Women's History Commons^™

Community In The Cell: Queer Women’S Space And Place In New Orleans, Jordan Hammon, Jordan Hammon

University of New Orleans Theses and Dissertations

This thesis examines queer women’s history and space/places of community in New Orleans using spatial analysis and feminist theory to fill the silences. The Special Citizens Committee for the Vieux Carré laid the foundation for regulating queer women and transmasculine people starting in the 1950s. Even after the committee ended, New Orleans Police Department and the Vice Squad had the power to invade and harass places of community for queer women and transmasculine people. Despite this hostility, queer women and transmasculine people resisted and made a place for themselves in New Orleans. As a result of their persistence through visibility …

Ladies First: The Ways Women And Girls Affected Change In The Civil Rights Movement In New Orleans, Terri R. Rushing

University of New Orleans Theses and Dissertations

New Orleans Historical is a project of the Midlo Center for New Orleans Studies in the History Department of the University of New Orleans. This thesis and tour presents and discusses the “Ladies First” tour which contains seven tour stops on New Orleans Historical. The tour chronicles seven women and girls who have advanced the cause of equal rights and justice in the metropolitan region of New Orleans, Louisiana between 1950 and 1975. This thesis examines the work of seven key figures: Rosa Keller, Doratha “Dodie” Simmons, Marie Ortiz, Sybil Morial, and Dorothy Mae Taylor; and participants in the Civil …

“The Community For Educational Experiments”: The Alliance Israélite Universelle, Gender, And Jewish Education In Casablanca, Morocco 1886-1906, Selene Allain-Kovacs

University of New Orleans Theses and Dissertations

At the end of the nineteenth century, the Alliance Israelite Universelle (AIU) opened boys’ and girls’ schools in Casablanca, Morocco, introducing ideas of European-inflected modernity and secular education to the local Jewish community. Letters and reports from the founding directors provide insight into the problems, social and practical, they encountered and reveal the ways in which both Moroccan and European gender norms affected this “educational experiment.”

Her People And Her History: How Camille Lucie Nickerson Inspired The Preservation Of Creole Folk Music And Culture, 1888-1982, Shelby N. Loyacano

University of New Orleans Theses and Dissertations

Over the twentieth century, Camille Lucie Nickerson excelled in her multi-faceted career as an educator, musician, and interpreter for the advancement of musical education for generations of black students in New Orleans and at Howard University in Washington D.C. Nickerson devoted herself to furthering her musical education through private instruction with her father, Professor William J. Nickerson. She then graduated with a diploma from Southern University and with a B.A. and M.A. in music from Oberlin College. Nickerson’s leadership in musical associations on a local and national level enhanced her ability to reach audiences of all ages through her performances. …

‘Posed With The Greatest Care’: Photographic Representations Of Black Women Employed By The Work Progress Administration In New Orleans, 1936-1941, Kathryn A. O'Dwyer

University of New Orleans Theses and Dissertations

For decades, scholars have debated the significance of the Works Progress Administration (WPA), emphasizing its political, economic, and artistic impact. This historiography is dominated by the accomplishments of white men. In an effort to highlight the long-neglected legions of black women who contributed to WPA projects and navigated the agency’s discriminatory practices, this paper will examine WPA operations in New Orleans where unemployment was the highest in the urban south, black women completed numerous large-scale projects, and white supremacist notions guided relief protocol. By analyzing the New Orleans WPA Photography collection, along with newspapers, government documents, and oral histories, a …

“Drinking” About The Past: Bar Culture In Antebellum New Orleans, Mindy M. Jarrett

University of New Orleans Theses and Dissertations

Women in antebellum New Orleans have often been memorialized as Voudou queens, slave-torturers who continue to haunt houses, prostitutes, and light-skinned concubines to wealthy, white men. This study focuses on women’s contribution to New Orleans’s economy through the hospitality industry as female bar owners from 1830-1861. In addition, it provides an overview of the role that alcohol and beverage consumption patterns played among men and women of all races, classes, and cultural backgrounds in antebellum New Orleans. Antebellum tourists, in addition to cotton and sugar, were an important source of income for many New Orleanians before the Civil War. As …

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

Flapperism: A National Phenomenon Comes To New Orleans, Tracy Carrero

University of New Orleans Theses and Dissertations

No abstract provided.

