery after working during WWII was in many cases, not freely chosen. In his study of sitcoms, Saul Austerlitz claims that once television arrived in American cities after the war’s end, its impact was immediate and incontrovertible, and no sitcom caught America’s eye as …

Women’S Suffrage In American Art: Recovering Forgotten Contexts, 1900-1920, Elsie Y. Heung

Dissertations, Theses, and Capstone Projects

In 1920, women in the United States finally won the right to vote. The campaign for suffrage, which began in the 1848, with the first women’s rights convention held at Seneca Falls, NY, involved the efforts and enthusiasm of countless women who believed that they both deserved and needed the right to vote. This dissertation investigates the ways in which women artists both responded to and contributed to this divisive movement through painting and sculpture during the final decades of the campaign, when visual culture and propaganda played a crucial role in advancing the suffrage and anti-suffrage agendas. The literature …

Transnational Nationalists: Cosmopolitan Women, Philanthropy, And Italian State-Building, 1850-1890, Diana Moore

Dissertations, Theses, and Capstone Projects

“Transnational Nationalists: Cosmopolitan Women, Philanthropy and Italian State-Building, 1850-1890” is a study of Protestant and Jewish transnational reforming women who took advantage of a period of fluidity to act as non-state actors and impact Italian unification and liberation, a process known as the Risorgimento, and subsequent Italian state-building. Inspired by Giuseppe Mazzini’s spiritual brand of romantic cosmopolitan nationalism, as well as Giuseppe Garibaldi’s military campaigns, and believing that women had a god-given duty to provide education, morality, and uplift to oppressed groups, they worked to provide Italy not only with physical unification but also moral regeneration. Through an examination of …