Women's History Commons^™

Lay It On The Line: The Life And Music Of Gladys Bentley, Bianki Torres, J.

Doctoral Dissertations

This work is a historical biography of Gladys Bentley and her blues music. She was a cross-dressing entertainer from the Harlem Renaissance and performed popular songs with added, sometimes improvised sexual innuendo. This study considers the performances of her recorded and written material as trans music, meaning, that black music provided a platform to determine racial, gendered, and sexual cultural expressions changing over time, however, always rooted in black vernacular culture. Using showbills, promotional material, studio recordings and short autobiography, this study follows Bentley’s career as “male impersonator” and the effects lesbian/gay (queer) culture had on her blues. Also, I …

Public Wife: The Life Of Jessie Benton Fremont, Lorraine D. Herbon

Doctoral Dissertations

This dissertation focuses on the life of Jessie Benton Frémont (1824-1902) and the ways in which she performed the role of a “public wife” through her marriage to John C. Frémont. This re-examination of a woman immensely popular in the nineteenth century offers a new way of thinking about the wives of famous men and the steps they took to both participate in, and direct the narrative of, American history.

Jessie Benton was the daughter of Missouri senator Thomas Hart Benton. At sixteen, Jessie met a young man from the Army Corps of Topographical Engineers who came to meet with …

Seeing With The Eyes Of The Soul: Visionary Women, Meditative Lives Of Christ, And Their Readers In Late-Medieval England, Caitlin J. Branumthrash

Doctoral Dissertations

This dissertation investigates the interactions in the transmission and reception of visionary women’s texts, devotional retellings of Christ’s life, and female book cultures in late-medieval England (ca.1350-1550). Surveying English manuscripts and texts containing the texts of St. Birgitta of Sweden and Mechthild of Hackeborn indicates a link in the commensurate popularities of the Life of Christ genre and the visionary women. Devotional Lives of Christ written by men incorporate visionary texts, though they reflect implicit medieval misogyny even as they celebrate the holy women. In contrast, a Life of Christ written by a medieval English nun blends the lived experiences …

The Wilderness Experience: Imitatio Christi And The Demonic Encounters Of Italian Holy Women Of The Quattrocento, Amy Huesman

Doctoral Dissertations

During the fifteenth century, when Christian spirituality had become increasingly feminized, a number of women in the northern and central regions of the Italian peninsula chose to embrace fully the vita apostolica, and certain of them led lives of such austere piety in imitatio Christi that they were later deemed worthy of beatification or canonization. They were sante vive—living saints—revered for their miraculous powers and regarded as agents of the divine. These women took vows as nuns or associated themselves with a religious order as tertiaries, and they dedicated themselves to strict lives of prayer, extreme fasting, and …

Stranger Compass Of The Stage: Difference And Desire In Early Modern City Comedy, Catherine Tisdale

Doctoral Dissertations

In periods of social and political upheaval like ours, it is more important than ever to interrogate constructions of identity and difference and to understand the histories of alterity that separate us from one another. Stranger Compass of the Stage: Difference and Desire in Early Modern City Drama reimagines the cultural and social effect of alien, foreign, and stranger characters on the early modern stage and re-envisions how these characters contribute to, alter, and imaginatively build new epistemologies for understanding difference in early modern London. Resisting the field’s current critical inclination toward English identity formation, this project works intersectionally to …

A Tangled Web: Quakers And The Atlantic Slave System 1625 – 1770., Kate Freedman

Doctoral Dissertations

This dissertation re-contextualizes the Quakers’ history as anti-slavery pioneers by exploring the crucial economic role that the slave-based economies of the British West Indies played in establishing the Quakers as a powerful sect in the seventeenth and eighteenth century Atlantic world. Quakers were driven by their faith to foster a spirit of equality inside and outside of their meetings. They were among the first European religious sects to allow women to preach, to oppose violence and war, and, beginning in the middle of the eighteenth-century, to ban the practice of enslaving other human beings within their membership. Yet the Quakers …

"No Seas Can Now Divide Us": Captains' Wives, Sister Sailors, And The New England Whalefishery, 1840-1870, Amanda L. Goodheart

Doctoral Dissertations

Between 1840 and 1870, nearly three hundred whaling captains’ wives accompanied their husbands at sea aboard New England whaleships. Unlike previous scholarship which has analyzed these women solely within the context of mid-nineteenth century domesticity, this study argues these women effected real and lasting change within their communities and the New England whalefishery. By going to sea with their husbands, women like Mary Brewster, Susan Veeder, and Elizabeth Marble defied longstanding gendered traditions wherein men hunted whales at sea and women supported those efforts ashore. In doing so, they joined the ranks of the sister sailors, a term first created …

Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo

Doctoral Dissertations

This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …

Theatre Women And Cultural Diplomacy In The Transatlantic Anglophone World (1752-1807), Sandra Perot

Doctoral Dissertations

Anglophone theatre provided a solid cultural bridge between Britain and America and served as an influential, informative, and accessible mode of social, political and cultural exchange transported throughout the eighteenth-century transatlantic world. Unlike works focusing on colonial American restrictions on theater, or examining its subsequent role in constructing American nationhood and identity, I explore how theatre served to both cultivate and challenge transatlantic connections. I show that actresses and women playwrights played a distinctive role in this process; they exercised agency in helping shape Anglo identity, influenced the formation of the cult of celebrity, challenged physical gendered spaces and normative …

“If There Are Men Who Are Afraid To Die, There Are Women Who Are Not”: African American Women's Civil Rights Leadership In Boston, 1920-1975., Julie De Chantal

Doctoral Dissertations

Since the 1980s, narratives surrounding the Boston Busing Crisis focus on South Boston white working-class’s reaction to Judge Arthur W. Garrity's forced desegregation order of 1974. Yet, by analyzing the crises from such narrow perspective, the narratives leave out half of the story. This dissertation challenges these narratives by situating the busing crisis as the culmination of more than half a century of grassroots activism led by Black working-class mothers. By taking action at the neighborhood and the city levels, these mothers succeeded where the National Association for the Advancement of the Colored People and the Urban League had failed. …

Imaging Her Selves: Black Women Artists, Resistance, Image And Representation, 1938-1956, Heather Zahra Caldwell

Doctoral Dissertations

This dissertation focuses specifically on dancer Katherine Dunham (1909-2006), pianist Hazel Scott (1920-1981), cartoonist Jackie Ormes (1911-1985), singer Lena Horne (1917-2010), and graphic artist, painter, and sculptor Elizabeth Catlett (1915-2012). It explores the artistic, performative, and political resistance deployed by these five African-American women activists, artists, and performers in the period between 1937 and 1957. The principal form of resistance employed by these women was cultural resistance. Using a mixture of archival research, first person interview, biography, as well as other primary and secondary sources, I explore how these women constructed personas, representations, and media images of African-American women to …