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Women's History Commons

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Articles 1 - 5 of 5

Full-Text Articles in Women's History

By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley Apr 2022

By The Power Vesta-Ed In Me: The Power Of The Vestal Virgins And Those Who Took Advantage Of It, Elena M. Stanley

Classical Mediterranean and Middle East Honors Projects

Vestal Virgins were high ranking members of the Roman elite. Due to the priestesses’ elevated standing, Romans made use of their inherent privileges. Through analyses of case studies from ancient authors and archaeology, I identify three ways Romans wielded Vestal power: familial connections, financial and material resources, and political sway. I end by exploring cases of crimen incesti, the crime of unchastity, which highlight all three forms. The Vestals were influential women who shared access to power in different ways. The Vestals were active participants in the social and political world of Rome.


From Handmaids To Princesses: How Identity And Politics Impact Definitions Of Biblical Rape, Gabrielle R. Isaac-Herzog Apr 2022

From Handmaids To Princesses: How Identity And Politics Impact Definitions Of Biblical Rape, Gabrielle R. Isaac-Herzog

Classical Mediterranean and Middle East Honors Projects

The politics of sex in the Bible are complex. They are impacted and limited by the time of the stories, as well as the political landscape and laws of the region. However, since many modern religions have emerged from the text of the Hebrew Bible, it is important for scholars to continue the work of critically examining the texts in the contemporary context. This paper offers a textual analysis of several biblical stories through a feminist and decolonial lens. Through the generation of a taxonomy by which these stories can be categorized, this paper posits that the biblical definitions of …


How To Be The Perfect Asian Wife!, Sophia Hill Apr 2018

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.


Ways We Remember: Rethinking Symbols Of Italian American History And Imagining Alternative Narratives, Kathryn N. Anastasi Apr 2015

Ways We Remember: Rethinking Symbols Of Italian American History And Imagining Alternative Narratives, Kathryn N. Anastasi

American Studies Honors Projects

My project re-examines dominant historical narratives of Christopher Columbus and assimilation of southern Italian immigrants to the United States. Arguing that such narratives partly result from historic anxiety surrounding southern Italians’ unstable whiteness, I challenge masculinist, white-washed histories by centering and contextualizing a history of Italian immigrant garment worker and labor leader Angela Bambace (1898-1975). By weaving my own exploration of my Italian immigrant ancestors’ pasts throughout, I ultimately encourage other white descendants of European immigrants to explore their histories in a critical and loving way that "resurrects" histories without sanctifying historical figures or their white descendants to racial innocence.


The End Of Her, Kerry Alexander Apr 2012

The End Of Her, Kerry Alexander

English Honors Projects

The End of Her is a collection of poetry that centers on ideas of celebrity, nostalgia, pain and healing, and collective memory. The poems depict the lives and times of tragic women: from Eve to Amy Winehouse. The project touches on both the real and the imagined in examining what it means to be famously tragic, as well as what it means to be a spectator of demise. Interwoven autobiographical pieces reveal the relationship between individual memory and shared history, as the collection positions personal accounts of love and loss in conversation with some of the world’s best-known stories.