Louise Destrehan Harvey: A Pioneer Business Woman In The Nineteenth Century New Orleans, Louisiana, Judy H. Pinter

University of New Orleans Theses and Dissertations

No abstract provided.

Queering The Wac: The World War Ii Military Experience Of Queer Women, Catherine S. Cauley

University of New Orleans Theses and Dissertations

The demands of WWII mobilization led to the creation of the first standing women's army in the US known as the Women's Army Corps (WAC). An unintended consequence of this was that the WAC provided queer women with an environment with which to explore their gender and sexuality while also giving them the cover of respectability and service that protected them from harsh societal repercussions. They could eschew family for their military careers. They could wear masculine clothing, exhibit a masculine demeanor, and engage in a homosocial environment without being seen as subversive to the American way of life. Quite …

The Unheard New Negro Woman: History Through Literature, Shantell Lee

University of New Orleans Theses and Dissertations

Many of the Harlem Renaissance anthologies and histories of the movement marginalize and omit women writers who played a significant role in it. They neglect to include them because these women worked outside of socially determined domestic roles and wrote texts that portrayed women as main characters rather than as muses for men or supporting characters. The distorted representation of women of the Renaissance will become clearer through the exploration of the following texts: Jessie Fauset’s Plum Bun, Caroline Bond Day’s “Pink Hat,” Dorothy West’s “Mammy,” Angelina Grimke’s Rachel and “Goldie,” and Georgia Douglas Johnson’s A Sunday Morning in …

"Pray For Me And My Kids": Correspondence Between Rural Black Women And White Northern Women During The Civil Rights Movement, Pamela N. Walker

University of New Orleans Theses and Dissertations

This paper examines the experiences of rural black women in Mississippi during the Civil Rights Movement by examining correspondence of the grassroots anti-poverty organization the Box Project. The Box Project, founded in 1962 by white Vermont resident and radical activist Virginia Naeve, provided direct relief to black families living in Mississippi but also opened positive and clandestine lines of communication between southern black women and outsiders, most often white women. The efforts of the Box Project have been largely left out of the dialogue surrounding Civil Rights, which has often been dominated by leading figures, major events and national organizations. …

The Chorus Of Disapproval: The Battle Of St. Paul's And Women's Protest In Occupied New Orleans, Denice J. Richard

University of New Orleans Theses and Dissertations

Although scholars have explored women’s public resistance in occupied cities during the Civil War, few have explored women in occupied New Orleans. Studies have been limited to the rambunctious activities of women in the city streets, armed with sharp tongues. The use of private spaces, specifically religious spaces, as a platform for protest, has not been explored. By analyzing the events surrounding the closure of an uptown church on October of 1862, known as “The Battle of Saint Paul’s,” this thesis will address Confederate female activism and protest to Union occupation in New Orleans. It will do so by examining …

Finding Margaret Haughery: The Forgotten And Remembered Lives Of New Orleans’S “Bread Woman” In The Nineteenth And Twentieth Centuries, Katherine Adrienne Luck

University of New Orleans Theses and Dissertations

Margaret Haughery (1813-1882), a widowed, illiterate Irish immigrant who became known as “the Bread Woman” of New Orleans and the “Angel of the Delta” had grossed over $40,000 by the time of her death. She owned and ran a dairy farm and nationally-known bakery, donated to orphanages, leased property, owned slaves, joined with business partners and brought lawsuits. Although Haughery accomplished much in her life, she is commonly remembered only for her benevolent work with orphans and the poor. In 1884, a statue of her, posed with orphans, was erected by the city’s elite, one of the earliest statues of …